Bütcher

Redshark – Digital Race Review

Redshark – Digital Race Review

“Continuing the trend of covering things I don’t normally cover, I traveled at the speed of light metal to Barcelona, where I encountered an angry, ‘roided-out shark wearing nothing but bullet belts and cargo khakis that barely contained his quads. His name is Fred, but his friends and enemies just call him Red, for short. My first encounter with Red looked much like the scenery depicted to your left. Specifically, there were many explosions, gunshots, cacophonies of glass and cigarette-stained plastic shrapnel, and the sweet sound of skulls succumbing to ruthless whirlwinds of ignited ammunition.” Blood in the mortar.

Bastard – Rotten Blood Review

Bastard – Rotten Blood Review

“What we have here is the devil’s own bar band. After a seven-year layoff and a slew of lineup changes, Bastard swaggers back onstage with sophomore full-length Rotten Blood. These four likely parolees mine a vein of blackened speed metal and thrash that will be familiar to fans of NifelheimGoatwhore, or, more recently, any of your finer bands ending in the suffix “-er” (Bütcher, Bewitcher, Hellripper, Demiser, etc.). The album is all Motörhead riffs played at 78 rpm and mad-lib lyrics that pay homage to Satan or whatever–mostly, it seems, because cozying up to Old Man Splitfoot is the fastest way to get your hands on the good whiskey.” Bastards, bourbon, Battlestar Galactica.

Schizophrenia – Recollections of the Insane Review

Schizophrenia – Recollections of the Insane Review

“In the Year of Our Plague 2020, a lusty and savage dose of black/speed/thrash hit the planet with the force of a 6-megaton billy buck. I speak of Bütcher‘s sophomore platter, 666 Goats Carry My Chariot. It was such a wild, unruly paean to excess that it proved nigh impossible to resist. 2022 sees a band emerge from Bütcher‘s bloody Belgian backyard carrying fewer goats but much of the same speed-drenched lunacy. Schizophrenia‘s Recollections of the Insane debut assaults with a thrashing, skull-bashing style of death metal sure to conjure nostalgia as it curb stomps the unwary with lightning riffs and flashy chops.” Mad Maximum.

Descent – Order of Chaos Review

Descent – Order of Chaos Review

“If Australia is trying to kill you, then Descent is the club with which it bludgeons its victims. The Brisbane five-piece burst onto the scene in 2018 with Towers of Grandiosity, which worshipped at the altar of the most primitive old-school death metal. But Towers rested too heavily on its Neanderthal influences, failing to make a mark amidst stiff competition from down-under brethren like Faceless Burial, The Plague, and Earth Rot. Descent’s latest attack, Order of Chaos aims to outshine the OSDM riffraff by incorporating weapons from neighboring genres into the band’s arsenal, in defiant response to our review (I assume).” Murder Land.

Knife – Knife Review

Knife – Knife Review

“Over the past few years, I’ve found myself growing increasingly fond of the blackened speed metal subgenre. Something about the mix of simple, unrelenting riffs, vicious vocals and gleefully evil subject matter speak to my soul in a profound and fundamental way. But instead of exploring any of that in therapy, I just keep an eye out for the next morsel of Motörhead-worshipping, Venom-venerating filth that bobs to the surface of the promo sump. That’s exactly how I happened upon Knife, a blackened speed outfit hailing from Germany that traffic in this (un)heavenly concoction.” Blades of steel.

Evoke – Seeds of Death Review

Evoke – Seeds of Death Review

“I’m a hammer kind of guy. I wield the Banhammer in the comment section, one of my favorite historical figures is Charles “the Hammer” Martel, my favorite Avenger is Thor, and I love the throwback 80s speed and insanity of Norway’s Deathhammer. Albums like Evil Power take me back to the glory days of speed and provide all sorts of nostalgic amusement and berserker energy. Evoke hail from the same scene as Deathhammer and vocalist/guitarist Kato Marchant has played for them live. Seeds of Death is Evoke‘s debut full-length, and it aims to hammer you with blinding speed and tongues firmly planted in the cheek of the 80s.” Feel the need for Seed.