Behemoth

Frosttide – Awakening Review

Frosttide – Awakening Review

“Last year NoiseArt Records graced my greedy hands with Survival of the Fittest, the debut release by Italian band Krampus. With two well received EPs already floating about, I had some excitement in hearing their brand of modern folk metal. By the end of the year the album had worn a considerable groove in my playlist, so much so it eventually ended up on Madam X’s Top 10(ish) of 2012. Until now, 2013 has felt a little lean in terms of folk metal, outside of Månegarm’s (Legions of the North) blackened folk offering, nothing’s jumped out at me – Finnish melodic folk metallers Frosttide are doing their damnedest to change that.” We don’t let Madam X review much folk metal because she’s too dark for such things. We made an exception with the new Frosttide and since nobody got hurt, The Providers are pleased.

Deathchain – Ritual Death Metal Review

Deathchain – Ritual Death Metal Review

“I first heard Finnish death metallers Deathchain nearly a decade ago, when a friend introduced me to what he described as “just crazy fast-ass death metal” (I’m paraphrasing here). His statement was accurate — at the time, the band’s style was straightforward and riff-driven, played at lightning speed with a heavy dose of thrash influence. Despite liking it a lot, I failed to keep up with the band’s progress over the years. Turns out this is a huge error on my part, since Deathchain has apparently evolved into a dark, weird death metal beast while I wasn’t paying attention.” A Finnish death metal band goes from “evil” to “more evil,” and Mr. Fisting rejoices. Grab a beer and begin the Fisting Dance!

Aeternus – …and the Seventh His Soul Detesteth Review

Aeternus – …and the Seventh His Soul Detesteth Review

“Over the course of their career, Aeternus have taken me on a sonic ride full of dizzying highs, crushing lows and Milquetoast middles. Their highly acclaimed Beyond the Wandering Moon opus is a truly special album with an atmosphere and mood all its own and I find myself going back to it regularly over time. Their unusual blend of Norwegian black metal and symphonic death came to be known as “dark metal” and that summed up their original sound rather nicely.” But like all true love…one day it withered on the vine. Steel Druhm is bitter, but he’s still going to detail the trials and tribulation of the typical Aeternus fan. Give him your support and beers.

Rotting Christ – Κατά τον Δαίμονον Εαυτού Review

Rotting Christ – Κατά τον Δαίμονον Εαυτού Review

“I’m always enchanted by a band or album that pushes me to think outside the box, compelling me at 2 am to seek out the translation of an old Romanian curse, making me read up on Voodoo and at the same time the i’m knee deep in the teachings of Aleister Crowley – now that’s what metal’s about [Mister Crowley, won’t you write for my blog?Steel Druhm]! Aleister Crowley wrote ‘Do what thou wilt shall be the whole of the law’ and I’m pleased Greek icons Rotting Christ decided to use this credo as the basis for their 11th full-length release Κατά τον Δαίμονον Εαυτού (meaning ‘Do what thou wilt’).” Mister Crowley and Madam X are like two peas in a devil pod, so join her as she discusses the new opus from Greek black/death act Rotting Christ and all things sacrilicious.

Hate – Solarflesh Review

Hate – Solarflesh Review

“As part of the Polish Big 4 (Decapitated, Vader and Behemoth) I haven’t yet figured out why Hate, with seven hefty albums already under their belts, never quite seem to reach the notoriety of their counterparts, Behemoth (hazarding a guess here, but a lack of court cases maybe?).” Madam X isn’t a morning gal and needs a good dose of Polish death to get moving in the AM. Will the new Hate opus be her new alarm clock?

Napalm Death – Utilitarian Review

Napalm Death – Utilitarian Review

Napalm Death’s latest album, Utilitarian, certainly gets off to an interesting start. The opening track, “Circumspect,” is a delicate acoustic number about the inhumane treatment of stray puppies and kittens. The next few tracks follow suit, with gently strummed guitars and the surprisingly beautiful crooning of vocalist Mark “Barney” Greenway.