“The middle of the Venn diagram of melodic and atmospheric is where I find my favorite kind of black metal. Sizzling with the energy and catchiness of epic tremolo refrains and blastbeating tempos, and shimmering with veils of synth. If it’s a good example at least. Hence, I rushed to pick up Inherits the Void’s sophomore record The Impending Fall of the Stars as soon as I saw the magic adjectives melodic and atmospheric applied to their black metal style.” Void estate planning.
“The word ‘meanders’ itself describes more than just the state of lesser dissonance heavy or atmospheric acts who clash songs out of existence with contrapuntal Tetris. Rather, Anachronism with their latest leans on the artistic concept of the meanders as they might appear in a mosaic, ornamental patterns of winding or interlocking lines.” Musical blocks in sonic temples.
![Sur Austru – Obărșie [Things You Might Have Missed 2021]](https://www.angrymetalguy.com/wp-content/uploads/2021/01/sur-austru-obarsie-01.jpeg.webp)
“Earlier this year, Huck N Roll reviewed the final full-length release from Negură Bunget, following Gabriel Mafa’s tragic passing in 2017. For several now-former members of the group, however, the musical journey, and spirit of Negură Bunget, persists in the form of Sur Austru, which was formed in 2018 to continue that musical legacy.” Onward.
![Windfaerer – Breaths of Elder Dawns [Things You Might Have Missed 2021]](https://www.angrymetalguy.com/wp-content/uploads/2021/12/Windfaerer-Breaths-of-Elder-Dawns-01.jpg.webp)
“It is often difficult for me to know where to begin when writing about a record that resonates with me as deeply as Breaths of Elder Dawns. New Jersey’s Windfaerer swept me up so swiftly that I cannot even recall where I was first made aware of this record; the experience of listening to the album completely swallowed me.” Enjoy of deep breaths.
“Ad Nauseam spilled into the avant-garde black/death metal scene in 2015 with Nihil Quam Vacuitas Ordinatum Est, a record that stood out for its audacity even among the most ambitious and experimental extreme metal records. Think Gorguts, think Baring Teeth, think Imperial Triumphant, and, yes, think Pyrrhon, but the Italian quartet are their own phenomenon.” Artisan sickness
“We all have those times where we look back and say to ourselves ‘what was I thinking?’ That’s kind of how I feel about reviewing Dzö-nga’s second album, The Sachem’s Tales, back in 2017. Today, a folky atmospheric black metal album with classical influences seems so far out of my wheelhouse that it’s not even in the same hemisphere. Yet, I did enjoy my share of Agalloch and Cascadian black metal back in the day, and as such, I was able to appreciate Tales as an inspired and engrossing piece of woodsy black metal with intriguing Native American themes. Led by vocalist and guitarist Cryvas, this Boston project has now returned with another opus, this time based on H.W. Longfellow’s epic poem ‘The Song of Hiawatha.'” Spirits of nature.
“From the first minutes, it will be obvious to followers of the style that Profetus model their slow trudging misery after funeral forefathers Thergothon and Skepticism. This makes sense, as all three bands hail from Finland, home of the world’s most metal bands per capita at two bands per person.” Remembrance of heavy things past.
“Stormveiled is the second album by Slovak black metal band Aeon Winds, and it’s deeply rooted in the second wave symphonic flourishes pioneered by our aforementioned super spy stand-ins as well as Dimmu Borgir. Icy riffs and blast beats drive the album, while grandiose synthesizers ride shotgun across the 10 track, 50 minute run.” Familiar winds.
“Summer: blah. Rampant blinding sunlight, not a dead tree to be found, and everywhere I go is plagued by incessant seasonal euphoria… I hate it, yo. Without autumn’s dying beauty or the melancholic jubilation of winter nights, I find little to sustain the part of me that feeds on natural darkness and am forced to hunt down anything that’ll let me at least hear that which I cannot presently see or feel. Enter Suicide Forest.” Put some winter in your summer.
“With their debut, they rather awkwardly tried to shoe-horn the patient, meandering post-metal aesthetic with the fury and immediacy of black metal, to mixed results. Now they’re back with a new concoction: think of a base consisting of the atmosphere of Agalloch, topped with some post-metal Pelican, drizzled with the tortured vocals of Grift or Sivyj Yar, sprinkled with a dash of Deafheaven. The question is, have they created something palatable? Do we have a winner (like chocolate and salt) or an inedible monstrosity (like pineapple and pizza)?” Buffet of melancholy.
