Black Metal

Netherbird – The Grander Voyage Review

Netherbird – The Grander Voyage Review

“With roots reaching as far back as Bathory, acoustic guitars have long subverted the conventions of traditional black metal, adding vibrancy to a scene born of minimalism. The last fifteen years have seen acoustic-laden acts like Agalloch and Panopticon transcend the genre with atmospheric forestscapes that owe a great deal to the Grandpa’s guitar. This evolution lit a new path through the early darkness of winter and allowed Netherbird to find fresh inspiration later in their career.” Evolve or die.

T.O.M.B. – Fury Nocturnus Review

T.O.M.B. – Fury Nocturnus Review

“Makers of what they have referred to as “shadowy,” “blackened,” and “industrial” noise, T.O.M.B. ask in their own language of exploding synthesizers what would happen if, instead of making music haunted and cinematic, someone collected everything haunted and cinematic about metal and made it musical. Literally, this is a group that has crafted an entire album from samples recorded at famous insane asylums, and here on their newest release, Fury Nocturnus, they do their best to convince listeners they have found an even spookier space.” An experiment in terror?

Uburen – Fra Doden Fodes Liv review

Uburen – Fra Doden Fodes Liv review

“Listening to Enslaved, Deathspell Omega, or Immortal now makes it obvious that an evil tone and master is something you can achieve without sacrificing sound quality. A dynamic production suited for black metal can actually increase and enhance the inherent unease of the genre. Yet, there are still persevering atavists like Uburen, whose primary goal seems to be emulating the aural mutilation of Norway ca 1993.” Behold the Tree of Strife.

Urfaust – Empty Space Meditation Review

Urfaust – Empty Space Meditation Review

“‘…the universe is a flaw in the purity of non-being.’ It’s this thought by French poet and philosopher Paul Valéry that sprung into my mind while listening and re-listening to the latest record by Dutch ambient black metal duo Urfaust. Their style was always born out of a sense of desolation and isolation, a tribute to emptiness, owing equally to dark ambient and metal.” Of being and ambience.

Vornth – Black Pyres Review

Vornth – Black Pyres Review

“Formed in 2000, this quartet mulled about in obscurity for years, releasing only a demo and an EP before their self-titled debut in 2013. Sophomore LP Black Pyres shows these thrashers continuing to cook up Destruction riffs filtered through the blackened savagery of fellow Swedes Nifelheim.” File under: The Revenge of Black Phillip.

Anaal Nathrakh – The Whole of the Law Review

Anaal Nathrakh – The Whole of the Law Review

“If there are any bands out there that I can safely claim to have a major allegiance to, it would certainly be England’s Anaal Nathrakh. Maybe it’s because their magic blend of black metal, industrialized noise, grindcore, and even some power metal elements strike a nerve like few other bands do. Or perhaps it’s because, whenever you hear people talk ill about really any type of metal (kill your mother, rape your dog, etc.), chances are the music that Anaal Nathrakh spawns are the exact sounds these people actively imagine in their heads.” Lock up your mothers, lock up your dogs.

Principality of Hell – Sulfur & Bane Review

Principality of Hell – Sulfur & Bane Review

“Sometimes I think I was born in the wrong decade. Every time I think back to the pop culture of the 90s, all I remember is boring daytime television and lazy post-grunge blaring on the radio. In contrast, the 80s seemed much more exciting — the jeans were tight, the horror movies were actually good, and extreme metal was first clawing its way into existence via stacks of battered demo tapes and tattered home-printed zines. Greek trio Principality of Hell apparently felt the same way.” It was the best of times, it was the blurst of times??

Hail Spirit Noir – Mayhem in Blue Review

Hail Spirit Noir – Mayhem in Blue Review

“Tensions remain, not just between Greece and the overlords of the EU but within the country: between those who support the economic freedom conferred by greater government spending and those who advocate fiscal responsibility. It’s in this turmoil that Mayhem in Blue was written.” Frugality breeds insanity.

The Black Scorpio Underground – Necrochasm Review

The Black Scorpio Underground – Necrochasm Review

“There are some albums that scream out for a review… Opeth’s Sorceress was certainly in no danger of being overlooked. We toyed with you a little, made you wait, but it was on the cards you’d get a review – eventually. The Black Scorpio Underground’s Necrochasm will never be one of those “sought-after” albums. In fact, it’s tough to even mention these two bands in the same review, purely because they’re complete opposites.” Scary has a sound.