Brazilian Metal

Angra – Cycles of Pain Review

Angra – Cycles of Pain Review

“Ten albums down. This landmark tests a band in many ways—not everyone’s destined to land on Defenders of the Faith after all. That vital quality, consistency, remains part of that longevity. And as Angra Metal Guy has stated before “Consistency has been hard to come by for Angra.” At least that was until Secret Garden fell upon the world and took with it those words.” Angra management.

Nervosa – Jailbreak Review

Nervosa – Jailbreak Review

“For all the hype, Nervosa has never blown me away. With each release, I hope for that breakout record that’ll drop me to my knees, but instead, they’ve established a catalog of solid releases with a handful of stellar pieces. For a minute, I was intrigued by the release of 2021’s Perpetual Chaos because the band picked up a new vocalist. In doing so, I hoped that it would be that great album, but it never panned out. This time around, founding guitarist Prika Amaral takes to the stage and lends her growls and barks to Jailbreak.” Jailbait.

Rebaelliun – Under the Sign of Rebellion Review

Rebaelliun – Under the Sign of Rebellion Review

“It’s always an interesting leap into the unknown to review a band you have no experience with despite them having released several albums. Such is the case with Brazil’s Rebaelliun. They’ve been banging around the South American death metal scene since 1998 but haven’t been particularly prolific, releasing only 3 full-lengths prior to this their fourth platter, Under the Sign of Rebellion. With a sound similar to Krisiun, Morbid Angel, and The Ordher, they aren’t treading any virgin soil, but they’ve been trafficking in thrashy, blasty death for a long time and they know their chosen style well.” Up the Rebaels!

Fossilization – Leprous Daylight Review

Fossilization – Leprous Daylight Review

“I’ve been listening to, thinking, and talking about Incantation a lot lately. If I had wanted a palate cleanser after our monumental ranking piece, I could have chosen a better promo than ,b>FossilizationLeprous Daylight. São Paulo’s V and P are no strangers to the AMG gauntlet, making up half of sludge doom outfit Jupiterian, whom we’ve favorably reviewed twice. For this project, the Brazilian duo, like their New Jersey forebearers, make grimy death metal full of searing tremolo riffs, disgustingly guttural vocals, and wretched doom stretches.” Incanting the remains.

Blackning – Awakening Rage Review

Blackning – Awakening Rage Review

“Brazil’s Blackning have been producing concise neo-thrash records for nearly a decade. After a six-year hiatus, this quartet is back with their third album, Awakening Rage. As with so many thrash greats, will this third offering be the band’s epic masterpiece? Or will it be forgotten like so many others before it?” Third time’s the harm.

Outlaw – Reaching Beyond Assiah Review

Outlaw – Reaching Beyond Assiah Review

Outlaw is a young band hailing from Sao Paulo, Brazil by way of Hamburg, Germany. They play a dense, melodic style of black metal. Or is it a more blackened style of melodic death metal? I confess this is one of those times where I’m not sure what to call it. Their third full-length album, Reaching Beyond Assiah may have a title that reduces Dr. Grier to boyish snickering, but make no mistakes, it has plenty of brutal riffage to kick your Assiah.” Breaking the jaw, breaking the jaw.

Unguilty – Gray Review

Unguilty – Gray Review

Unguilty’s legacy of misery dates back to 2018, having released two full-lengths, an EP, and a split with fellow Brazilians, Fentanil. Gray is DSBM, and everything you expect, but amplified with a mammoth doom heft, the emotional devastation reigns supreme. Perhaps an interpretation of Saturnus’ underrated Veronika Decides to Die.” Days of Gray.

Cursed Excruciation – Arcane Diabolism Review

Cursed Excruciation – Arcane Diabolism Review

“Last time we met Cursed Excruciation, we were smack-talking sole member Trance of the Undead for his creatively titled main project Trance of the Undead. Blackened death to the core, it boasted just enough tasty dungeon synth-inspired keyboard abuse to add a flavor of old-school kvltness. On paper, it all sounded great; the problem was it just wasn’t, uh, good. Lack of variety met monotonous guitar tone with the same riff repeating ad nauseam for seven tracks. Aside from a serious bite that initially hit like a crowbar to the knees, the hype very quickly died out. Well, imagine if Trance of the Undead thought brutality was soooo last week, removing all teeth and energy in favor of something sounding “ominous.” Let me introduce you to Cursed Excruciation.” Cursed and damned.

Thrashera – Bastardos da Noite Review

Thrashera – Bastardos da Noite Review

For All Drunks ‘n’ Bitches (along with sophomore release, Morte Webbanger) is about as ’80s as it gets—unbridled speed, catchiness, and the filthiest production since Hellhammer. Come 2020, the band upped their game with cleaner production and a smattering of guest appearances from such outfits as Flageladör, Vulcano, and Beyond the Grave. Não Gosto! isn’t exactly a new direction for the band and, honestly, nothing new to the genre. But it’s a tighter, better-structured product than previous releases. Is Não Gosto! but a diamond in the band’s catalog, or will Bastardos da Noite dethrone it?” Bastard of puppets.