Autopsy

ZOM – Flesh Assimilation Review

ZOM – Flesh Assimilation Review

“Up until now, there were three things that came to mind when I thought of Ireland; St. Patty’s Day, Guinness and Primordial. It turns out there is now a fourth: ZOM. Now, if you go to their Facebook page, this Irish threesome claims to exist in the “Anti-Matter Universe.” Goofy sounding? It is. But my Aunt has a summer home there and she just loves it. Regardless of where they reside, ZOM are definitely intent on wreaking havoc in this Anti-Anti-Matter Universe of ours.” That’s all well and good, but if they make me spill my Guinness, shit’s going down in all the universes.

Skelethal –  Interstellar Knowledge of the Purple Entity Review

Skelethal – Interstellar Knowledge of the Purple Entity Review

“Great Scott! Like stepping into a sepulchral time machine, Skelethal have transported us back to when Sunlight Studios was Mecca, buzz saw guitars sounded like a swarm of bees, and vocals were scraped from the depths of the grimiest gutters of hell.” More retro death arrives, unfazed by the giant shadow of Bloodbath. That’s brave.

Centinex – Redeeming the Filth Review

Centinex – Redeeming the Filth Review

“Without fail, I always seem to come back to my mass of Swedish death metal albums in a given calendar year. During that time, I pass from album to album, band after band of angry-at-the-world vocals, heavy-as-hell riffs, and the bludgeoning anti-Christian, death, and war themes. Much like the thrash movement in the States, there are arguments over the “Big Four” of the genre.” And guess who isn’t getting included in anyone’s list?

Horrified – Descent into Putridity Review

Horrified – Descent into Putridity Review

“Before my move to Japan six months ago, I spent many happy years in England’s North East, feasting on stotties and Craster kippers while participating enthusiastically in the unique drinking culture. The metal scene there is really rather good, though recently not many of the bands have made much of a splash outside the region save for pagan black metallers Wodensthrone. When I saw we’d received a promo from Newcastle-based Horrified, then, I jumped at the chance to review it.” Old school death by way of England isn’t always an easy trip.

Slaughterday – Ravenous Review

Slaughterday – Ravenous Review

“Death metal has pretty much gotten to the point where if you’re not doing something new and cool with the genre, then you’re damned to be unknown for the rest of your career. Even though tours like Summer Slaughter are covering every corner of the genre, some bands are just not willing to progress any further and stick to what isn’t broken and doesn’t need fixing.” It’s time for yet another probationary writer to shake the word machine and see what falls out. Here we have Gothmog discussing the wares of retro deathsters Slaughterday.

Bombs of Hades – Atomic Temples Review

Bombs of Hades – Atomic Temples Review

“Sure, we’ve all heard of beating a dead horse, but have you heard of D-beating a dead horse? Retro Swedish death is that rotting carcass and Bombs of Hades return once again to kick and stomp it with more Entombed and Dismember based bootery. Atomic Temples picks up right where 2012s The Serpent’s Redemption left off and delivers another overdose of unrefined Swedish death mixed with rudimentary crust punk and half baked Motörhead outtakes, and much like the last platter, it’s a fairly fun listen if you’re in the proper frame of mind.”

Autopsy – Tourniquets Hacksaws and Graves Review

Autopsy – Tourniquets Hacksaws and Graves Review

“Well, that cover and the title pretty much say it all. Autopsy is back again rather soon after last year’s The Headless Ritual, and they’re up to their usual sick, crusty, gore-soaked death metal shenanigans. Rocking their old school style of death mixed with doom and horror movies shtick, these shameless fiends show no interest in evolving and if anything, they’re actually devolving further into a grisly stew of sticky unpleasantness. No surprises await the Autopsy fan, just more reliably unhinged sonic mayhem that approximates being on a condemned rollercoaster with zombies, serial killers and hostile ex-girlfriends.” Don the gore-gore boots and join the kickline of the dead, because Autopsy is back to bloody the waters.

Morbus Chron – Sweven Review

Morbus Chron – Sweven Review

“The times they are a changing! If you were around for my review of Morbus Chron’s 2011 opus Sleepers in the Rift, you know how impressed I was with their Autopsy-laden salute to early American death metal. That album was a sewage leak of nastiness and I still spin it often. Naturally, I expected more of the same with their follow up, but I didn’t get it. Not even close. That’s because Sweven (yea olde English for “visions”) is an enormous departure in style and approach, veering off into the world of proggy, tripped out weirdness, while somehow still remaining death metal.” Wow, this one really knocked Steel Druhm off his feet, and he’s notoriously difficult to knock over. You best read on.

Corpsessed – Abysmal Thresholds Review

Corpsessed – Abysmal Thresholds Review

“Steel Druhm loves his old school death metal, but I get tired of comparing every band’s sound to Entombed, Dismember and/or Grave. Thankfully, Corpsessed arrived in my queue with a terrific moniker and a sound that doesn’t require the standard comparisons. That’s because these sick Finnish death mongers deliver a crusty, ugly style that sounds like a mix of Demigod, Onward to Golgotha era Incantation, Autopsy, primitive low-fi blackness and sludgy doom.” They say nothing cleans the palate like sewage spewing death metal. Well then, take a big slurp of this nastiness.

Vastum – Patricidal Lust Review

Vastum – Patricidal Lust Review

“First of all, I think Paolo Girardi should come up to center stage and take a bow. His artwork decorates the covers to a whopping 13 releases this year alone, including Inquisition’s Obscure Verses for the Multiverse, reviewed on AMG not too long ago. Here Giraldi strikes again – take a good, long look at the horrific Freudian nightmare of an album cover adorning Patricidal Lust, the debut release from San Franciscan death metal horde Vastum, and I dare you to tell me with a straight face that such a beautifully disgusting work of art doesn’t make you salivate like one of Pavlov’s dogs. Just like the deliciously putrid artwork decorating the cover of Patricidal Lust, the music contained therein is a fetid, hot-and-ready splattering of meat-and-potatoes doom/death metal.” If fetid meat and potatoes didn’t hook you in, you must be hungover and/or lame. Either way, read on as JF Williams delves into the death metal muck with the low tech charm of Vastum.