Bathory

Primitive Man – Scorn Review

Primitive Man – Scorn Review

Oh the pleasure of punishment without guilt, of terror without a motive, of sadistic pain with too much uncontrolled joy and salty drops of unrequited love. Primitive Man call the bluff we all know as life by showing the vulgar side of our existences. Our bodies reek when in fear because the matter doesn’t lie; we do; it doesn’t. If less than 40 minutes of raw, filthy music played without compromises may sound like a sonic déjà-vu, don’t worry: you may be right. Primitive Man’s music is, in fact, an end to itself: an epic journey through punishing dissonances mostly played at an excruciatingly slow tempo. Eyehategod? Maybe. But more than 20 years after an album like In the Name of Suffering graced our ears, the demise of black metal, the growth of drone-based trends and the evolution of what some term ‘extreme music’ all give us an updated version of that masterpiece. It hurt then as it does now and the bleak landscape remains the same. Hate doesn’t evolve; it just gets bigger.” Alex is here to discuss life’s ugliness and pain, glorious pain. Apparantly this album makes him go on like Pinhead in a bondage bar.

Månegarm – Legions of the North Review

Månegarm – Legions of the North Review

In the late ’90s and early ’00s (aughts, as I call ’em), there was a swath of Scandinavian bands forming something of a scene around the sound of folk influenced black metal. Chief among these were Thyrfing, Moonsorrow, and Månegarm. While Moonsorrow changed their sound with time and went on to have widespread respect, the Swedish bands (Månegarm and Thyrfing) both labored in relative obscurity. Why Månegarm never quite pushed their way onto the international stage is mysterious for me, because they’ve always been a band producing unique, interesting, and enjoyable music. In any case, Legions of the North marks the band’s first record since 2009’s Nattväsen which was released on the struggling (and now defunct) Regain Records. While Nattväsen was excellent, my major complaint was simply that it was largely a repetition of 2007’s Vargstenen. After 4 years, signing with Napalm Records, getting a new drummer and losing violinist Janne Liljeqvist, can Månegarm present a fresh face and fill their little niche in folk metal?

Ereb Altor – Fire Meets Ice Review

Ereb Altor – Fire Meets Ice Review

“With little or no fanfare, the trolls of Viking/doom/folk/black metal known as Ereb Altor storm back from the frozen wastes with their hybrid sound and more tales from Norse mythology. Though they began life as an epic-sized, Viking metal act with a strong doom influence (check out By Honour because it’s badass!), they added more and more black metal over time, culminating with 2012s Gastrike opus. As before, they worship the sound and mood of Bathory’s Hammerheart opus (and to a lesser extent Twilight of the Gods) while also incorporating early Darkthrone influences and doom stylings similar to While Heaven Wept.” A fusion of Viking, black and doom metal pretty much sells itself, but Steel Druhm still showed up to grab a paycheck and examine the heady brew that Ereb Altor cooked up. Tastes like…wictory.

Pest – The Crowning Horror Review

Pest – The Crowning Horror Review

“Bands regularly lay claim to being ‘old school’, to bringing back the ‘glory days’. But from my experience, what they’re REALLY trying to tell you, is that they’re foisting their low budget recording quality onto you and they’re serving you a platter of replica tracks. This was my first thought when I saw that Necro and Equimanthorn’s big selling point on Pest was that their brand of Swedish black metal is ‘played in the old vein, no females or keyboards involved’ naturally I prepared myself for the worst…” Old school Swedish black metal? Isn’t all black metal old school? Regardless, Madam x delves into the latest Pest and tells you if they annoy her.

Joel Grind – The Yellowgoat Sessions

Joel Grind – The Yellowgoat Sessions

“Whoa! Steel Druhm did not expect this thing to kick anywhere near as much ass as it does. In fact, this is an insidious ass-kicking machine, free from the lab and turned loose on mankind with naught but ill intent. The author of this wanton hiney massacre is one Joel Grind, the force behind the old school, retro thrash band Toxic Holocaust. Between albums he apparently felt the burning need to craft this hugely lethal collection of thrash anthems under this eponymous project name.” Imagine if old Bathory got humped by Motorhead and Slayer and you would have a good idea what this goat sounds like. BAAAAH!

Svartsyn – Black Testament Review

Svartsyn – Black Testament Review

“Black metal. No, wait, not that one; but the other, unpolished predecessor of whatever came next. And when I say ‘next’ I mean that black metal. With its intriguing plots, assassinations, Satanists that become pagans, that go to prison and discover the absolute, compelling modernity of nationalism. Usually right before they realize that, you know what, milking Norwegian cows can indeed be a form of protest against Christianity and Judaism if one looks at it from the right perspective.” Join Alex as he speedily runs us through 27 years in black metal!

Thyrfing – De ödelösa Review

Thyrfing – De ödelösa Review

Thyrfing might be one of Swedish metal’s ‘best kept secrets,’ an unfortunate moniker for any band. Having been around since the late ’90s and having released 6 full-length records through 2008, these Viking metallers have a history and deep respect in the scene – but not a ton of notoriety. As anyone who’s listened to pop radio should be aware, there is no direct correlation between notoriety and talent; while the former is great for those involved, the latter is better for fans and Thryfing produced 3 very well-respected records between 2000 and 2005 before going astray with 2008’s Hels vite following the departure of vocalist Thomas Väänänen. The band’s sound during that time developed, getting darker and less… well, let’s be frank about those keyboards… fruity.” Now that the band is releasing their second record with new vocalist Jens Rydén, Angry Metal Guy tells you whether or not these Swedish warriors have righted their longship.

Darkthrone – The Underground Resistance Review

Darkthrone – The Underground Resistance Review

My esteemed colleague, Angry Metal Guy himself, wondered aloud if Darkthrone’s recent output was perhaps an attempt at trolling the entire metal community. It certainly does take a sick sense of humor to subject black metal fans to something like The Underground Resistance, and the band has made it increasingly clear that they’re not exactly taking this seriously. But beyond the shits and giggles, it’s clear that Darkthrone exists in a bizarre musical utopia, a world where Bathory, Amebix, Motorhead and Manilla Road are all of equal merit and metal cred. And if you’re unable to summon that kind of open-mindedness within yourself, then perhaps the joke truly is on you.