Candlemass

Forged in Black – Lightning in the Ashes Review

By Holdeneye on June 26, 2023 in Reviews, Doom Metal, Heavy Metal, Thrash Metal, 13 comments

“Early on in my reviewing career, I had the honor of covering Descent of the Serpent, the sophomore record from British metal sub-genre benders Forged in Black. I was enamored by the interesting songwriting on display on that record, and I was equally impressed by the incredibly diverse vocal performance by singer Chris Storozynski. This combo of songcraft and vocals reminded me at times of classic metal bands like Candlemass, Judas Priest, and Metallica, but at other times, the album veered into modern groove metal territory. It was an eclectic mixture for sure, but it felt like taking a walk down my own personal metal memory lane. Even way back then, I knew that I would be anxiously awaiting the album’s follow-up.” Genre hoarding.

Isole – Anesidora Review

By Steel Druhm on March 8, 2023 in Reviews, Doom Metal, 78 comments

“Isole have slowly but inexorably become one of my favorite doom bands over the last 10 years, reliably delivering big albums in the Candlemass, Solitude Aeturnus, While Heaven Wept tradition. With 2 of those 3 big acts now out of action, Isole have steadily ascended the doom hierarchy ladder as they continued to improve with time.” Doom to improve.

Tribunal – The Weight of Remembrance Review

By Steel Druhm on January 18, 2023 in Reviews, Doom Metal, 104 comments

“The new year brings a fresh fervor to search out and seize interesting things from the ghastly promo sump. Having heard a bit of low-level buzz surrounding the debut by Vancouver-based gothic doom act Tribunal, I was interested to see what the fuss might be about. The promo sheet name drops My Dying Bride and boasts the presence of a classically trained cellist, and so I dove into The Weight of Remembrance hoping for something a bit more interesting than a MDB clone. And boy did I hit the goddamn motherload!” And justice for all.

Lord Mountain – The Oath Review

By Holdeneye on January 18, 2023 in Reviews, Doom Metal, Heavy Metal, 34 comments

“Anyone else ever find themselves forgetting that they like a genre of music? Doom metal is probably the most-often-forgotten stepchild of my psyche, and I rarely give the style a moment’s notice. But whenever I find myself exposed to those big, lumbering riffs, and haunted vocals, I’m always reminded just how awesome classic doom metal can be—emphasis on the classic.” Mountains full of doom.

TheKenWord’s and Carcharodon’s Top Ten(ish) of 2022

By Kenstrosity on December 28, 2022 in Blog Posts, Lists, 129 comments

TheKenWord and Carcharodon bring their special sets of skills to Listurnalia and things get…interesting.

Candlemass – Sweet Evil Sun Review

By Steel Druhm on November 16, 2022 in Reviews, Doom Metal, 56 comments

“As someone who fell deeply in love with Epicus Doomicus Metallicus after buying it based solely on the cool cover back in 1986, I consider myself a big fanMAN of Candlemass’ classic era. I define that epoch as the debut up through Tales of Creation. After that, it was much more of a crap shoot, with some albums working and others not so much. Considering the band’s golden era was rather brief, Candlemass enjoyed an outsized influence on the doom metal genre over the decades. When word hit that original vocalist Johan Langquist would appear on 2019s The Door to Doom comeback after not being heard from since Epicus, expectations were set unreasonably high.” Butchers, bakers, Candlemass makers.

Doomocracy – Unorthodox Review

By Steel Druhm on November 9, 2022 in Reviews, Doom Metal, 59 comments

“Epic doom is a much-beloved genre for yours Steely, but it’s a very challenging one to pull off properly. Balancing doom and traditional metal while imparting an epic flavor can be a tricky proposition for even the most talented band, and it’s far too easy for things to fall into cheddar and shame with the slightest misstep. For every glorious Atlantean Kodex victory, there are several crushing defeats out there where heroic sagas flop harder than that 300 lb. gent at the annual drunken bellyflop tournament. That brings us to Doomocracy and their third album, Unorthodox.” Vote DOOM!

Avatarium – Death, Where Is Your Sting Review

By Dolphin Whisperer on October 21, 2022 in Reviews, Blues, Doom Metal, Hard Rock, 34 comments

“Like a cruel joke, Avatariumߵs releases sneak up on our Steel overlord. In true fashion, the great ape had scheduled a holiday just when this one needed to land. Thoroughly enraged, he menacingly marched through the breakroom shouting that someone needed to cover it or he would sacrifice Itchymenace to the great pile of writer mulch that we toss into mash for homebrewed hobo wine.” No wine for you.

Amaurot – … To Tread the Ancient Waters Review

By Carcharodon on October 7, 2022 in Reviews, Death Doom, Doom Metal, 23 comments

“Amaurot is a four-piece gothic death doom band hailing from Sweden and fronted, and co-founded, by German vocalist Lisa Rieger (also of Hydra). And this review of their full-length debut, … To Tread the Ancient Waters, is woefully late. I make no apologies for that but know that there are Reasons. Valid Reasons. Rieger founded the band in 2019 with guitarist Peter Svensson (ex-Goatess, among others), who also handles keyboards.” Late to the grave.

In Grief – An Eternity of Misery Review

By Felagund on September 6, 2022 in Reviews, Death Metal, Doom Metal, 10 comments

“I have a complicated history with doom metal. While there are groups like Electric Wizard or High on Fire that I tend to turn to for my fuzzy, morose fix, I have more trouble with the deathened doom variety. Sure, you can’t shake a stick at the likes of Asphyx (and why would you? They’re old men and so very brittle), but executed poorly, you mix doom’s plodding passages with DMs unrelenting barrage, resulting in a bloated, brickwalled concoction that leaves your eardrums ringing and your watch over-checked. Be that as it may, I’ve been proven wrong before (except for our split review of Temple of Void’s latest) and there’s always something new to discover.” Good grief?