“For those who love the bizarre black/grind/punk that vocalist Chris Francis and multi-instrumentalist Garry Brents have been producing since Cara Neir’s 2008 inception, Despair, has been a hotly anticipated record indeed. So turn off the lights, grab some white wine, and get ready to sulk in the corner as we explore the hopelessness of Perpetual Despair Is the Human Condition.” Does white wine even go with existential angst?
![Cara Neir/Wildspeaker – Guilt and His Reflection [Split] Review](https://www.angrymetalguy.com/wp-content/uploads/2016/09/Cara-NeirWildspeaker-Guilt-and-His-Reflection-768x1166.jpg)
“Crack a beer and grab a seat. Today’s entertainment is a double feature from two Texas-based bands with a proclivity for taking black metal and turning it on its ugly, corpse-painted head. First up is Cara Neir, an idiosyncratic, punky duo whose hardcore-tinged blackness often lends itself to wild stylistic forays, as heard on 2013’s Portals to a Better, Dead World. On the flip side is Wildspeaker, a crustier, sludgier outfit who formed in 2013 and released debut Survey the Wreckage last year. They’re here to deliver Guilt and His Reflection, 13 tracks depicting ‘humanity crumbling into itself’ through ‘the story of post-civilization sins committed when desperation overwhelms.'” That certainly sounds cheery.
“For those engulfed in the US Black Metal (USBM) scene, California’s Palace of Worms may be a familiar name to you. For everyone else, the band mixes Pacific Northwest Black Metal (PNWBM) and the ethereal beauty of Alcest (Alcest-core) with some signature Norwegian Black Metal (TRVEBM) rawness.” March of the Acronyms!
“The pulsating surge of the retro wave has turned music reviewing into what’s essentially the Antiques Roadshow. We listen like the appraiser examines a piece, looking for authenticity, craftsmanship, and the overall condition of the music. We then describe our findings and you lovely folks read about them, some of you coming here every day, some once a week, and some seduced now and again by the masterful and sultry click-baiting some of us excel at.” Just look at that veneer!
“Anyone passingly familiar with the Chicago metal scene in the past few years will have at some point encountered Immortal Bird. In Dr. Fisting and my neck of the woods, they’re one of the better groups to grace the dingy ex-speakeasies and frostbitten holes-in-the-wall. Their tight live performances do their sludgy, blackened death metal great justice and a full-length release has been awaited for a while in la casa de Kronos.” La casa de Kronos has a big old birdbath.
“Grindcore is a genre best-suited to the EP. The intense aggression and abrasive style can very rarely be sustained for a full length of 40-50 minutes, after which most would rip off their weary ears and embark on a quest of homicidal desecration – but as a tasty morsel it can be a powerful tool.” Like Edward 40 Hands always says, sometimes you just need a big bottle of Occult 45.
“I don’t know what it is lately with the United Kingdom and it’s inhabitants looking to bulldozer over all those around them. With Conan crushing heads like they’re little businessmen on Kids in the Hall, it seems like the UK is a new hotbed for monolithic, slower-than-a-glacier doom metal. Scotland’s Of Spire & Throne are tossing their cabers into the ring, bringing forth quite the slab of sludge with their three-song EP, Toll of the Wound, and dangnammit, this deserves to be heard!” FREEDOM…and quality doom too!
