This post has been removed because it promoted Nazi or Nazi-adjacent metal bands or musicians. We apologize.
Austrian Metal
Summoning – With Doom We Come Review
“If I were tasked with appointing one artist as head of a guild of Tolkien-inspired musicians, Summoning would be my number one pick with a bullet. That’s not just because Protector and Silenius have been churning out reliably high quality material for over two decades. As an act that pays tribute to a man who created a fantasy realm so intricately as to craft entirely new languages for it, Summoning has always been similarly ambitious, spawning a musical language as beautiful as it is unique, as if it were forged from cultures that couldn’t possibly exist in our own realm.” Ring in the new year!
EP Edition [Things You Might Have Missed 2017]
“Last year I compiled a year-end EP post with which I received help from my colleagues and of which I was quite proud. This year I institute this post by repeating it.” Get institutionalized.
The Negative Bias – Lamentations of the Chaos Omega Review
“Oh, December. That special time of year, when the masses try to buy their way out of SAD, supermarkets become more unbearable than usual thanks to seasonal saccharine soundtracks, and even the AMG promo bin transforms into a smoldering heap of nope. Some blind themselves to the solstice’s sadness with festive lights, others drown it in nog, but let me assure you: there will be no happiness.”
Serenity – Lionheart Review
“Serenity is an Austrian symphonic power metal band that has met my standards with 2016’s Codex Atlanticus. That record was solid, yes, but I was surprised by the band’s newest record landing in my inbox a year after its release. More concerning than surprising, however, is that the record is a concept album about Richard the Lion-Hearted. A solid record a year later is an ask for most bands, but do-able. A solid concept album in the same time is simply a reach. So, is Serenity’s Lionheart a good album? And, more importantly, is it a good concept album?” Lions, hearts and crusades, oh my!
Belphegor – Totenritual Review
“Ever blackened, ever brutal, ever bothersome of livestock, Austria’s Belphegor have once again returned to necromance us with another flurry of panzer division extremity. I may not have gushed quite so profusely over the previous album, Conjuring the Dead, as Steel Druhm, but I certainly enjoyed the uptake in death metal that informed that record and still occasionally drop in when in need of a merciless bondage beating.” Hogtied and beaten sheepless.
Darkfall – At the End of Times Review
“Melodeath bands often fall into the trap of monotone execution, plying their Entombed trinkets and Insomnium baubles with every riff of every song. Poorly-produced Winter Jari bobbleheads might make a nice collector’s item, but unless you’re the American Wintersun utterly convincing in your ripoffs, playing songs that never form their own identity is a one-way ticket to the Dumpster of Destiny. Darkfall, est. 1995, register on the more vitriolic end of the melodic death spectrum, though they may protest otherwise.” Dumpster death.
Silius – Hell Awakening Review
“This site has no shortage of writers that enjoy a good face-peel, so thrash albums typically fly off the shelves. Add a cute little “groove/” tag to the front and suddenly you can’t move that shit for a ticket to one of Doc Grier’s famous tea parties. But not all groove is equal, as the entirely serious Silius wants us to remember.” Groove is in the heart.
Vinsta- Vinsta Wiads Review
“Some days, identifying influences is the worst part of this job. Reference points flutter atop tongue tips, tantalizingly close but ever out of reach. Vinsta provides no such difficulty. This Christian Höll (Outlawed) solo project gins up a tried-and-true formula for its debut: two parts Opeth, one part Anything Else, stir ’til frothing and mustachioed. The genre of the day is folk, but Vinsta Wiads ends up heavy on the former, light on the latter.” Heavy Opeth sounds good, right?
Lost Dreams – Exhale Review
“We at AMG live for finding the next big thing. There’s nothing quite like picking a random promo and finding yourself immersed in a monumental album of epic scope and peerless execution. But there’s something to be said for a tasty bout of hard, fast, and stupid.” Come for the riffs, stay for the stupids.