British Metal

The Ridiculous Year o’ Death Metal, Part 2 [Things You Might Have Missed 2020]

The Ridiculous Year o’ Death Metal, Part 2 [Things You Might Have Missed 2020]

“When I say death metal has been absolutely disgusting in 2020, it can only be a good thing. While we at Angry Metal Guy have done our best to cover as much calamity as possible, it was inevitable that some releases would go unrecognized. To that end, this round-up exists solely to shed unholy light on those atrocities that didn’t quite make the cut, but absolutely warrant your attention.” Death Redux.

Diamond Head – Lightning to the Nations 2020 Review

Diamond Head – Lightning to the Nations 2020 Review

“I am not a fan of bands rerecording old classic material. But I make an exception in the case of Lightning to the Nations 2020, the latest offering from NWoBHM elders Diamond Head. Why? Because I can kill two birds with one stone: I write my weekly review as well as a Yer Metal Is Olde article at the same time. Now that’s how you maintain high efficiency! The crux if this review won’t be “how good is this album?” We already know Lightning to the Nations is a super album. It will be “do we need this version?” That’s what enquiring minds want to know.”” Lightning strikes twice?

Yer Metal Is Olde: Judas Priest – Painkiller

Yer Metal Is Olde: Judas Priest – Painkiller

“Overrated. That’s the most recent Twitter post I saw about Painkiller, the specimen of metallic glory that is thirty years olde now. Listen, this album is only overrated if you rank it at the very top of Judas Priest’s long and glorious discography; however, it is most certainly amongst their best albums, and amongst the best that the heavy metalverse had to offer in 1990. And as 2020 draws to a slow and painful close, we can all use some Painkiller to help us get through these last few weeks. Let’s take a look back at this album, and see just why it deserves some extra attention.” PAIN!

Raging Speedhorn – Hard to Kill Review

Raging Speedhorn – Hard to Kill Review

Raging Speedhorn. Now that’s a name I’ve not heard in a long time. A long time. And to be honest, I didn’t really expect to hear it again but it would seem it’s pretty Hard to Kill this six-piece from Corby in the UK. I first came across Raging Speedhorn when they opened the main stage at Ozzfest in Milton Keynes in 2001. I am almost certain that I saw them again at some point and, after conferring with one of my best mates, I think this may have been a rather unlikely-seeming slot opening for The Dillinger Escape Plan sometime around 2002 or 2003. I hadn’t thought about them since then until a few weeks back, when Holdeneye alerted me to the fact that we had received the promo for Hard to Kill and asked whether, as the only person to ever reference Raging Speedhorn on the blog, I was interested. Hell, why not.” Can’t kill the Horn.

Benediction – Scriptures Review

Benediction – Scriptures Review

“When I first heard Benediction, it was on the indispensable Death…Is Just the Beginning II with “Dark is the Season.” I still get that opening riff stuck in my head from time to time. Many moons ago when I first discovered Anaal Nathrakh, I learned that vocalist Dave Hunt had performed on Benediction’s 2008 release Killing Music, I was rather ambivalent upon hearing it. Sometime around then I heard Bolt Thrower’s underrated Honour Valour Pride, which featured Benediction’s best-known vocalist Dave Ingram, and I loved his performance. Ingram’s stellar performance on the title track of Megascavenger’s At the Plateaus of Leng was a big factor in me picking it up. Scriptures, Benediction’s first release since Killing Music, sees Ingram return to the fold and my expectations measured.” Death… is beginning again.

Crippled Black Phoenix – Ellengæst Review

Crippled Black Phoenix – Ellengæst Review

“I’ll open this review with the sentence I used to close my last Crippled Black Phoenix review: Crippled Black Phoenix are a band I want to like more, but the material continues to fall short of their potential. And with that thought the band’s latest album, Ellengæst, was bestowed upon me, giving me several weeks to think about how I’d be going in with high expectations and coming out feeling like I’d only eaten half a meal. A quick scan of the promo material did raise an eyebrow: the size of the band has been cut in half (CBP have always been immersed in drama), and there are a number of interesting guest vocalists as a result.” Crippled but dangerous.

Scordatura – Mass Failure Review

Scordatura – Mass Failure Review

“Traditional death metal has, to my ears, endured more strongly than the base forms of other metal subgenres. Second wave idolizers have me regularly convinced that options for tremolo riffs dried up around the time Darkthrone released Panzerfaust, while modern practitioners of power metal infinitely scrawl tally marks on the tomb of Helloween‘s “Eagle Fly Free.” But something about classic death metal has proven impossibly recyclable; from Blood Incantation to Necrot, many of the best bands keep the style fresh by doing hardly anything new at all. Enter Scordatura, who do little to break this trend.” Failure is not an option.

Monsterworks – Malignment Review

Monsterworks – Malignment Review

“It seems like I just finished writing about Monsterworks a short time ago – or did I? I mean, their last album came out two and a half years ago – or did it? Was that the last we heard of these guys? It feels like it wasn’t. Normally they’re on an album a year release schedule, so this is a big gap for them. Makes me wonder if they were up to something else during that time. In fact, I’m rather bullish on that idea. I’m also very confused.” Monsters, Inc.

Synthetic – Clepsydra: Time Against Infinity Review

Synthetic – Clepsydra: Time Against Infinity Review

“Well, the promo claimed Clepsydra to be symphonic progressive metal, which did not fill me with hope. Thankfully, this claim was wrong. It’s not very symphonic; it just overuses keyboards a lot. It admittedly has that in common with actual symphonic bands, but at least the synths in Synthetic are more earnest in their synthetic sound rather than trying and failing to imitate an actual orchestra. Nor is this record very progressive at all; most of the songs have a basic verse-chorus structure and rely on direct hooks of a pretty tried and true style. The style in question is more along the lines of metalcore and melodic death, winding up somewhere in between Killswitch Engage, Soilwork and In Flames, just with a lot more keyboards.” Corephobia.