British Metal

Dvne – Asheran [Things You Might Have Missed 2017]

Dvne – Asheran [Things You Might Have Missed 2017]

“Flow. Like love, it’s a word that’s difficult to describe, but you know it when you experience it. It’s the feeling of losing yourself in a task or a game, becoming one with the activity, balancing perfectly on the edge between skill and difficulty. No frustration, no boredom, and no sense of time or place. If you’ve ever found yourself looking up from an activity after ten minutes and find out three hours have passed, you’ve experienced flow.” Like an everflowing dream.

Godflesh – Post Self Review

Godflesh – Post Self Review

“Many fans breathed a sigh of relief when A World Only Lit by Fire sounded like a cleaner Streetcleaner , and so did I to a certain extent, however part of me wanted Godflesh to channel the softness of Hymns, the atmospherics of Jesu, and the electronic denseness of JK Flesh into their unforgiving sound. When Godflesh announced that Post Self would embody a lot of different sounds, I was both intrigued and concerned.” Post notes.

Stahlsarg – Mechanisms of Misanthropy Review

Stahlsarg – Mechanisms of Misanthropy Review

“Our lovable cat-man Grymm described the Brits’ debut Comrades in Death as “frustratingly average,” with perhaps a tilt toward the “frustrating.” The descriptor fit the record’s unevenness snugly, as the offering straddled sublimity and snooze-inducement. Follow-up Mechanisms of Misanthropy smooths out Stahlsarg’s wrinkled edges, but seesaws into “average” territory as well.” The battle for attention.

Horrified – Allure of the Fallen Review

Horrified – Allure of the Fallen Review

Horrified is in a bit of an odd place. Parallels to Philadelphia death outfit Horrendous are apt, with Horrified’s first two albums delivering exactly the slabs of modernized Swedeath you might expect. Though 2016’s magnificent Of Despair put the band on the map, Horrified mastermind Dan Alderson himself immediately touted their next album as ‘something with an even larger and dynamic range of influences… more original and diverse than the material presented on Of Despair.'” Big words. Big album.

Tony Mills – Streets of Chance Review

Tony Mills – Streets of Chance Review

“Back in the ’80s, before a little thing called the World Wide Web came along, we got our metal news from magazines like Circus and Hit Parader. In a pathetic attempt to be hip and now amongst my fellow teenage metalhead pals, I was always on the lookout for any obscure band that got a decent review in those rags. One such band in 1985 was a British act called Shy. I’ll be honest: Brave the Storm was probably the worst album I bought based on these old reviews. The songs were bad, it was dated and sounded old a week after I bought it, and the vocals — by one Tony Mills — were screechingly awful.” 32 years will change a man.

Paradise Lost – Medusa Review

Paradise Lost – Medusa Review

“If there was ever a band that has truly come full-circle with their music, Paradise Lost would be it. From atonal death/doom metal to Gothic metal to the full plunge into Depeche Mode-esque electronica before returning in sequential order, the British doom band proved to capably transform with each release, and yet still sound unmistakably like Paradise Lost.” Head of snakes, feet of lead.