Canadian Metal

Threat Signal – Disconnect Review

Threat Signal – Disconnect Review

“Five years ago, another metal blog referred to As I Lay Dying’s Awakened as “the world’s first retro-metalcore album.” While that same not-to-be-named blog was also recently guilty of authoring one of the most idiotic self-serving shitposts I’ve ever read, in the case of Awakened they were actually right. With its melodic Gothenburg riffs, gang vocals, soaring clean choruses, and pummeling breakdowns, the record hearkened back to mid-00s metalcore at a time when the rest of the scene was too busy being balls deep in whatever Periphery was doing.” Old core, new core. At this point, what does it matter?

Annihilator – For the Demented Review

Annihilator – For the Demented Review

“Not many bands live to release a 16th album, but Annihilator is a testament to persistence through good times and bad (especially bad). Sure, some folks feel they should have closed shop after their well regarded sophomore outing, Never Neverland, but haters be damned. The band is the baby of founder/guitar wunderkind/sometimes singer Jeff Waters, and he seems disinclined to put it out to pasture anytime soon.” Never, never say…stop?

Biblical – The City That Always Sleeps Review

Biblical – The City That Always Sleeps Review

“I spent the summer searching and searching for the next great retro album. I never found it. In fact, all year I’ve only found a half-dozen albums I’ve really liked (as in a 3.5 or higher), and none of those since June. That’s piss-poor and depressing. It’s like owning a black and white television. Well, I’m hoping to upgrade to a color TV eventually this year, so what better time to start looking than right now?” Baby bible steps.

Archspire – Relentless Mutation Review

Archspire – Relentless Mutation Review

The Lucid Collective may have made Archspire’s career, but Relentless Mutation is the album that will make their legacy. Three years ago, Archspire’s second record dropped, followed by the mandible of many a tech death fan. Just when we thought the late 2000s tech death sound generated by the Sumerian/Unique Leader cohort was finally on its way out, here was an album that took the style and sprinted away with it, not even pausing at the finish line to let your ears catch up. It was concise, brutal, and spectacularly tight, setting new standards of both performance and writing, simultaneously catchy and indulgent. I would have been quite pleased to see Relentless Mutation recap the whole thing. But that’s not what happened.” Evolve via mutation.

Astaroth Incarnate – Omnipotence – The Infinite Darkness Review

Astaroth Incarnate – Omnipotence – The Infinite Darkness Review

“Addition, subtraction, so much of metal involves the bolting-on and prying-off of countless sub-genres. Musicians and critics often fall into the trap of viewing music less as an expression of fertile creativity and more like a chest of drawers awaiting assembly. Start with a death metal base, insert black metal vocals into socket B, affix progressive chords perpendicular to the shelves… wait, we’re missing two slats and I’ve stripped a screw. Billed as a melding of tech death, black, and thrash, Omnipotence – The Infinite Darkness by Toronto natives Astaroth Incarnate had the cynic in me guessing the end-result without listening to a single note.” Maths are hard.

Phylactery – Necromancy Enthroned Review

Phylactery – Necromancy Enthroned Review

“I won’t mince words: Necromancy Enthroned is the riffiest album I’ve ever heard. This album makes Master of Puppets look like Music for Airports. This album makes Sodom look like Sunn O))). This album is the reason why my socks remain unfolded while I stand over my bed playing air guitar.” The socks have been rocked.

Hexenklad – Spirit of the Stone Review

Hexenklad – Spirit of the Stone Review

“Hailing from the wooded glens of Ontario, Hexenklad come bearing as many cursed furs as their teetering carts can bear. Many will recognize SIG:AR:TYR guitarist Mike Grund, but only those hooked into the Canadian black metal scene may notice frontman Timothy “Voldemort Voldamares” Johnston, former member of the now-defunct Eclipse Eternal and contributor to David Gold tribute Heart of Gold.” From the Great White (Blackened) North.

Seer – Vol. III & IV: Cult of the Void Review

Seer – Vol. III & IV: Cult of the Void Review

“Vancouver’s Seer entered my life at the start of 2016 with their consolidated release of 2 EPs: Vol. 1 & 2. It was a charming, if heavily flawed, release which showed glimmers of talent. Vol. III & IV: Cult of the Void represents the speedily recorded and released sequel, still dominated by stoner riffs and heavy atmosphere. I made some substantial criticisms of the former and as such began my time with the latter intrigued to hear if these had been addressed; I must confess that my expectations weren’t set too high.” Cult bait or cut bait?

Passage – As Darkness Comes Review

Passage – As Darkness Comes Review

Passage is likely not a name familiar to many outside of their native Montreal, Canada. Their self-titled debut was released in 2005 and they failed to follow it up in any way until now. Talk about a momentum killer, eh? Dubious marketing choices aside, the band traffics in melancholy doom death and they take many pages from the dog-eared tomes of Paradise Lost, Saturnus and My Dying Bride as they seek to crush your spirit under weighty riffs and heart-wrenching melodies.” Hello, darkness my olde friend.