Borknagar

Sweven – The Eternal Resonance Review

Sweven – The Eternal Resonance Review

“I’m sure I’m not alone in wondering what Chuck Schuldiner would have done musically had he not been taken from us far too soon. Would he have maintaining the style heard on the sole Control Denied release or move things onward and outward into ever weirder environs? These questions were front and center in my head as I digested The Eternal Resonance, the stunningly odd and original debut album by Sweven.” Ripples in music and time.

Nachtterror – Judgement [Things You Might Have Missed 2019]

Nachtterror – Judgement [Things You Might Have Missed 2019]

“Earlier this year, I channeled all the might that my status as an exalted AMG writer imbues me with and demanded the promo Maeskyyrn’s Interlude from Hypnotic Dirge (read: I sent a politely-worded email). They obliged and sent not only Maeskyyrn but also Nachtterror. Reviewing schedules being what they are, we couldn’t get to symphonic black metal six-piece Nachtterror’s record in time for its release. And that is a damn shame because Judgement is a seriously good and incredibly varied slab of metal.” Metal cup runeth over.

Dr. A.N. Grier’s Top Ten(ish) of 2019

Dr. A.N. Grier’s Top Ten(ish) of 2019

“Name another site out there with writers hiding behind silly monikers whom you know better than your best friends. Name a site you dared to lean on, pouring your heart out in the comments, getting positive and uplifting responses when you needed them most. Name a site you’ve spent as much time debating, loving, and sharing music as you have on AMG. You can’t.” Truth telling.

Borknagar – True North Review

Borknagar – True North Review

“Calling me a fanboy of Borknagar is an understatement. Because of this, the review of this year’s True North has been one of the toughest yet for ole Grier. That’s why it’s always difficult to trust the opinion of fanboys, starfuckers, or anyone getting financial ‘encouragement’ from a band or label. Wait a second, Grier, did you back yourself into a corner and admit that no one should trust this review? Hell no, plebs. I’m no n00b.” Trve North, trve journalisming.

Video Premiere and Interviews with Stevie Boiser and Trevor Portz of Ashen Horde

Video Premiere and Interviews with Stevie Boiser and Trevor Portz of Ashen Horde

“Back in March, I reviewed Ashen Horde’s latest opus of black metal fury, Fallen Cathedrals. I heaped an unhealthy amount of praise its way back then, and I’m still spinning it a ton now. In fact, I would be very surprised if it were to fall outside of my top 5 albums come year’s end. My review may have been riddled with factual errors, but founder, songwriter, instrumentalist, and clean vocalist Trevor Portz showed up in the comments and revealed himself to be a gracious and enormously cool guy. So, when the opportunity to do an interview presented itself, I couldn’t resist.” We’re already off to a better start than last time.

Istapp – The Insidious Star Review

Istapp – The Insidious Star Review

“‘You guys remember Istapp?’ asked the Head Honcho Himself, as he shared the news of an upcoming release. Not to mention “I väntan på den absoluta nollpunkten,” from debut record Blekinge. A song from a record as novel as any the black/folk/Viking metal world has ever known. So much so that you’d guess these Swedes have been around since the beginning of time. Perhaps as a black metal outfit that morphed into a melodic, folky one? Or a group that invented the subgenre, releasing their first album before the almighty Bathory and his Viking trilogy? But, it turns out, the untouchable Blekinge is shy of only nine years of age.” Star power.

In the Woods… – Cease the Day Review

In the Woods… – Cease the Day Review

“There have been so many strong comebacks in recent years that it actually seems more notable when one doesn’t go well. Unfortunately, that’s exactly what happened to In the Woods…. In the 1990s, this Norwegian quintet captivated listeners with three albums that ranged in style from black metal to prog rock to avant-garde, all while maintaining an esoteric aura that was somehow only strengthened by their dissolution in 2000. Sadly, after their 2014 reformation, Woods released the disappointing Pure in 2016, a vapid piece of experimental doom metal that probably didn’t even deserve the 2.5/5.0 I gave it at the time.” Comeback redux.