Candlemass

Doomocracy – Unorthodox Review

Doomocracy – Unorthodox Review

“Epic doom is a much-beloved genre for yours Steely, but it’s a very challenging one to pull off properly. Balancing doom and traditional metal while imparting an epic flavor can be a tricky proposition for even the most talented band, and it’s far too easy for things to fall into cheddar and shame with the slightest misstep. For every glorious Atlantean Kodex victory, there are several crushing defeats out there where heroic sagas flop harder than that 300 lb. gent at the annual drunken bellyflop tournament. That brings us to Doomocracy and their third album, Unorthodox.” Vote DOOM!

Avatarium – Death, Where Is Your Sting Review

Avatarium – Death, Where Is Your Sting Review

“Like a cruel joke, Avatariumߵs releases sneak up on our Steel overlord. In true fashion, the great ape had scheduled a holiday just when this one needed to land. Thoroughly enraged, he menacingly marched through the breakroom shouting that someone needed to cover it or he would sacrifice Itchymenace to the great pile of writer mulch that we toss into mash for homebrewed hobo wine.” No wine for you.

Amaurot – … To Tread the Ancient Waters Review

Amaurot – … To Tread the Ancient Waters Review

Amaurot is a four-piece gothic death doom band hailing from Sweden and fronted, and co-founded, by German vocalist Lisa Rieger (also of Hydra). And this review of their full-length debut, … To Tread the Ancient Waters, is woefully late. I make no apologies for that but know that there are Reasons. Valid Reasons. Rieger founded the band in 2019 with guitarist Peter Svensson (ex-Goatess, among others), who also handles keyboards.” Late to the grave.

In Grief – An Eternity of Misery Review

In Grief – An Eternity of Misery Review

“I have a complicated history with doom metal. While there are groups like Electric Wizard or High on Fire that I tend to turn to for my fuzzy, morose fix, I have more trouble with the deathened doom variety. Sure, you can’t shake a stick at the likes of Asphyx (and why would you? They’re old men and so very brittle), but executed poorly, you mix doom’s plodding passages with DMs unrelenting barrage, resulting in a bloated, brickwalled concoction that leaves your eardrums ringing and your watch over-checked. Be that as it may, I’ve been proven wrong before (except for our split review of Temple of Void’s latest) and there’s always something new to discover.” Good grief?

Memory Garden – 1349 Review

Memory Garden – 1349 Review

“Well, this is a yuletide surprise. A new Memory Garden album was not on my bingo card for Covid-ravaged 2021. To set the stage, Memory Garden emerged out of the 90s Swedish power/doom scene that birthed such acts as Tad Morose, Morgana Lefay and Sorcerer. Like these somewhat better-known brethren, their sound was regal, polished, classy, and bedecked in the finery of both doom and heavy power metal. Since their last release was way back in 2013, I’d assumed they were in the garden themselves.” A pox on 2021.

Opera Diabolicus – Death on a Pale Horse Review

Opera Diabolicus – Death on a Pale Horse Review

“Along with Shaw and Levén, the band adds some stellar vocals from Madeleine Liljestam (Eleine) and Angelina DelCarmen (Charetta), and guitar solos from King Diamond legends Andy LaRocque and Michael Denner. But the backbone of the album is all the other guests. These lesser-known individuals supply the keys, strings, pianos, and organs that make up the record’s core. It’s an unbelievable lineup with a lot of moving parts. But, somehow, the band keeps this chaotic metal opera about ‘witchcraft, the black death and revenge!’ together.” Panic in the opera horse.

Without God – Siberian Tunes: Purple Clouds Review

Without God – Siberian Tunes: Purple Clouds Review

“Hailing from Russia, Without God formed back in 2008 and have released a pair of full-lengths, the last coming out in 2014. Reemerging in 2021, the band have already released a nice little EP entitled Siberian Tunes: The Green Light and have made the interesting choice to immediately follow it with related LP Siberian Tunes: Purple Clouds. Without God play a big, burly style of doom metal that manages to include a pretty large range of influences.” From Russian with RIFFS!

Heathen Rites – Heritage Review

Heathen Rites – Heritage Review

Steel Druhm recently announced loudly to the writers that someone should review some sludgy doom record that was probably pretty good. I fell over my desk and several trash cans reaching from the promo. Turns out, I was duped. First of all, Sweden’s Heathen Rites are not sludge.” Sludge misjudge.

Hooded Menace – The Tritonus Bell Review

Hooded Menace – The Tritonus Bell Review

“Finland’s Hooded Menace are lords of death-doom. Their back-catalog is a veritable boneyard of fatal furors that crawl at a corpse pace and exist on the edge of an undead pulse. Indeed, their last album, Ossuarium Silhouettes Unhallowed, made a grave impression on many an end-of-year list, mine included. Now, sixth album The Tritonus Bell prepares to resound, and one thing is certain; Hooded Menace are masters of their craft. But this record’s new stylistic choice excludes heft in favor of history and the implication is almost unrecognizable.” Bells to the wall.

Demon Incarnate – Leaves of Zaqqum Review

Demon Incarnate – Leaves of Zaqqum Review

“For two weeks in a row, I found promos that claim Candlemass as a major influence, and I simply had to have them. Last week saw me positively handling former Candlemass vocalist Rob Lowe’s new project Grief Collector, so I was hoping to ride that slow, bludgeoning wave into this week as I tackle the groovy doom of Germany’s Demon Incarnate.” Break out the grief blower.