“There’s heavy, and then there’s heavy. Morne are the latter. If you don’t know the difference, you will after listening to To the Night Unknown, the Boston band’s fourth album. To be honest, I’m wasn’t previously familiar with this group, nor have we reviewed any of their older material here at AMG, but after letting To the Night Unknown melt my speakers and put cracks in my walls for a few weeks, I’ll be exploring their back-catalog tout suite.” Morne is more.
“This January, the Angry Metal Gods saw fit to bless us with multitudes of favor during what strange, countless aeons of headbanging have typically proven to be the darkest of times for trve believers, and we all say thank-ya. February it may be, but that doesn’t mean it’s time to say goodbye to Jørnuary tidings, and it’s definitely not time to stop saying thank-ya. By the deity-defying powers of Muppets, France, and procrastination, let us bask in the revitalizing glory of 2018’s expectations-shattering induction for just a little longer. Friends, meet Viscères, the second full-length by Bind Torture Kill.” Fashionably late and brvtal.
![EP Edition [Things You Might Have Missed 2017]](https://www.angrymetalguy.com/wp-content/uploads/2016/12/cuervoportrait.jpg)
“Last year I compiled a year-end EP post with which I received help from my colleagues and of which I was quite proud. This year I institute this post by repeating it.” Get institutionalized.
“Last year’s Nails record was as blunt as they come. It’s rare that a band can generate enough hype — and then live up to it — that they can brazenly assert their superiority without being a laughingstock. But the trio did just that, leaving an open challenge to would-be peers in the title track of You Will Never be One of Us. When Moral Void heard the refrain, they thumbed their noses at the speakers. ‘Fuck you, Todd Jones,’ they said, ‘yes we will.'” Join or die.
“There are a handful of obscure record labels that I’ve learned to pay attention to when their output finds its way into our promo bay; the aptly named Transcending Obscurity is one of them. In recent months they’ve distributed some seriously weird novelty projects that, though not always great, typically provide something fresh that stands out in the crowded sphere of extreme metal. Thus, when I saw they had delivered us a Swedish death metal album, I was immediately intrigued.” You deserve a Kaning.
“Sometimes the way you first experience an album is everything. Back in 2013, after finally returning from an extended work trip where I had limited internet access (and thus, no ability to hear new metal releases), Thränenkind’s The Elk took my deprived ears by storm with its Agallochian mix of weepy post-rock and crusty post-black metal. After months of only listening to whatever -core was stored on my iPod at the time, I was captivated, and the German quintet’s debut ended up being one of my favorite albums that year. Three years later sees me in an entirely different set of circumstances.” Stop the presses!
“Down Among The Dead Men vocalist Dave Ingram has the death metal pedigree of a standard poodle with the roar of a rabid pit bull, widely known for his work with Benediction and a brief yet destructive stint in Bolt Thrower for 2002’s excellent Honour – Valour – Pride. Take one rabid poodle and add some Rogga.
“Usurping the Throne of Disease gave me two things: one, a delightfully rotten piece of blackened death-crust (which, typing it out now, actually sounds more like a spicy appetizer than a genre); and two, a reason to move past my failed no-jerking-off New Year’s resolution and slave away at a review that will, inevitably, be given the ‘Quilted Northern’ treatment by my Great Overlord.” I like my crust blackened and radioactive with a side order of cold saw.
If one thing has become clear lately, its that Madam X loves zombies, gore, death and dark stuff. Since Zombified is all about these things, who can be surprised she loves their Grave worshipping brand of nasty death metal.
Another record from Metal Blade’s Canadian installation and the third record from Canadian 70s-metal-meets-hardcore band Bison BC. This record took me totally by surprise, as I’d never heard of this band before and wasn’t really sure of what to expect. Honestly, all I had to go with was the look of the record and it looked very 70s. That fact alone hasn’t been very reassuring, while there are some bands out there trying to push the sound a bit, it just feels like another nostalgia movement that isn’t going anywhere to me so I tend to be pretty skeptical of such records.
