Crowbar

Without God – Siberian Tunes: Purple Clouds Review

Without God – Siberian Tunes: Purple Clouds Review

“Hailing from Russia, Without God formed back in 2008 and have released a pair of full-lengths, the last coming out in 2014. Reemerging in 2021, the band have already released a nice little EP entitled Siberian Tunes: The Green Light and have made the interesting choice to immediately follow it with related LP Siberian Tunes: Purple Clouds. Without God play a big, burly style of doom metal that manages to include a pretty large range of influences.” From Russian with RIFFS!

Heathen Rites – Heritage Review

Heathen Rites – Heritage Review

Steel Druhm recently announced loudly to the writers that someone should review some sludgy doom record that was probably pretty good. I fell over my desk and several trash cans reaching from the promo. Turns out, I was duped. First of all, Sweden’s Heathen Rites are not sludge.” Sludge misjudge.

Neker – Slower Review

Neker – Slower Review

“Hailing from Italy, Neker is the brainchild of… Wait a second. Neker? That’s… You’re sure that’s what you want to go with? Okay, so if any of you want to recommend this band to any friends or family, say it slowly and enunciate clearly. Maybe over-pronounce the K a little, just for safety’s sake. Neker is the brainchild of vocalist/bassist Nicola Amadori, with help from Daniele Alessi on drums and Alessandro Eusebi on guitars. The rest is all Amadori, and his passions lie with the roots of southern metal and sludge, speaking loftily of such renowned acts as Down, Pantera, Crowbar and Melvins.” Let’s get Neker!

Eyehategod – A History of Nomadic Behavior Review

Eyehategod – A History of Nomadic Behavior Review

“Legendary sludge metallers Eyehategod is another high profile and revered NOLA band from the wrong side of the tracks, carving out a punishing career of ugly, hateful, feedback drenched sludge, including genre classics, Take as Needed for Pain and Dopesick. Built upon foundations of immense hardship, personal pain, resilience, and rocky turbulence, particularly those of troubled frontman Mike IX Williams, Eyehategod returned with a self-titled comeback album in 2014, their first LP since 2000’s Confederacy of Ruined Lives. It was a solid return, staying true to the band’s gnarled roots. The passage of time and age shall not weary Eyehategod.” Transient ugliness.

Yer Metal is Olde: DOWN – NOLA

Yer Metal is Olde: DOWN – NOLA

“Supergroups. That exciting moment when you learn that members of two or more bands you love are coming together to create … well, if we’re honest with ourselves, usually disappointment. It’s rare that supergroups come close to fulfilling that promise and that’s probably because they can’t. That’s not their fault – expectations are always sky high as a new group coalesces but different fans want different aspects of their favorites to be front and center in the new entity. A rare example, however, of a supergroup not just living up to the hype but downright crushing – at least for this fan – is DOWN.” OLDEA

False Gods – No Symmetry… Only Disillusion Review

False Gods – No Symmetry… Only Disillusion Review

“I’m the biggest Eyehategod fan I know, and sludge gets a bad rap. I get it: much like drone, if you just amp up the distortion to an 11/10 and know how to abuse the blues scale, you’ve got it made. Of course, there’s more nuance, like the need for facial hair, flannel, intoxicating substances, a shotgun, and some dark woods in the Deep South, but that’s just pedantic. My point is, you wouldn’t expect Crowbar-esque sludge from some dudes in New York, New York.” Empire expanding.

Goden – Beyond Darkness Review

Goden – Beyond Darkness Review

“We’ve discussed revivals before, and tributes aplenty. Just look at Sweven‘s Morbus Chron tribute–kind of a bit of both, and to mixed reactions. The list goes on: Black Sabbath and Heaven and HellImmortal and Abbath. Musicians looking to revive an old project under a new name must tread lightly, as we don’t want Morbus Chron 2.0, for example, but something that acknowledges the past while taking a fresh step forward. Today’s topic of discussion, New York’s Winter,  a relatively quiet 90’s death metal act that nevertheless influenced the development of the death/doom niche with its murky and sprawling tunes.” Winter is coming back.

Warped Cross – Rumbling Chapel Review

Warped Cross – Rumbling Chapel Review

“I’m about to drop a reality bomb on you that you’re probably already aware of; genre tags, on a collective whole, are oftentimes bullshit. Yes, I’m sure you’ve known that for ages, but when a band is characterized as a particular strain of metal, it’s either because the review writer in question needs some neat, easily identifiable box to put a band into so the listener can gauge whether or not the band is right for them, or said band is vastly stretching the idea of what they sound like to ridiculous lengths.” Rumble bumble.

Kirk Windstein – Dream in Motion Review

Kirk Windstein – Dream in Motion Review

“Founding Crowbar member, grizzled veteran of the NOLA metal scene, and all around sludge legend Kirk Windstein makes his first foray into solo territory on debut album, Dream in Motion. Although known for slinging tar coated slabs of sludge and doom with his main band, Windstein embraces a decidedly less metallic mindset here.” Iron dreams.

Warcrab – Damned in Endless Night Review

Warcrab – Damned in Endless Night Review

“I decided to atone for this cowardice by chugging some audible sludge in the form of Damned in Endless Night, the third full-length album from British wrecking crew Warcrab. I don’t listen to much sludge but the choice band name, impeccable logo, and Bolt Thrower comparison in the promo lured me into the Warcrab pot, and the musical chum I found within was so good that I couldn’t escape—nor would I want to.” Wharf arts.