Australian Metal

Descent – Towers of Grandiosity Review

Descent – Towers of Grandiosity Review

“Though buried deep underground, the metal scene has been a constant fixture in Australia for decades. While no genre is shirked, death metal seems to be the one that spawns in numbers comparable to the infinite variety of Tim-Tams that clog our biscuit aisles. And it’s not the couth, be-speckled type of tech-death either. No, it’s the putrid, knuckle-dragging variety – foul, angry music that is violence committed in red and black. This hostile predilection is a curious thing, it seemingly runs counter to our laidback, “she’ll be right” attitude.” No Serenity now!

Great Leap Skyward – Map of Broken Dreams Review

Great Leap Skyward – Map of Broken Dreams Review

“‘Cinematic progressive metal.’ Now there’s a tag rife with possibilities. Theatrical djent? Dream Theater 2.0? Coheed Jr and Cambriette? Prior to this review, I’d never heard of Australia’s Great Leap Skyward. Subsequently, I had no idea what I was in for when I rescued Map of Broken Dreams from Angry Metal Guy‘s Home for Wayward Promo.” Prog, broken dreams and depressed Muppets.

Rebel Wizard – Voluptuous Worship of Rapture and Response Review

Rebel Wizard – Voluptuous Worship of Rapture and Response Review

“I first stumbled across prolific one-man Australian riff machine Bob Nekrasov and his solo outfit Rebel Wizard on the band’s impressive 2016 opus, Triumph of Gloom. What impressed me most about the album was its cohesively disparate combo of scorching dual guitar harmonies and triumphant heavy metal gallop, ugly lo-fi aesthetic, and black metal core. Due to >b>Rebel Wizard’s ripping song-writing, impressive riff-craft, and ear for splendidly catchy melodies, Triumph of Gloom earned solid rotation, so naturally I was pleased to hear Rebel Wizard had landed under the Prosthetic Records roster and were ready for wider spread metal domination.” Not your dad’s wizard.

Opus of a Machine – Stray Fire Review

Opus of a Machine – Stray Fire Review

“A new record from an unsigned band touring with Caligula’s Horse should be enough for most reviewers to perk up their ears and attempt to claim it from the promo bin. Somehow, though, Opus of a Machine’s new album Stray Fire had its cloaking device firmly in place, and none of us grabbed it until the AMG Overlords forced it upon me.” Forced Opus is the best Opus.

Cemetery Urn – Barbaric Retribution Review

Cemetery Urn – Barbaric Retribution Review

“When it comes to pretension, quoting yourself is one of its masturbatory peaks. Allow me to indulge in a scratch that lingers slightly too long and paraphrase what I said about Australia’s Cemetery Urn in the distant year of 2017. The band’s self-titled release showed a great deal of promise with its punishing yet coherent death metal, making them a band worth paying close attention to. While I had been anticipating a new release, this quick of a turnaround is worrying. Can Barbaric Retribution be the result of a productive fit of inspiration or a public jettisoning of leftovers deemed unworthy of records past?” Respect isn’t given. It’s Urned.

The Eternal – Waiting for the Endless Dawn Review

The Eternal – Waiting for the Endless Dawn Review

“Long time readers of Angry Metal Guy Blogworks and Important Opinion Emporium, Ltd., know I have a soft spot for sadboy melancholic doom. This led me to heap praise on Swallow the Sun’s mammothly meandering, overblown triple album suite, Songs of the North back in 2013. In the fullness of time, I downgraded the original score on my Contrite Metal Guy confessional, and hard lessons were learned: Some albums are simply too long-winded to work as well as they should. Now comes Australian act, The Eternal and their sixth album, Waiting for the Endless Dawn.” Why the long album?

Mongrel’s Cross – Psalter of the Royal Dragon Court Review

Mongrel’s Cross – Psalter of the Royal Dragon Court Review

“We’ve all been there. We’ve all strived to transcend weakness, to beat back the forces of oppression, to rip the fucking heart from the proverbial lion. Deströyer 666 use the motif of a wolf to convey this sense of power; fellow Australians Mongrel’s Cross use a dragon. Their 2012 debut The Sins of Aquarius was rife with such smoldering imagery, taking the Australian black thrash tapestry and soaking it in the grandiose swagger of Bathory’s Blood Fire Death. The result was both a personal favorite and one of the style’s most potent albums in recent years.” Dragons, Bathory and battles, oh my!

Southern Empire – Civilisation Review

Southern Empire – Civilisation Review

“Let’s be real here: are bands truly progressive when the longest song between them is but a measly fifteen minutes? Adelaide’s Southern Empire say “Not so!” as they drop the massive platter that is Civilisation. The four-track album clocks in at a mind-numbing seventy minutes! Can they justify the enormous time investment required to fully appreciate a record of such hefty girth?” An album with big bones.

Runespell – Order of Vengeance Review

Runespell – Order of Vengeance Review

“Like most of my peers, I try to spread out my metal listening; variety being the spice of life and all that. Despite this, however, I frequently find myself short on new black metal. Instead, I return to old standbys; kvlt, traditional and the bravely exotic. Unfortunately, the promo sump is rarely a good way to fix this problem, as so few black metal bands are interested in innovating. This is particularly true at the offices of our friends at Iron Bonehead, an established where ingenuity isn’t welcome. Still, Australian studio-project Runespell’s sophomore release—Order of Vengeance—is at least less baffling than the last Australian black metal act I covered, pulling firmly from the Norwegian second wave with smatterings of other scenes and styles to keep things from growing stale.” Leftover Norway.

Skyborne Reveries – Winter Lights Review

Skyborne Reveries – Winter Lights Review

“It’s not exactly a secret that I enjoy of deep atmospheric black metal just as much as the next guy deems to be unhealthy, though even I don’t know where my own obsession with the sounds ov misanthropy came from. Maybe it was Maine, maybe it was Northern winter nights. Maybe it was you people, maybe it was me and my staunch opposition to joy that lead me here; whatever the case, it sure felt right to pluck Skyborne ReveriesWinter Lights from the promo bin after a bit of… unpleasantness.” Muppet and the winter moon.