“When I reviewed B R I Q U E V I L L E’s third record, Quelle, I got tetchy about all the spaces between the letters, and various other pretensions. However, the Belgian project’s mesmerizing brand of instrumental post-metal won me over. Its bleak, misery-drenched tones conveyed everything that slightly uncomfortable-to-look-at album artwork suggested it might, ranging from a sludgy Bossk to Godspeed You! Black Emperor in tone. At almost an hour in length, and with a few strange choices in its composition, Quelle did struggle a little under its own weight but it still held my attention. Although the spaces now seem to come and go, it would appear BRIQUEVILLE have found a new way to irk me with their fourth record, IIII.” B r i c k by BRIQUE.
Briqueville
TheKenWord’s and Carcharodon’s Top Ten(ish) of 2020
TheKenWord and Carcharodon join the fray with tastes ranging from good, bad, and unfathomable.