“All bands are post-something by nature of artistic creation, but you can always tell when one voluntarily takes on the label. Italian blackgaze outfit Svnth bears the mantle proudly, but is their take fresh? If history has indeed ended, does it matter?” Post-notes.
![Suldusk – Lunar Falls [Things You Might Have Missed 2019]](https://www.angrymetalguy.com/wp-content/uploads/2019/12/Suldusk-Lunar-Falls-01-768x728.jpg)
“Spotify’s Discover features serve me well. For without my Discover Weekly playlist or the Artist and Playlist radio station features, I do not know whether I would have stumbled across Suldusk’s stunning debut album Lunar Falls in time to join the flurry of this year’s Things You Might Have Missed posts. Suldusk is the one woman neo folk blackgaze project of Emily Highfield of Melbourne, Australia.” Lunar folk.
“Throughout their career as Alcest and helped by gradual fluctuations in style, French multi-instrumentalist Neige and drummer Winterhalter have been cultivating a deep sense of beauty and unfiltered sentiment. An exploration of sonic poetry in the vein of The Lake Poets, unmistakably filled with a romantic ache, a longing, and an expression of beauty and infatuation with the world so deep it hurts. Looking back at their previous work, Spiritual Instinct appears as one of the purest manifestations of this search.” Let the spirit guide.
“Even before Sunbather set off a scene-cred melee best likened in both intensity and contrivance to the Hedley Lamarr goons/Rock Ridge citizens brawl in Blazing Saddles, post-black metal was no spring chicken. James Kelley of Altar of Plagues suggested that the band’s change of direction on Teethed Glory and Injury was at least in part due to boredom with a stagnant scene and despite the downright bacterial rate at which post-black metal bands spawn, I can think of very few remarkable records in the style that have come out in recent years.” Blue light special.
“‘But.’ No other word in the English language possesses the sheer life-building/soul-crushing power of that three-letter word. It tears someone down after a volley of praise and it also builds them back up following harsh criticisms. When that word appears, shit goes down and gets real immediately.” Ifs, ands and buts.
“To say that 2016 was a tumultuous year would be an understatement akin to calling the thirty-year siege of Ceuta a “brief skirmish.” For all the trials and tribulations endured, last year did produce a heady number of quality metal albums that offered some comfort for the unfolding apocalypse. One of those albums was Magic Night by one-man black metal act Violet Cold, a bittersweet hour of instrumental blackgaze that earned a place on my year-end Top 10 list. Emin Guliyev, the sole puppeteer of Violet Cold, returns with a new album entitled Anomie, except this record re-inserts vocals for a release in line with traditional atmospheric black metal albums.” One man blizzard.
“Tearing apart hearts and comment sections since 2014, the career of China’s North Dakota’s Ghost Bath has been deceitfully brief. The 14 months between debut Funeraland follow-up Moonlover catapulted the crew from the depths of obscurity to the position of most hyped (and most hated) band in recent memory. I’ve seen the band treated like the Second Coming, and I’ve seen the band described as “such a bag of ass.” Whatever your opinion on the matter, Starmourner puts the polarizing magnetism of Ghost Bath on full display.” Starmourner, Sunbather, Overrater?
“And so we return to An Autumn for Crippled Children for their sixth full-length in as many years. I was reluctant to take Eternal, being acutely aware of the ultimatum I set following their last album: evolve or die. Their work was already stagnating, both within their discography and within the album itself for its highly consistent song structures. There is a formula for my feelings towards this successor. Take The Long Goodbye; add nearly 2 years; multiply by duller melodies.” Sleepy autumns and dimming futures.
“The “issue” of incongruous genres poisoning the perceived pristine purity of metal has been written about and discussed to death. Especially when French “blackgaze” duo Alcest is concerned, it becomes irrelevant whether the odium is a case of snobbery and elitism or a sense of threat against internalized traditions and tropes. Because you see, their music possesses an undeniable artistic value regardless of context.” Fancy words for pretty music.
“Longtime readers will recall that Kronos does not like Deafheaven. I suspect nobody does, since I see copies of Sunbather in every record shop I enter, meaning that despite the hype, that vinyl is not getting to consumers. And while I’ll continuously bash the band for being, as it has been said, “The Cure with blastbeats,” on some level I have respect for them trying something different, since Satan himself got fed up with Emperor-worship a decade ago. Is the staff of AMG wired into all the ironic mini-trends of the metal world? Is the Pope wearing a Mayhem shirt?
