Aug17

Leprous – Malina Review

Leprous – Malina Review

Leprous is one of Norway’s finest acts and one of the excellent stable of modern prog bands that we have covered here at AMG in the last 5 or 6 years. In recent times, their profile has risen as their singular approach to progressive metal has inspired high praise from myself, Kronos, and the metal world at large.” When a rare double review arrives, it means the staff has been a beefin’.

Inanimate Existence – Under a Melting Sky Review

Inanimate Existence – Under a Melting Sky Review

“I love to see a band you can’t quite pin down. I picked up the thread on Inanimate Existence with their sophomore effort, A Never Ending Cycle of Atonement, an album which couldn’t decide whether to be brutal or proggy — and was much better at the latter. Then came Calling from a Dream, and a radical redirection towards the band’s strengths. It was concise, melodic, interesting, and above all, memorable, an experiment in storytelling and fantasy that worked remarkably well. Just a year later, the band is back, this time with yet another new direction.” Tech-mech.

Bloodlust – At the Devil’s Left Hand Review

Bloodlust – At the Devil’s Left Hand Review

“In the entire English language, no three words get me more excited than “Australian blackened thrash” (maybe “double bacon cheeseburger,” but that’s a different article). Deströyer 666, Gospel of the Horns, Nocturnal Graves — all great stuff, and Bloodlust is just as savage. This Perth-based trio formed in 2011 and consist of current and former members of Impiety, The Furor, and Mhorgl, among others. Somehow debut Cultus Diaboli slipped by me in 2015, but no matter — sophomore full-length At the Devil’s Left Hand is here, and it provides all the Satan, hellfire riffs, and Satan that your pathetic little ears can handle. Did I mention Satan?” Satan.

Serious Black – Magic Review

Serious Black – Magic Review

“Their catchy-as-fuck 2015 debut, As Daylight Breaks, was the first. Then, last year’s “meh” Mirrorworld. And, now, Magic. Math ain’t my strong-point, but that should make three albums in three years. Sure, Vardan releases a baker’s dozen on an annual basis, but groups like Serious Black? I didn’t think it was possible—nor should it be. But, by god, here it is. Unfortunately, the intense schedule for releasing full-length albums on a yearly basis is starting to show. Since the debut, quantity over quality has been the name of the game for Urban Breed and co. Which results in a Serious Black bummer. ” The strings are showing.

Xanthochroid – Of Erthe and Axen: Act I Review

Xanthochroid – Of Erthe and Axen: Act I Review

“Finally, Xanthochroid return with a detailed prequel narrative to the storytelling events of the debut, split into two albums to be released in 2017, beginning with Of Erthe and Axen: Act I. Do they have what it takes to craft a prequel story with the musical output to match their ambition? Or is Act I destined to become the metal equivalent of The Phantom Menace?” Jar Jar-core?

Ursinne – Swim With The Leviathan Review

Ursinne – Swim With The Leviathan Review

“Like the darkest of chocolate smothering the creamiest of peanut butter, pairing two of death metal’s enduring icons for a dream supergroup should be a match made in heaven. With a combined resumé that reads as venerable Who’s Who of classic death metal, the musicianship of Jonny Petterson (Wombbath, Pale King, Henry Kane, a slew of other bands) blended with the throat of Dave Ingram (Down Among The Dead Men, ex-Bolt Thrower, ex-Benediction, a slew of other bands) sounds like a perfect formula on screen and paper. Stockholm-steeped riffing topped by one of England’s most recognizable death metal vocalists? Sign me the fuck up, right?!” Undercover debacle.

Rabid Bitch of the North – Nothing but a Bitter Taste Review

Rabid Bitch of the North – Nothing but a Bitter Taste Review

“Come on, with a name like that can you blame me for grabbing this band’s album? It’s the equivalent of promotional clickbait. Crazy band name, goofy album title, and even goofier band picture, all topped off with the fact that the band consider themselves purveyors of the NWOBHM (despite the fact that this is really their debut album). It all adds up to something that, if Steel wasn’t already double-dipping this week in the review pool, he would have grabbed for sure. Which means I get his sloppy seconds.” The bitter taste of rabies.

Canyon of the Skull – The Desert Winter Review

Canyon of the Skull – The Desert Winter Review

“I might have a minor masochistic streak when it comes to reviews. Sure, much of my rapidly developing reputation for reviewing dreck (see: Akoma, Invidia, Insatia, Blind Seer) arose from sheer bad luck on blind promo selection. But why else would I stand up and say “I’ll take the ring to Mordor” when Steel mockingly requested volunteers to review a 37-minute, self-released(!), sophomore(!!), single-track(!!!), instrumental(!!!!) doom metal album?” Snakebit.

Sons of Crom – The Black Tower Review

Sons of Crom – The Black Tower Review

“The AMG promo sump is a murky, fetid cesspool, and you don’t always find exactly what you expected when delving into its brackish, primordial ooze. Swedish two-man band Sons of Crom were clearly labelled as “epic heavy metal” by some AMG toadie, which to my mind conjures images of Atlantean Kodex and triggers my involuntary salivation reflex. The band’s second full-length, The Black Tower is many things, with epic being one of them, but they’re quite far afield from what I was expecting.” From sump to summit.

Void Ritual – Heretical Wisdom Review

Void Ritual – Heretical Wisdom Review

“The little I know about Albuquerque, New Mexico comes from Breaking Bad and Better Call Saul. The last thing I’d expect to come to this dry and rift ridden desert landscape is frosty Scandinavian inspired melodic black metal. But, Void Ritual don’t play by the rules, like a unicorn entering a two-horned race.” Rule breaker, horn faker.