“Ten albums down. This landmark tests a band in many ways—not everyone’s destined to land on Defenders of the Faith after all. That vital quality, consistency, remains part of that longevity. And as Angra Metal Guy has stated before “Consistency has been hard to come by for Angra.” At least that was until Secret Garden fell upon the world and took with it those words.” Angra management.
When 2 months of Filter crud collects, things get sticky. We got our hands dirty in July and August so you could have nice, fancy fingernails.
“The powers that be behind Theocracy saw fit to make us all wait nearly 7 years for a follow-up to 2016s Ghost Ship. This is a sin and something I cannot countenance in good faith. That’s because Theocracy are one of, if not the best American power metal acts running and they deliver such massive, emotion-drenched compositions when they deign to grant us an audience.” Slightly stained class.
“When a band makes it to their 14th album, you know they’re either doing something right or they have some really incriminating photos of a record company executive in their back pocket. In the case of German’s Primal Fear, I can’t completely rule out the extortion angle, but I suspect we’ve gotten to this point because these gents know how to play classic Judas Priest-influenced heavy metal with enough hooks and charm to keep folks coming back for more.” Who ordered the Code Red??
“As a guy who grew up with the sounds of Accept blaring in the background, I know how important it is to keep a restless and wild metal heart and not be afraid to get one’s balls to the wall when necessary. Legendary frontman Udo Dirkschneider decamped following Accept’s Predator outing, bringing an end to a cherished era in Germanic metal. The man has certainly kept himself busy since then, focusing on his U.D.O. solo project and going on to release 17 albums of Accept-adjacent metal.” Stacking the box.
“As all know, corset-core is not exactly my jam. But in 2020, Eleine set out to impress old Grier. And impress they did! And impress they did, and you all got to make various inappropriate comments as you experienced the heaviness of Dancing in Hell. And that heaviness and the vast supply of riffs impressed me the most about Eleine. Sure, the song structures are always about the delivery of the chorus but rarely did a song overstay its welcome. And the hooks were as pleasing as bourbon punch. Now Eleine is back, hoping to deliver their finest album yet and push Dancing in Hell off the mountaintop.” Come on, Eleine.
“Jag Panzer should need no introduction to those who dwell on this blogosphere. Blasting the cannons of truth and US power metal far and wide since 1983, they’ve carved out a strong, consistent, and impressive niche for themselves over a long-running reign of glory. Led by the one-of-a-kind vocal prowess of Harry “the Tyrant” Conklin, Jag Panzer’s Ample Destruction debut shocked and awed the masses with its catchy, kick-ass heavy metal on roids sound, and it left the world waiting more. Band instabilities meant that the more part didn’t come until 1997s The Fourth Judgment, which showed the band in a more refined, epic mindset. From there though, the hits kept on coming.” Much Panzer!
“Though I’ve explored every album and every song from these Finnish monsters (sometimes multiple times over the years), I do not fully enjoy their music. But, when I see a new Lordi release, my ignorance overcomes, and I snatch it open immediately. Why I do it, I don’t know. But it’s not like any other writer would dare touch it, thereby dumping unnecessary stress on myself to find it in the bin and claim it. But that’s what I do. Because no one seems to like this band, and I’m the only one stupid enough to review them. That said, you’re all idiots for reading this.” Lordi, Lordi.
“Therion and I go way back, but not as far back as the Great Ape because he’s as old as the oil that lubricates my engine. Therion has always been the same bizarre operatic, symphonic enigma. I’ve been an enthusiastic fan, from Vovin to Secrets of the Runes to Lemuria/Sirius B. But after the release of Gothic Kabbalah, I begin to lose interest. With the release of Leviathan II, I revisited the band’s entire discog, and while I hate agreeing with Dumb Druhm, he is right.” Oeuvredone.
“When a musician has a protracted affiliation with a certain band and then gets the freedom to do his/her own thing, sometimes you end up with a funky batch of seabiscuits. Take for instance Seventh Storm, the new project by long-time Moonspell drummer Mike Gaspar. With 20-plus years manning the kit for the Portuguese black/folk/goth/prog titans, I’m not sure what folks were expecting from his solo phase, but I feel safe saying Maledictus isn’t it.” Strange waves.
