Brazilian Metal

Vulcano – Eye in Hell Review

Vulcano – Eye in Hell Review

“Over the years the band lost some members, went on hiatus from 1991 to 1996, and released a slew of albums that never seemed to generate as much fanfare as their debut. Other than some curious midnight listens of Vengeance, I certainly hadn’t heard anything from the group until I came across Eye in Hell while rifling through the promo bin. Freshly signed to Mighty Music, this is the the band’s eleventh studio album and shows sole founding member Zhema Rodero joined by a new drummer and a trusted cohort of musicians who’ve been with the group for a few years now. Almost four decades into their existence, do Vulcano still scorch your ass or are their brutal eruptions long behind them?” Nighttime eruptions.

Sepultura – Quadra Review

Sepultura – Quadra Review

“Boy, are you all in for a treat today. Our resident Sepultura reviewer, Dr. Fisting, has gone into hiding, conveniently around the time the Quadra promo became available. With nobody else raising their hand, and me having some time on mine, I said “If you want some Canadian idiot to take a stab at it, here I am.” There’s a caveat, though: the number of minutes I’ve spent listening to Sepultura over the past thirty-four years can be counted on one finger. So you’re not getting a review today from some lifelong fan who hates the fact that certain people aren’t in the band anymore.” Tabla rasa.

Stomachal Corrosion – Stomachal Corrosion Review

Stomachal Corrosion – Stomachal Corrosion Review

“As one begins to explore metal more and more deeply, one comes to the realization that there are certain ‘legendary’ albums that seem to be appreciated more for being innovative than actually being good. I would argue, for example, that Napalm Death‘s Scum is a pretty mediocre album overall and was far surpassed by the material that followed it, even if it remains a critical piece of extreme metal’s history. This becomes a problem when bands create new releases similar in style to these ‘innovative but not very good’ albums, resulting in records that are neither innovative nor good. But maybe Stomachal Corrosion could escape this fate” Tummy trouble.

Holocausto – Diario de Guerra Review

Holocausto – Diario de Guerra Review

“Once someone gets into extreme metal, they find a point of glorious musical stupidity that they gravitate to. This point is normally either war metal (i.e. Revenge, GoatPenis, Conqueror) or the most delightfully moronic slam (i.e. the first Abominable Putridity record, Cephalotripsy). How did these endpoints come to be?” Dear Diario.

NervoChaos – Ablaze Review

NervoChaos – Ablaze Review

“Know your limit, play within it. This is the advice Ontario’s gambling regulators give to people interested in blackjack, scratch tickets, and everything in between. More folks than the average ramblin’ gamblin’ man should heed the Ontario Lottery and Gaming Corporation’s advice, and one group of folks is folks in metal bands.” Know when to fold em.

Power from Hell – Profound Evil Presence Review

Power from Hell – Profound Evil Presence Review

“A few years ago I had a strange and insatiable desire to find the simplest and punkiest blackened thrash imaginable. My search led me to find gems like Chapel and other bands I didn’t enjoy as much, including Power from Hell. Led by vocalist and guitarist “Sodomic,” the Brazilian trio have been kicking around since 2001 and released four albums before their 2015 Hells Headbangers debut Devil’s Whorehouse.” Power outage.

Deafkids – Metaprogramação Review

Deafkids – Metaprogramação Review

“As one of the resident “I like weird music” suckers in the AMG offices, it fell to me this month to take on the latest from Brazilian noisemakers Deafkids: their third album, the copy-and-paste titled Metaprogramação. These fellows create a bizarre fusion of noise rock, punk, and Brazilian polyrhythms, leaving us with something that is both disturbing and hypnotizing at the same time. Newly signed to the Neurosis label Neurot Recordings, and actually supporting (along with Bell Witch) Neurosis for their upcoming brief North American summer tour, all signs are pointing up for Deafkids. Now, how to go about reviewing something that Steve Von Till describes as “sonic Ayahuasca?”” Kids today.

Mystifier – Protogoni Mavri Magiki Dynasteia Review

Mystifier – Protogoni Mavri Magiki Dynasteia Review

“Mystifier are an ancient Brazilian black metal band and the latest to emerge from whatever dank place veteran bands who haven’t released a comeback album are hiding. Formed in 1989, their early releases were renowned for a style that combined the primitive extremity of Sarcófago with the ritualistic and otherworldly aura of Beherit. With this sound they produced such underground classics as 1992 debut Wicca and 1996’s The World Is So Good That Who Made It Doesn’t Live Here. Yet widespread popularity was not to be.” Wicked Mystic.

Piah Mater – The Wandering Daughter Review

Piah Mater – The Wandering Daughter Review

“The pia mater, Latin for “tender mother,” is one of three meninges that surround and protect the brain from damage. So as you’re headbanging at your local metal show, your pia mater keeps your delicate, spongy brain tissue from dashing itself against the inside of your skull and knocking you out cold.” Keep your mothers close and your Opeth-core closer.