“Rorcal’s approach to auditory darkness is nonetheless unmistakable, post-hardcore and post-metal coursing through every vein. Dissonant and ominous, tar-thick slogs of drone/sludge contrast mightily with raw wounds of blackened shreds with impeccable balance.” Silent but deadly.
Celeste
Calligram – Position | Momentum Review
“While The Eye featured as many ideas as the many heads of a hydra, Position | Momentum streamlines them into a more focused beast. Expect second-wave tropes in tremolo, blastbeats, and vocalist Matteo Rizzardo’s ferocious shrieks (in his native Italian), but like Calligram’s catalog, the sophomore effort ascends beyond the Darkthrone and Mayhem worshipers of the cold dead world.” Calligram calling….
GardensTale’s Top Ten(ish) Album Art of 2022
It’s art appreciation time at AMG as GardensTale unveils his Top Ten(ish) Album Art of 2022.
Hierophant – Death Siege Review
“I was first introduced to Italian noisemongers Hierophant with their 2013 sophomore effort, the provocatively titled Holy Mother: Holy Monster. An absolutely punishing release, it included all the hallmarks of acts like Oathbreaker, Celeste, and Hexis in its blackened hardcore/sludge combo. However, with a cutthroat crusty edge, it forsook all subtlety for punishing vitriol, excruciatingly dense and brutal.” Death sieges us all. Hold fast!
Hexis – Aeternum Review
“While Hexis undoubtedly draws much comparison to the blackened hardcore/sludge of Celeste, Oathbreaker, The Secret, and even Amenra, there’s a liturgical element about them. Although its lyrics draw from the well of blasphemy and trod the well-worn path of nihilism, pitch-black reverence settles like cancer in the blood.” Hex marks the sore spot.
AMG’s Unsigned Band Rodeö: Asu no Jokei – Island
“Back in the primordial days of this here blog, we attempted something called “AMG’s Unsigned Band Rodeö.” The basic idea was to select a bunch of unsigned bands and give them the collective review treatment to find the most worthy buried gems. It was our humble effort to remind folks that the metal underground is still an important part of the world of metal.” Unsigned in the East.
Celeste – Assassine(s) Review
“If you’ve never heard of Celeste, the name and the aesthetic can be misleading. Gorgeous and contemplative black and white photographs of artistic poses and strange characters greet the eyes with a moniker that points to the heavens. If you were to guess the style, you might say post-black or prog, maybe an indie acoustic troubadour, or a bedroom jazz project. However, you’d be hard-pressed to find another act as suffocating and pissed off as Celeste. A visceral fusion of black metal, hardcore, and the filthiest outskirts of extreme subgenres, these Frenchmen are the epitome of scathing consistency, releasing album after album of hypnotic tunes.” Assassin’s breed.
Déluge – Ægo Templo Review
“Déluge is a French black metal/post-hardcore quintet, a demo and debut full-length Æther under their belt since their 2013 formation. Perhaps most similar to acts Downfall of Gaia or Celeste, Déluge’s sophomore effort Ægo Templo is content channeling the worship of hyper-melodic post-rock-influenced post-hardcore or screamo acts like Envy, So Hideous, or Suffocate for Fuck Sake.” After France comes the flood.
Calligram – The Eye Is The First Circle Review
“How can music communicate the feeling of dread? While all styles are able, metal’s inherent darkness fits like a glove. While it’s easy to provide aural bludgeoning or emphasize excess, the discipline of restraint takes time and effort. From the post-metal dirges of Neurosis, the avant-garde buildups of Eryn Non Dae., the spiraling doom of Swallowed, the blackened payoffs of Cultes des Ghoules, and the death metal environs of Desolate Shrine, it revels in darkness, plays with menace, but most notably, waits patiently.” Waiting in the darkness.
Hexis – Abalam Review
“Danish band Hexis have been torturing the masses since back in 2010. Up until now, their tales of atheism and abstract thought have been dished out via a bunch of demo’s, EP’s and splits with the likes of French post-metallers As We Draw, Russian atmospheric, post-hardcore band Euglena and Danish post-black metallers Redwood Hill. Now, as the new year kicks into full swing, Hexis have finally grabbed the demon by the horns and they’re all set to deliver their first full-length consisting of 13 stripped down abominations that bring to mind the harrowing events of an exorcism.” Demonic possession and metal go together like beer and another beer, so on paper at least, this seems like a marriage made in Hell. Madam X tells us if they need counseling.