Darkane

Darkane – Inhuman Spirits Review

By Saunders on June 21, 2022 in Reviews, Melodic Death Metal, Thrash Metal, 32 comments

“I like Darkane. The veteran Swedish outfit has always struck a particular chord with me, especially on their more consistently ripping offerings, such as underrated debut Rusted Angel, and gems like 2002’s Expanding Senses, and 2005’s Layers of Lies. Despite falling into the shadows of their more recognized contemporaries, Darkane’s gnarly, melodic and hooky blend of thrash and melodeath, amply bolstered by chunky modern metal grooves and symphonic touches, offers a damn good time when the band is in the zone.” Rusted angels of darkness.

Carnal Forge – Gun to Mouth Salvation Review

By Ferrous Beuller on February 11, 2019 in 2019, Death Metal, Melodic Death Metal, Reviews, Swedish Metal, Thrash Metal, ViciSolum Productions, Melodic Death Metal, Thrash Metal, 79 comments

“Carnal Forge managed to carve something of an identity by qualifying their ubiquitous melodeath with Germanic thrash rhythms. After a twelve year hiatus, these melodeath thrashers have returned with some new blood intent on riffs aplenty.” Gun control.

Braindamage – The Downfall Review

By Jean-Luc Ricard on April 20, 2016 in 2016, Italian Metal, My Kingdom Music, Reviews, Thrash Metal, Thrash Metal, 14 comments

“I know this Belgian dude who acts as my barometer for judging a band’s obscurity. The man’s knowledge of all things metal never ceases to amaze me. Whether it’s the newest grindcore band from Kuala Lumpur or a NWOBHM act that only ever released a live demo, he’ll have heard of them and, provided they aren’t too kvlt for social media, have “liked” them on Facebook. So when I look at a band page and don’t see his name on their fan list, it’s usually because they are so fresh you can suck their nuts.” We do not advocate nut suckery.

Solution .45 – Nightmares in the Waking State Pt. I – Review

By Steel Druhm on November 17, 2015 in 2015, AFM Records, Death Metal, Melodic Death Metal, Metalcore, Reviews, Swedish Metal, 23 comments

“Why is everything in my November promo bin a part I or IV of something bigger? I’m starting to feel like I’m trapped at the Third-Tier Fantasy Fiction Fan Con and I’m dreading what lurks around the next corner. Will it be The Atomic Dragon Bosoms of Gefilte Pt. VII? The Purple Cloak of Chromatic Unicorn Fabulousness Pt. X? Can’t we just do one-off albums again, people?”

Hibria – Silent Revenge Review

By Steel Druhm on August 10, 2013 in 2013, 3.5, Brazilian Metal, Heavy Metal, King Records, Power Metal, Reviews, Heavy Metal, Power Metal, 4 comments

“There are a lot of good bands down there in South America and they always seem to pop up out of nowhere and surprise you. Brazil’s Hibria did just that with their 2004 Defying the Rules debut, which rocked a type of heavy power metal quite similar to Riot’s Thundersteel mixed with classic Euro-power like old Helloween. It was surprisingly mature and polished for a debut and had a number of great songs that earned permanent playlist rotation. Their Skull Collectors follow-up was solid enough, but I didn’t think much of the Blind Ride platter released in 2011. I feared they were in the classic Dimishing Returns Death Spiral and hoped they could find a way back to the glory of that awesome debut.” Nothing is worse than a promising band caught in a creative death spiral! Can Hibria avoid disaster and guide the ship back to the promised land of power metal? Steel Druhm is on scene and it was clearly the wrong week for him to quit sniffing glue.

Mercenary – Through Our Darkest Days Review

By Steel Druhm on July 14, 2013 in 2013, 3.5, Danish Metal, Death Metal, Metalcore, NoiseArt Records, Reviews, Death Metal, Progressive Metal, Thrash Metal, 15 comments

“Mercenary is a band that’s given me fits over their career. I was very much taken with their fusion of melodic death, power-prog and metalcore on early albums like Everblack and especially The Hours That Remain. Architect of Lies lost some of the charm the older stuff had and didn’t hit me as hard, but it was still decent. However, things really fell apart on their 2011 Metamorphosis release which came across like a generic mix of emo/screamo metalcore and pop. I wrote it off to the massive line up changes the band was weathering at the time and there were a few decent tunes that gave hope they could regain their footing on subsequent releases. Despite this half-hearted optimism, the eternal Law of Dimishing Returns suggested their best days were behind them and I wouldn’t find much to praise on their new album.” Can Mercenary get themselves back on track or is this another nose dive into metalcore hell? Steel Druhm has thoughts and conclusions.

Darkane – The Sinister Supremacy Review

By Steel Druhm on July 1, 2013 in 2.5, 2013, Death Metal, Melodic Death Metal, Prophecy Productions, Reviews, Swedish Metal, Thrash Metal, Death Metal, Melodic Death Metal, Thrash Metal, 17 comments

“Darkane is a band is that has been somewhat overlooked over their fifteen plus year career despite some solid output. Born in the second wave of Swedish melodic death metal, they were strongly influenced by the likes of At the Gates, Dark Tranquility and Soilwork. They made their bones crafting, thrashy, technically impressive death with plenty of melody and references to the “Gothenburg sound” and albums like Rusted Angel, Expanding Senses and Layers of Lies were enjoyably intense assaults on the listener full of vicious riffs and harsh vocals, all sugar-coated with slick, technical prowess. Unfortunately for the band, their birth more or less coincided with the explosion of metalcore bands equally influenced by the Swedish melo-death sound and Darkane quickly got lost amid a sea of crappy core.” Can these melo-death mongrels re-establish themselves after a five year hiatus or is it too little too late in a genre that has began to dry up?

FKÜ – 4 – Rise of the Mosh Mongers Review

By Dr. Fisting on April 16, 2013 in 2.0, 2013, Napalm Records, Reviews, Thrash Metal, Uncategorized, 1 comment

“FKÜ might be the oldest old-school thrash band you’ve never heard of. As the story goes, the original lineup of Freddy Krueger’s Ünderwear (amazing name, BTW) formed in Sweden way back in 1987, influenced heavily by S.O.D. With no recorded output, they went on hiatus for over a decade before finally re-forming, shortening their name, and releasing their debut Metal Moshing Mad in 1999. As the title implies, 4 – Rise of the Mosh Mongers is their 4th album.” Mr. Fisting has imposed some draconian and inflexible rules for how he rates re-thrash albums. Can FKÜ escape the swirling vortex created by his maddening and confounding need to demand originality from a genre that’s very existent depends on non-originality? Tune in and find out!

Soilwork – The Panic Broadcast Review

By Angry Metal Guy on June 25, 2010 in 2010, 3.0, American Metal, Eurocore, Metalcore, Nuclear Blast, Reviews, Swedish Metal, Eurocore, Melodic Metal, 61 comments

Wow. So, it’s been like 10 years since I’ve listened to Soilwork and it turns out that they don’t sound at all even remotely the same. Sometimes a band falls off your radar and you don’t even think about them at all and honestly, Soilwork is one such band. Now, it’s probably not a surprise to anyone else but I was in utter shock when I turned on The Panic Broadcast to discover that the Gothenburg sound had totally been replaced by eurocore! See, now you’re laughing at my ignorance, but I’m a bit surprised. See, in Angry Metal World, the last record that Soilwork released was actually The Chainheart Machine in 2000. And back then, these guys were playing a not-entirely-novel, but very, very good version of the Gothenburg sound. Turns out in the much lamer real world Soilwork has had a bunch of records and gotten a new vocal style, a new sound and hyper-produced.