“It has taken some time for me to warm up to Big|Brave’s brand of noise/drone/doom. I didn’t love 2017’s Ardor, but it did pique my interest. Minimalist formalism in music doesn’t offend me the same way it does others, but their single-chord experiments didn’t resonate at the time. Still, the pairing of Robin Wattie’s waif-ish vocals with heavy drone was something new, so I kept an eye out for them. I warmed up to the stark elegance on follow-up A Gaze Among Them, but it wasn’t until Leaving None But Small Birds, their collaboration with The Body, that the appeal became revelatory.” Bigly braveness.
Big|Brave
Bosco Sacro – Gem Review
“Bosco Sacro is an Italian quartet whose style is unclear, ranging from doom to trip-hop to psychedelic, with drone, post-rock, and of course, ambient tied in there. For their debut, expect lush atmosphere, dark distorted bass, and Giulia Parin Zecchin’s formidable vocal performance, ranging from post-punk slurs to soprano siren croons, recalling the duality of This Is Oblivion’s Lulu Black.” Sacro blue.
Norna – Star is Way Way is Eye Review
“It would be easy to pigeonhole Norna as a mindless sludge beatdown, as concussions are bound to happen in Star is Way Way is Eye. However, contrary to its concrete-thick riffs, Liljedahl’s vocals and a melodic guitar performance keep it from descending into monotony – barely. Because first and foremost, Norna is heavy as fuck. Doom-infused riffs hit like a ton of bricks with an unforgiving density that recalls acts likeSunn O))) or BIG|BRAVE, edged by Macquat’s warbling synth presence.” Is this the Way?
Doom_et_Al’s and Dear Hollow’s Top Ten(ish) of 2021
Lists are a gift and Doom_et_Al and Dear Hollow have presents to distribute. Prepare for tidings of anger and joy.
BIG|BRAVE – Ardor Review
“Ardor, the third full-length by Montrealers BIG|BRAVE opens with a sustained, unending riff. As it reverberates eerily, it suggests that the trio picked up right where they left off with their sophomore release Au De La, veering even further into fields of textures and sparse instrumentation. Their signature sound is a combination of elements from multiple genres and idioms, from post-rock to drone, shaped into an experimental, caustic, and often hermetic concoction.” Bliss in the abyss.
Concert Review: Sunn O))), Sun-Ray Cinema, Jacksonville, Florida – April 7, 2016
“Growing up in New England, very rarely did I miss a concert. Any and all big-name metal bands that came around, I would be there, no questions asked. However, having lived in Jacksonville, Florida for the last five years, there’s been a major dearth of quality metal concerts in my newly-adopted hometown. So when a co-worker of mine told me that the legendary Sunn O))) were playing here in Jacksonville as part of a tour to support last year’s Kannon, I thought he was absolutely full of shit.” Turns out that shit was about to get real.