Blues

Little Albert – Swamp King Review

Little Albert – Swamp King Review

“A long time, on a blog far, far away, when I was not yet even a learner n00b, an Angry Metal Ape reviewed haunting Italian doomsters, Messa’s debut Belfry and its follow up Feast for Water. The debut, in particular, blew away our Steely Primate. And while I am not sure to what degree his prediction has come true that Messa’s “name will be on people’s tongues soon enough,” it bloody well should have. Both albums were stunning (although it was the sophomore effort that captivated me, more than their debut). It was with some surprise, therefore, that I found Little Albert, the side project from Messa’s lead guitarist Alberto Piccolo, sitting, all alone and unmolested in the promo swamp.” Swamp kings can do anything.

The Heavy Eyes – Love Like Machines Review

The Heavy Eyes – Love Like Machines Review

“The blues might be simple in theory – I mean, one of the first things we all learn is the 12-bar blues progression – but in practice it is a genre drenched in nuance, feel, and emotion. The technical part of the music is easy, but making it writhe with passion is anything but. It takes a different kind of skill to move people. Memphis’s The Heavy Eyes claim to infuse their version of delta blues with psychedelic fuzz and late 60s heavy rock in an attempt to bring us blissfully back to a disease-free era.” Love machines for all.

Lykantropi – Spirituosa Review

Lykantropi – Spirituosa Review

“There are many threats facing our world today. Some are man-made (climate change, for example), while other dangers manifest as actual men and women. But is there any threat less talked about than that facing Sweden today? The time vortex seemingly whirling across that Scandinavian country, spitting out 70s alt-rock bands left, right and center? From Witchcraft, Horisont, and Graveyard to my subject today, Lykantropi, and, let’s be honest, recent Opeth too, there is a significant number of them around.” A plague of the past.

Zeal and Ardor – Stranger Fruit Review

Zeal and Ardor – Stranger Fruit Review

“It takes a lot to excite and intrigue jaded metalheads like me. As our recent expose demonstrated, we here at Angry Metal Guy Hype-Deflating Industries LTD. have become harder and harder to impress over the years, to the point where we keep our superlatives locked in a gun safe which requires written permission to be opened. Nevertheless, Zeal and Ardor‘s debut, Devil is Fine piqued quite a few of us with its bizarre split personality and penchant for hooks. The follow-up to that Bandcamp smash-hit, Stranger Fruit has been anxiously anticipated here, where in our best hopes we imagined an album just as catchy and eclectic but more focused and complex.” Fruits and regrets.

Noisepicker – Peace Off Review

Noisepicker – Peace Off Review

“The other day at the grocery store, I bought a bottle of wine solely on the Walking Dead label. And I’m not even a big fan of the show. But, when I’m brain-fried and all I want is a fucking drink, I grab the first bottle or six-pack that jumps out at me. That’s how I came across that wine and that’s how I came across what I thought was Nosepicker. Because, you know, I’m immature like that. Unfortunately, it’s not Nosepicker, it’s Noisepicker.” Pick it, don’t eat it.

Howlin’ Sun – Howlin’ Sun Review

Howlin’ Sun – Howlin’ Sun Review

“I’ve already waxed poetic about my deepening love for ’70s rock but the ’60s remain a relatively uncharted territory for me. I’m of the not-so-humble opinion that The Beatles are overrated (though unquestionably hugely influential) and I find the progressive developments and greater variety found in ’70s rock far more appealing to a decade whose bands who were still much simpler and overtly blues-based. Thus, the promise of ’60s rock with a heavier edge, professed on the promo sheet appealed—on what am I missing out? Can the ’60s interest me? Will I ever stop questioning myself? Answers to some of these questions might be found below.” Question self, question music.