Burning World Records

Am Himmel – As Eternal as the Starless Kingdom of Sorrow Review

Am Himmel – As Eternal as the Starless Kingdom of Sorrow Review

“Metal, and black metal-adjacent styles in particular, has traditionally tended towards the chthonic over the celestial in its imagery. But Am Himmel (“In the Sky”) choose to base their horror in the heavenly rather than the hellish. Their music purports to express, it seems, the eternal divine separation in “starless” metaphysical voids. It could be a project born out of piety or heresy. In either case, the import of existential terror is evident.” Heaven as Hell.

Celestial Season – Mysterium I Review

Celestial Season – Mysterium I Review

“Second acts for bands are always interesting. Sometimes the years away from the tussle and grind of the record release schedule does a band good, allowing passion and creativity to flow anew as it did back in their early days. Sometimes that same passage of time provides maturity and a seasoned confidence that informs the new material. In the case of Dutch goth-doom act, Celestial Season, we saw a bit of both of these progressions on 2020s The Secret Teachings. Coming off a 20-year hiatus, the compositions felt surprisingly creative, confident, and adventurous. They retained enough of the original sound from their heyday but were unafraid to wander into new soundscapes. Two years later we get the follow-up, Mysterium I.” Mystery season is upon us.

The Answer Lies in the Black Void – Forlorn Review

The Answer Lies in the Black Void – Forlorn Review

“Who doesn’t love international cooperation? Well, I suppose we’re bound to have a few hardcore nationalists in our readership who don’t, but in our increasingly connected world, getting cozy with the neighbors can go a long way. The same goes for metal; people from all over the globe, or even just the continent, working together can result in some magical things. Case in point: newly erected international project The Answer Lies in the Black Void, which is quite a mouthful as band names go. The duo consists of Hungarian citizen Martina Horváth (Thy Catafalque) and Dutch breakcore specialist Jurgen Köhnen (Servants of the Apocalyptic Goat Rave).” Fellow metal travelers.

Celestial Season – The Secret Teachings Review

Celestial Season – The Secret Teachings Review

“Talk about unexpectedly bumping into a long lost friend! Back in the 90s when the doom death movement was new and being driven by the “Peaceville Three,” there was a lesser known Dutch group called Celestial Season trying to horn in on the grimly emo fun. I first encountered them when I bought their 1995 sophomore album Solar Lovers and ended up quite taken with their gloomy yet accessible style. There were some great moments and I even loved their rendition of Ultravox‘s classic 80s hit “Vienna.” After that I never heard from Celestial Season again.” Surprise homework assignment!

Somnus Throne – Somnus Throne Review

Somnus Throne – Somnus Throne Review

“The mysterious and unidentified crew that make up Somnus Throne are said to hail from New Orleans, Texas and L.A., and on their eponymous debut they are content to allow their music to make the introductions for them. Listeners can expect to be greeted by psychedelic stoner doom in the vein of Sleep, High on Fire, and Mastodon, heavy on the massive riffage and song-lengths and light on innovation or originality.” Thronesmoker.

Bast – Nanoångström Review

Bast – Nanoångström Review

Bast bask in the light of the vast. Lengthy compositions are their forte, stringing together gut-wobbling strings of sludge, doom and black metal. Nanoångström is this British three-piece’s second full-length, a record that continues the stylistic approach of 2014 debutSpectres by precariously balancing on the border between black metal and doom metal. In an attempt to do something different with two well explored genres, Bast espouse the black metal moods of Winterfylleth and Altar of Plagues and the sludgy experimentation of Neurosis in a unique post-whatever pie.” Clean your plate.

Totengott – Doppelgänger Review

Totengott – Doppelgänger Review

“Everybody from Mayhem to High on Fire have been influenced by Celtic Frost, but few have been as blatant about it as Totengott. Let’s tally it up: their band name is a track title from Monotheist. Their cover art looks like a mountain goat version of the last Triptykon album. Even the name of the record, Doppelgänger, implies they’re just a shameless copy of someone else.” More(bid) tales.