Cemetery Urn

Cemetery Urn – Barbaric Retribution Review

Cemetery Urn – Barbaric Retribution Review

“When it comes to pretension, quoting yourself is one of its masturbatory peaks. Allow me to indulge in a scratch that lingers slightly too long and paraphrase what I said about Australia’s Cemetery Urn in the distant year of 2017. The band’s self-titled release showed a great deal of promise with its punishing yet coherent death metal, making them a band worth paying close attention to. While I had been anticipating a new release, this quick of a turnaround is worrying. Can Barbaric Retribution be the result of a productive fit of inspiration or a public jettisoning of leftovers deemed unworthy of records past?” Respect isn’t given. It’s Urned.

Drawn and Quartered – The One Who Lurks Review

Drawn and Quartered – The One Who Lurks Review

“To people unacquainted with beer, they’ll all taste the same. For those acquainted, the differences will be recognized but sometimes tough to adequately express. Such is it too with the genus of murky, cavernous death metal, the type which Drawn and Quartered traffic in on The One who Lurks.” Beer, lurking and death.

Father Befouled – Desolate Gods Review

Father Befouled – Desolate Gods Review

“Of all the metal sub-genres to come to prominence in the last decade or so, perhaps the most frustrating is the so-called “caverncore” style. We’ve heard it time and again: murky guitars, gurgly vocals, and an unabashed love for Incantation in both sound and artwork. While it’s proven a successful sonic palette for bands like Cruciamentum and Dead Congregation (not to mention the recent Cemetery Urn album), many of these groups simply mire themselves in a riff-less murk that makes even Alestorm seem appealing.” When the crevice calls.