“There’s always risk involved when you reach into the Grymm Grab Bag™. Sometimes, I unearth gems that impress and floor me, and then I get those that just don’t even. I can say with absolute confidence that I’ve never pulled a release from not only a new band, but also from a new label, and that is exactly what I grabbed this week.” Grymm likes to gamble.
Blut Aus Nord
Antropofago – Æra Dementiæ Review
“France has become quite the hub for memorable extreme music in recent times: Deathspell Omega front a dissonant black metal current; Blut Aus Nord fluctuate between various avant-garde stylings but have been a driving force in modern black metal; Cowards fiercely object to perceived façades of beauty and political correctness in their hardcore-influenced anger. Now Antropofago has stepped up to the mark, attempting to wrestle the tech-death reins from their compatriots Gorod, new material from which has been notably absent.” France wants to be the new Sweden.
The Negation – Memento Mori Review
“I try to be a very fair, objective reviewer. Note the italicized “try” there, because certain bands and styles will have me drooling more than Pavlov’s dog after ringing the goddamn bell. French black metal has that effect on me. Whether it’s the “what’s to the left of left-field?” stylings of Blut Aus Nord, or the angular headfuckery of Deathspell Omega, the French know what’s up when it comes to the black arts.” The French cannot be stopped, except by whatever army happens to be nearby.
Chaos Echœs – Transient Review
“Yes, it’s French and it’s “avant-garde.” Again. Fortunately, when four-piece Chaos Echœs is concerned, that description isn’t a bad thing. Unlike some of their disappointing compatriots, these guys are the real deal.” Is it me or is it getting harder to disrespect the French these days?
Akhlys – The Dreaming I Review
This post has been removed because it promoted Nazi or Nazi-adjacent metal bands or musicians. We apologize.
Antagoniste – The Myth of Mankind Review
“The French black metal scene has given us some truly great bands and releases through the years, especially of the avant-garde kind. The likes of Deathspell Omega, Blut Aus Nord, Peste Noire, and even Alcest are still pushing out some of the most interesting and innovative metal music. This time around, it’s the French avant-garde black metal one-man project Antagoniste that introduces a début whose mission is to reach and eclipse the sonic standards set by his countrymen.” Trying to out weird the weird is a tough task.
Hate – Crusade: Zero Review
“Polish band Hate are adding to their already dense blackened death catalogue. Crusade: Zero makes its presence known two years after the release of Solarflesh, and while I’m excited Hate are making a speedy return, I’ve felt some apprehension that they’ll suffer the same criticisms they’ve been labelled with in the past…” Mini-Behemoth is back and filled with hateful respect…for Behemoth.
Grymm’s Top Ten(ish) Albums of 2014
“Man, so much has happened in 2014, aka my second year writing for Angry Metal Guy. Having my very own office away from the boiler room (which reeked of desperation, sadness, and decaying flesh… kinda like your local Abercrombie & Fitch with less Axe body spray), seeing familiar faces leave, welcoming in a new batch of talent… it’s been a pretty hectic year.” Grymm’s all grown up and has a man’s list! *Sniffle*…Where did the time go?
Voices – London Review
“If you’re anything like me, you’re super awesome. But more to the point, you would have been saddened by the split of blackened death metal troublemakers Akercocke a couple of years ago. Perhaps the UK’s most consistently entertaining extreme metal act of the last decade, they seemed to improve on every album, reaching a pinnacle on 2007’s Antichrist.” The band is gone, but the legacy lives on in a disturbing new entity.
Blut Aus Nord – Memoria Vetusta III: Saturnian Poetry Review
“There’s a lot to be said about a band that can produce albums that are radically different from each other, but still are unmistakably recognizable as a product of their arduous labor. Even more can be said when those albums are consistent in their high level of quality.” Can the high quality and creative insanity keep going or have we finally found the rut?