Crypt Sermon

Spiritus Mortis – The Great Seal Review

Spiritus Mortis – The Great Seal Review

“In the darkness I lurk, watching from a distance for that first glimpse of what I know must eventually arrive. But how long must I languish in this grim limbo? My hunger grows exponentially as weeks stretch into months without succor. In anguish, I raise my fists to the Heavens and cry out. Where oh where are the great doom albums of 2022? Where are the classic doom-inspired platters designed to crush me ‘neath oceans of despair and mammoth riffs? Aside from the winning debut by Early Moods (God, I hate that name), there’s been little to slake my unhealthy doom desires. Thus I pinned a great deal of miserable hope on the return of Finland’s Spiritus Mortis.” High spirits.

Fer De Lance – The Hyperborean Review

Fer De Lance – The Hyperborean Review

“From the mean streets of Chicago come the epic doom metal warriors in Fer De Lance, out to conquer the world and fly the banners of trveness for all the world to see. Featuring members of Satan’s Hallow and Professor Emeritus, Fer De Lance rock a sound blending elements of Atlantean Kodex, Visigoth, Crypt Sermon, and Bathory, with folk elements woven through reminiscent of SIG:AR:TYR. If that sounds like a winning stew of influences, you aren’t wrong.” Boots n’ Lance.

Without God – Siberian Tunes: Purple Clouds Review

Without God – Siberian Tunes: Purple Clouds Review

“Hailing from Russia, Without God formed back in 2008 and have released a pair of full-lengths, the last coming out in 2014. Reemerging in 2021, the band have already released a nice little EP entitled Siberian Tunes: The Green Light and have made the interesting choice to immediately follow it with related LP Siberian Tunes: Purple Clouds. Without God play a big, burly style of doom metal that manages to include a pretty large range of influences.” From Russian with RIFFS!

Carcolh – The Life and Works of Death Review

Carcolh – The Life and Works of Death Review

“Doom can be rather dull. We all know it. Even the most ardent doom aficionado will concede the point if pressed hard enough. It takes imagination, guile, and tradecraft to make a slow moving depressive style both interesting and exciting. The best bands skillfully craft riffs and vocal lines that shake the brain stem and excite the neurons regardless of relative speed, and songs must find that elusive balance between pacing and engagement. French baguette doomsters Carcolh worship the genre’s traditional ways and on sophomore album The Life and Works of Death, they attempt that oh so delicate tightrope walk.” Do the walk of life (and death).

Forming The Void – Reverie Review

Forming The Void – Reverie Review

Louisiana’s Forming The Void admirably scratched my doom metal itch back in 2018 with their third full-length, Rift. Between the sludgy riffs, the Middle-Eastern-inspired noodling, and the heft of the overall package, “Rift was a respectable, enjoyable album. But with all that’s been going on in the world, my lack of free time to even listen to music, let alone review it, and finding difficulty in locating simple pleasures like liquid hand soap or toilet paper… let’s just say that I’m itching for some quality doom metal to ease my soul.” Doom therapy.

The Lone Madman – Let the Night Come Review

The Lone Madman – Let the Night Come Review

“Sometimes one gets lucky when promo sump diving and finds an unheralded gem. Other times you need to be guided toward one by a knowing compatriot. It was our very own Roquentin that drew my attention to Finnish doomsters The Lone Madman by playing me a sample of their debut Let the Night Come. Very impressed was I, and that brings us here.” Commence ranting and raving.

Crypt Sermon – The Ruins of Fading Light Review

Crypt Sermon – The Ruins of Fading Light Review

Crypt Sermon came out of nowhere with their 2015 Out of the Garden debut, stunning metaldom with an unusually mature take on doom in the Candlemass vein. The high level of songwriting and top-notch performances earned them a lot of attention in a hurry, and before the band knew it, they were an overnight doom sensation, getting asked to play numerous festivals and having their name mentioned in the same breath as more established doom acts. 2019 brings them to the crucible of the dreaded sophomore release, which has made and unmade many a band over the years.” Ominous omens.