Brazilian Metal

Thrashera – Bastardos da Noite Review

Thrashera – Bastardos da Noite Review

For All Drunks ‘n’ Bitches (along with sophomore release, Morte Webbanger) is about as ’80s as it gets—unbridled speed, catchiness, and the filthiest production since Hellhammer. Come 2020, the band upped their game with cleaner production and a smattering of guest appearances from such outfits as Flageladör, Vulcano, and Beyond the Grave. Não Gosto! isn’t exactly a new direction for the band and, honestly, nothing new to the genre. But it’s a tighter, better-structured product than previous releases. Is Não Gosto! but a diamond in the band’s catalog, or will Bastardos da Noite dethrone it?” Bastard of puppets.

The Troops of Doom – Antichrist Reborn Review

The Troops of Doom – Antichrist Reborn Review

“Here’s an interesting release for you. The Troops of Doom (likely named for the classic Sepultura song) are a new Brazilan thrash/kinda-sorta death metal act, having only formed in 2020. Despite the project’s relative youth, the various members are grizzled scene vets with years spent in many other metal acts. On their Antichrist Reborn debut, they offer an interesting blend of classic thrash and death influences full of righteous nods to the big names that influenced them. The core sound is very much in line with early Sepultura material like Schizophrenia and Beneath the Remains, but vintage Slayer riffs percolate throughout and inform the writing, and the band’s deep Celtic Frost appreciation also becomes apparent on several tracks.” Old dogs, nasty bites.

Edu Falaschi – Vera Cruz [Things You Might Have Missed 2021]

Edu Falaschi – Vera Cruz [Things You Might Have Missed 2021]

“I fucking love Angra. When I was first hired onto the AMG team, I even entertained the idea of adopting the handle of Angra Metal Guy, partly in retaliation to AMG Himself‘s review of Secret Garden. That piece is what convinced me to apply to this blog in the first place. I agree with a lot of the Guy‘s takes, but the notion that Secret Garden was an improvement over the band’s older material, which is infinitely more effervescent and charismatic, is borderline delusional. Now, with the opportunity to review Edu Falaschi’s first solo outing of original material, I feel something close to vindication.” Cruzin’ to wictory.

Trance of the Undead – Chalice of Disease Review

Trance of the Undead – Chalice of Disease Review

“Sometimes you just need an audio beating, to crank that funky brutal music to 11 and let your ears bleed. The issue with a lot of beatdown music is that there’s simply too much of it and not enough contrast, which is why bands like Isis or Opeth were applauded in their heyday, while Tetragammacide and Deiphago are chastised like a class clown. Having your skull beaten in is fine and dandy, but you need some sophistication. A baseball bat made of maple instead of ash, perhaps, or a titanium crowbar instead of iron. Maybe a fist with some pretty rings or maybe even a bedazzled tire iron? Brazil’s Trance of the Undead utilizes predictable beatdown techniques in its blackened death attack.” Discount diseases.

Hevilan – Symphony of Good and Evil Review

Hevilan – Symphony of Good and Evil Review

“If you are one of the poor souls who’s managed to follow my pedestrian music journalism career, you know that I’m a hopeless Nevermore weenie. There’s just something about the way they combined immense, progressive, down-tuned riffing with powerful, operatic vocals that is incredibly pleasing to my ears. I was therefore absolutely defenseless against the promo blurb that touted Hevilan guitarist Johnny Moraes as having appeared in Warrel Dane’s live band, as well as on the late Nevermore singer’s posthumous solo release, Shadow Work.” Good times, bad times.

Nervosa – Perpetual Chaos Review

Nervosa – Perpetual Chaos Review

“While at one point it certainly seemed like Nervosa would become another bullet point in a long list of last year’s disasters, the Brazilian thrashers successfully survived 2020. They came out of it wounded like most of the world, sure, but still alive and kicking. If anything, the loss of the rest of her band (bassist and vocalist Fernanda Lira and drummer Luana Dametto) due to cryptic “personal reasons” seems to have viciously reinvigorated the group’s founder and frontwoman Prika Amaral.” Reborn in chaos.

Paradise in Flames – Devil’s Collection Review

Paradise in Flames – Devil’s Collection Review

Paradise in Flames is a Brazilian black metal quartet, having released two albums, two demos, and an EP since their 2003 formation. While their third full-length’s cover poses questions, a glance at their promo confuses further. They cite death metal countrymen Sepultura and Sarcófago as influences, while the Devil’s Collection was mastered by producer Tue Madsen of Meshuggah and Dark Tranquility fame. Such first impressions are baffling, but the looming question is: is Devil’s Collection any good?” Riffing is fundamental.

Jupiterian – Protosapien Review

Jupiterian – Protosapien Review

“Lured in initially by that artwork – unmistakably Mariusz Lewandowski but with a teensy variation on his typical hooded figure and preferred color palette – the advance track (“Mere Humans”) for Jupiterian’s Protosapien sounded huge; as in, geologically significant. This Brazilian four-piece was previously unknown to me, so off I scurried to the AMG archive dungeons to ensure that it could be mine to review! I was to be disappointed, as I discovered that a certain Muppet had in fact reviewed the last slab of atmospheric doom sludge dished up by Jupiterian. Then, when the news broke that Muppet was going to be pursuing interests outside The Hall, I realized that the follow up to 2017’s Terraforming was up for grabs after all.” Grab for the stars.

Scars – Predatory Review

Scars – Predatory Review

“Thrash albums should be an hour long. FALSE. Why do bands think that? The latest from Testament is a great example of a recent thrash album that would have been excellent if twenty minutes had been shaved off it. In fact, just last week as the AMG crew hurled insults across the six-foot barriers at each other, one thing we agreed on was that thrash albums need to aim for the 29-minute sweet spot. Also known as the Reign in Blood theorem, it is seemingly impossible for bands to get close to.” Lowering the Scar(s).