Black Folk Metal

Vital Spirit – Still As the Night, Cold As the Wind Review

By Cherd on May 11, 2022 in Reviews, Black Metal, 84 comments

“Back in 2020, around the time Wayfarer were turning heads with their black metal of the Old West on A Romance With Violence, I discovered an EP seemingly out of nowhere by a Canadian two piece who, in my humble opinion, one-upped that admittedly good album. From the Navajo sand painting cover art to the Ennio Morricone spaghetti western passages to the lyrical focus on pre-colonial Americas, Vital Spirit threw their hat into that incredibly small ring with their Coloradan brethren with In The Faith That Looks Through Death. Consisting of Kyle Tavares and Israel Langlais, both of crusty meloblack band and AMG darlings Wormwitch, Vital Spirit continue their self described “saccharine black metal of the West” on their debut full-length Still as the Night, Cold as the Wind.” Black is the new spaghetti.

Hexenklad – Heathenheart Review

By Steel Druhm on July 23, 2021 in Reviews, Black Metal, 35 comments

“Canada’s Hexenklad is a semi-supergroup of sorts, boasting members of SIG:AR:TYR, Eclipse Eternal and Pagan Ritual. On their second full-length Heathenheart they dish out a wide-ranging variety of pagan black/folk tunes bearing marks ranging from Moonsorrow, Ensiferum and Windir. They’ve also taken the opportunity to pose for some excellently over-the-top LARP Guild photos and videos. Talent is abundant, as is the ambition.” Heathen hearts, big eyes.

Hexenbrett – Zweite Beschwörung: Ein Kind zu töten Review

By Dear Hollow on June 3, 2020 in Reviews, Black Metal, Heavy Metal, Melodic Black Metal, Punk, 23 comments

“Hexenbrett is a German black metal band and relatively new to the scene, having released their only release in an independent EP in 2018, Erste Beschwörung. These Germans offer a unique take on the blackened arts.” Broken toys and evil joys.

Horn – Mohngang Review

By Dear Hollow on May 23, 2020 in Reviews, Black Metal, Folk Metal, 24 comments

“It’s neat seeing a progression of an artist across a project’s discography. From Anathema’s death/doom to prog-rock stylings, Ahab’s crushing funeral doom to, like, pretty funeral doom, to the deathcore to symphonic black metal to straight-up black metal of Abigail Williams, it shows true growth and maturity to acknowledge the past while stepping into the future. Today’s is German act Horn, comprised of sole member Nerrath, a prolific pagan black metal act with two demos, eight full-lengths, and an EP since 2002.” Change is in the air.

Old Corpse Road – On Ghastly Shores Lays the Wreckage of Our Lore Review

By Dear Hollow on May 18, 2020 in Reviews, Black Metal, 18 comments

“”I’m gonna take my hearse down the Old Corpse Road, I’m gonna… hooooowl ’til I can’t no more.” I’m running out of decent black metal introductions. Like, how many dead horses do I have to beat in order to get across that, gee whizz, ye fuckwads, it’s another black metal album. I guess I could go into how these Brits are somewhere in concept between Winterfylleth and Primordial, but I don’t know, that sounds as fresh as quarantine-old crackers on top of that soup that’s been “aging like a fine wine” at the back of my fridge.” Corpse in the water.

Grima – Will of the Primordial Review

By Cherd on August 3, 2019 in 2019, Black Metal, Naturmacht Productions, Reviews, Russian Metal, Siberian Metal, Atmospheric Black Metal, Black Metal, 42 comments

“Being in forests for extended periods makes me uneasy, because 50 feet of visibility feels claustrophobic when you’re used to seeing the point where the Earth curves away. Russian atmo-black duo Grima have no such qualms. Hailing from Siberia and that same boreal forest, ‘taiga’ to them, they make music to ‘worship the elder forest…where the Grima is a supreme god…who protects only those who live in a forest, and punishes everyone who does not respect nature.’ To which I say, backing away slowly, ‘Whoa fellas, we’re all nature lovers here. Forests, amirite?'” Tree mugger.

Panphage – Jord Review

By Roquentin on January 12, 2018 in 2018, Black Metal, Folk Metal, Nordvis Produktion, Reviews, Swedish Metal, Black Metal, Folk Metal, 62 comments

“Ornaments originating in Swedish folk music and the raw vigor of an old school black metal clash and reveal themselves swiftly, while guttural growls launch the album on a path of continuous, neverending motion. And thus Fjällbrandt, the mastermind behind Sweden’s one-man black metal band Panphage, presents his third and final full-length record under the moniker, closing the project with his most accomplished work yet.” Ending on good terms.

Zeal and Ardor – Devil is Fine [Things You Might Have Missed 2016]

By Kronos on December 23, 2016 in 2016, American Metal, Avante Garde, Radicalis/MVKA, Reviews, Swiss Metal, Things You Might Have Missed 2016, Avante Garde, Black Metal, Experimental Metal, 28 comments

“It’s about time we got to this. Since its release in April, Devil is Fine has exploded in popularity and earned accolades and interviews across the web, based on, as far as I can tell, little to no promotion from the artist. It has sold over 1000 copies on Bandcamp. But the album’s worth as a success story is just the beginning and even its contents don’t quite tell the whole tale.” This is a weird one.

Galar – Til Alle Heimsens Endar Review

By Angry Metal Guy on June 30, 2010 in 2010, 3.0, Black Metal, Dark Essence Records, Folk Metal, Reviews, Folk Metal, 0 comments

It would seem that Angry Metal Guy is actually forming review themes, like some sort of ongoing process wherein I discuss the ups and downs of the metal scene while reviewing records, and even debate them with some of the other reviewers. Because reviewing is an ongoing process here, often times things get lumped into groups in my head that others might not see. But what’s interesting is how during this big debate about whether or not bands should really be striving for an original and unique sound I am basically reviewing NÃ ttsol’s new record and Galar’s new albums side by side. Like NÃ ttsol, Galar is a young Norwegian band that is working in the footsteps of Ulver. Released by Dark Essence Records, Til Alle Heimsens Endar (“Until the End of All Worlds”) is the second album from the band, whose first record Skogsvad was released in 2006 and I, incidentally, have never heard it. The record itself is based on the work of Snorri Sturluson’s “Heimskringla”.