Brothers of Metal

Metalite – Expedition One Review

Metalite – Expedition One Review

“”Modern melodic metal” is a term that wants to say a lot, but in reality conveys very little. More often than not this is a thin disguise for “pop-oriented,” and such is the case before us today. Formed in 2015 and with three previous LP’s under their belt, Sweden’s Metalite seem to have flown under the radar here at AMG HQ. This could be due to an omnipresent dairy allergy circling The Skullpit™, or the aforementioned genre tag provided by the band’s label.” In space no one can hear you be mellow.

All for Metal – Legends Review

All for Metal – Legends Review

“At first glance, All for Metal seems to be a near perfect facsimile of Brothers of Metal—sans the incredibly talented Ylva Eriksson—so much so, in fact, that when I first heard them, I was convinced they were a Brothers of Metal side project. But further research, and further listens, reveal that while All for Metal may peddle the same chonky, bordering on goofy heavy/power as BoM, they are certainly their own beast.” All for spray cheese.

Bloodbound – Tales from the North Review

Bloodbound – Tales from the North Review

“It’s been a mere two years since I relieved Steel of his blood-bond to review Bloodbound, and the Swedes are already back with a follow-up to 2021’s Creatures of the Dark Realm. I enjoyed Creatures enough to feature it on my Honorable Mentions list for that year, and I stand by that, as my return listens have found the album to be as strong as ever.” Blood Eagley.

Bloodbound – Creatures of the Dark Realm Review

Bloodbound – Creatures of the Dark Realm Review

“As Lord Protector of the Dark Angry Metal Realm, Steel Druhm is entitled to the right of primo promo. He can often be seen pushing his massive haul of pre-picked albums around the AMG office in a giant flaming wheelbarrow, its spiked wheel crushing the skulls of failed n00bs littered about the floor as it rolls. His dragon’s hoard of promos is so large that some inevitably fall to the ground, where sniveling peons like myself snatch them up for our own reviewing pleasure. So it goes with Bloodbound’s newest release. In his 2019 review of the band’s eighth studio album, Rise of the Dragon Empire, Lord Steel recounted the transition that the band has made over the years, moving from a more traditional heavy metal sound to a syrupy-sweet Euro-infused iteration of power metal.” Fanbound glory.

Record(s) o’ the Month – January 2020

Record(s) o’ the Month – January 2020

“December brings extended downtime to the overworked, never paid AMG staff as the pace of review slowly drops off. It’s the time of year when we’re left alone to perfect our year-end lists before fleeing the hustle and bustle of the Skull Pit and promo spa for a much needed mental vacation. January however means a dutiful return to the writing cells with clear minds, full hearts and musical palates ready for new abuses. The shackles are then reapplied and the whipping resumes in earnest.” We’re back and still hacks.

Brothers of Metal – Emblas Saga Review

Brothers of Metal – Emblas Saga Review

Truth be told, there’s a decent chance that I wouldn’t be here writing within these hallowed halls without Brothers of Metal. You see, back in 2017 I was a mere lurker at AMG, and might have been content to continue in that capacity if I hadn’t seen a commenter recommending Prophecy of Ragnarök, the debut from the aforementioned Swedes. I checked it out and fell so hard for its sometimes hilarious, sometimes deadly serious take on Norse-mythologized folky power metal that I felt compelled to create a Disqus account just so I could express my thanks to the recommender.” Brother hugger.