Dark Folk Metal

The Devil’s Trade – Vidékek vannak idebenn Review

The Devil’s Trade – Vidékek vannak idebenn Review

“Hungary’s The Devil’s Trade never fails to challenge my ability to fairly evaluate music. There are two reasons for this: firstly, this darkest of folk music is so effective in its emotional gravity and genuine sorrow that it consumes me and often clouds my judgment; secondly, those tangible qualities that I typically critique in the music I listen to most play different roles and have different effects in this environment. It’s what made previous release The Iron Peak tricky to rate, too, and I’m grateful to see that in challenging my abilities as a reviewer, The Devil’s Trade hasn’t changed a bit.” Devil in the details.

Fredlös – Fredlös Review

Fredlös – Fredlös Review

“The medieval hellscape on Fredlös’ cover caught my eye at once. The scene would be peaceful and pastoral, if not for the gruesome executions, the demon, and the burning buildings. Then I noticed the dancing skeletons, the shallow graves, the corpses on the border, the apocalyptic background, and the skull and crossbones; there isn’t a glimmer of hope anywhere. Intrigued, I dug deeper. Fredlös is a side project of Entombed’s Alex Hellid, and the band’s debut attempts to narrate the late Middle Ages with a mix of folk elements and metal. The music matches the cover art to a T.” The dark rages.

Nebelung – Palingenesis Review

Nebelung – Palingenesis Review

“I grew up in the woods. My parents’ house was located just outside of town, set back just a little from the highway, and there was a stretch of woodlot on one side of the house that stretched almost half a kilometre. I’d play there, read there, climb the trees and bury treasure in the soft, mossy dirt. Behind the house were some farmer’s fields — corn, soybeans — and behind there, more woods and lakes. I spent much of my time pleasantly lost, surrounded by bugs and dirt and the green and a blue arch of sky; I had a recurring dream (I think) of walking out my back door and into the woods at night, surrounded by dancing lights, and losing track of which were fireflies and which were stars. Listening to dark folk project Nebelung’s latest release, Palingenesis, is the closest I have felt to those dreams, and that time in my life, in years.” The beauty in this darkness took Natalie back to some happy childhood memories. How cool is that?