“Tensions remain, not just between Greece and the overlords of the EU but within the country: between those who support the economic freedom conferred by greater government spending and those who advocate fiscal responsibility. It’s in this turmoil that Mayhem in Blue was written.” Frugality breeds insanity.
“Given my track record on stripped-down and synth-heavy New York bands, I’ve been meaning to check out Psalm Zero for some time. Their 2014 effort, The Drain made it on to some year-end lists around the metal chaosblogosphere, but in the time between it and Stranger to Violence, I never quite followed up on the buzz.” The man doesn’t chase trends.
“Norwegian trio Virus, and by extension its mastermind Carl-Michael Eide a.k.a. Czral, never steered away from oblique, almost hermetic forms that somehow seemed to cater to metal audiences while simultaneously belonging to completely different narratives. In that respect, Memento Collider is a culmination and possibly the band’s boldest statement to date.” We found the profound for you.
“With two and a half decades under their belt and a generation of bands aping their sound, one wouldn’t be surprised to see Gorguts rest on their laurels for a while. But Gorguts’ time of rest is over, and Luc Lemay has made it abundantly clear that his pioneering death metal vision didn’t stop with From Wisdom to Hate.” No rest for the gutted.
“You’ve witnessed the scene. It’s a part of the furniture in many contemporary neo-neo-noir, ominously foreboding, condemningly pseudofuturist movies. Our heroic but morally ambiguous protagonist visits some sort of underground nightclub. People, presumably the filth of the city, dance spastically (yet provocatively) under stroboscopes, adorned by black leather and fetishized clothing. A mixture of disgust and temptation lingers while a red haze surrounds the entangled mess of bodies. It’s Hollywood’s typical portrayal of Hell on Earth, a mise-en-scène imbued with cheap symbolism. Imagine now a worthy metal accompaniment to such a spectacle in real life, deprived of all the fabricated fanciness, something that would eclipse phony visual cues and provide a truly infernal setting.” Or just recall the club scene in Blade II.
![Grey Heaven Fall – Black Wisdom [Things You Might Have Missed 2015]](https://www.angrymetalguy.com/wp-content/uploads/2016/02/Grey-Heaven-Fall-Black-Wisdom.jpg)
“Regret. We all experience it in one way or another. Some feel it after a heavy night of drinking before a working day. Others after indulging amorous emotions with an ex’s mother. Me? The regret I feel is for missing great music the first time around. It was in the process of skimming year end lists to uncover my omissions that I was directed towards Black Wisdom by Grey Heaven Fall.” We also regret that whole White Wizzard thing.
“It was on a tepid spring night that I witnessed, for the first time, the show put on by three mysterious French shamans going by the name of Aluk Todolo. A psychedelic, trance-inducing “krautblack” assault washed over the audience, permeating and shaking each molecule and atom of their beings. An unforgettable experience.” Darkness, beauty and brutality.
![Lychgate – An Antidote for the Glass Pill [Things You Might Have Missed 2015]](https://www.angrymetalguy.com/wp-content/uploads/2015/12/Lychgate_an-Antidote-for-the-Glass-Pill-768x768.jpg)
“I vividly remember my first encounter with black metal (Burzum), a music so dissonant and evil-sounding that it left twelve-year-old me completely bewildered and flabbergasted. In metal, it was rare and legendary extremes like Gorguts that came close. Until recently, that is, when my ears were graced by the insanity that is Lychgate’s An Antidote for the Glass Pill.” The weirdness is strong with this year’s TYMHM selections.
“When perusing the AMG Upcoming Crap We Need to Review List™ of new releases, it’s easy to judge bands based on their names. King Heavy and their self-titled debut album apparently fell into the doom metal category, and I immediately made the connection with King Giant’s recent release – the two similarly titled bands within the same genre would surely broadly equate and offer a convenient comparative review?” Nothing is as it seems on the Crap List.
“Once upon a dark and glum time, also known as the beginning of the dank ‘90s, a bunch of enigmatic German misfits got together, formed a band called Bohren & der Club of Gore, and started playing music that was quite novel for its period.” The age of Jazz doom is upon us.
