Darkspace

Neige et Noirceur – Les Tenebres Modernes Review

By Grymm on June 17, 2016 in 2016, Black Metal, Canadian Metal, Reviews, Sepulchral Productions, Black Metal, 14 comments

“Beginning with the assassination of Archduke Franz Ferdinand of Austria, the atrocities brought forth from the first World War were heinous and grotesque. People getting killed in trenches (sometimes mistakenly by their own allies), the introduction of chemical warfare, and the starvation of both prisoners of war and civilians rounded up by the Central Powers would make for some fertile ground for metal bands to sow. One such band, Quebec’s Neige et Noirceur, decided to take one of the bloodiest battles in the history of the world and create a 40-minute tale of war, death, and various repressed emotions in the form of their fourth album, Les Ténèbres Modernes.” War metal from Canada? That just seems weird.

Moon – Render of the Veils Review

By Grymm on August 31, 2015 in 2015, Austrian Metal, Black Metal, Moribund Records, Reviews, Black Metal, Space Metal, 28 comments

“Many people hold many things as precious in this wonderful floating rock we call Earth. Some value money over all else. To others, power is the key to happiness. Love is also a beautiful, unifying force in this cesspool of a world. The one thing we all can agree on and wish we could hoard, is time.” And Grymm will be getting none of the time spent with this album back. Not ever!

IIVII – Colony Review

By El Cuervo on August 28, 2015 in 2015, Ambient Metal, American Metal, ConSouling Sounds, Reviews, Ambient Metal, 5 comments

“Josh Graham is a serial pie fingerer. Aside from his visuals and art work for established names such as Neurosis and Vattnet Viskar, he’s also embarked on a number of music projects including the post-rock Red Sparowes and post-metal A Storm of Light. Now he brings his tight atmospherics and stunning visual design to his new ambient project IIVII and its debut, Colony.” There’s complete anarchy here at AMG headquarters!

Grymm’s Top Ten(ish) Albums of 2014

By Grymm on December 28, 2014 in Blog Posts, 34 comments

“Man, so much has happened in 2014, aka my second year writing for Angry Metal Guy. Having my very own office away from the boiler room (which reeked of desperation, sadness, and decaying flesh… kinda like your local Abercrombie & Fitch with less Axe body spray), seeing familiar faces leave, welcoming in a new batch of talent… it’s been a pretty hectic year.” Grymm’s all grown up and has a man’s list! *Sniffle*…Where did the time go?

Record(s) o’ the Month – September 2014

By Angry Metal Guy on October 25, 2014 in Blog Posts, Record o' the Month, 36 comments

“Record(s) o’ the Month here at Angry Metal Guy can be tricky. This is partially because I hold on to the right to dictate them with an iron fist despite being busy, and partially because… no, that’s pretty much it. I’m a busy guy, Record(s) o’ the Month take time, and I refuse to let anyone else actually do them. You might wonder why, and I’ll tell you: are you aware of how many positive reviews Jørn Lande has gotten at AngryMetalGuy.com? I assure you, this hellhole of subjectivity we call “AMG” for short is a hive of gibbering Jørn fanboys-and-girls. It’s absurd, I know! But with that in mind it should be easy to understand how difficult it is be for me to relinquish control over the sacred Record o’ the Month post. Nay, certainly doing such a thing is a greater threat to the sanctity and continued credibility of Angry Metal Guy than most anything.” Will Angry Metal Guy maintain a shred of credibility, or will the Jørn apologists win again!?

Blut Aus Nord – Memoria Vetusta III: Saturnian Poetry Review

By Grymm on October 2, 2014 in 2014, Black Metal, Debemur Morti, French Metal, Reviews, Black Metal, 7 comments

“There’s a lot to be said about a band that can produce albums that are radically different from each other, but still are unmistakably recognizable as a product of their arduous labor. Even more can be said when those albums are consistent in their high level of quality.” Can the high quality and creative insanity keep going or have we finally found the rut?

Darkspace – Dark Space III I Review

By Grymm on September 21, 2014 in 2014, Avante Garde, Black Metal, Reviews, Swiss Metal, Black Metal, 6 comments

“The concept of outer space presented in the confines of black metal is nothing new. Samael’s 1996 classic, Passage, delivered the final frontier via programmed drum beats and symphonic grandeur, making the concept dark yet accessible. Yet, for as great as Passage was, it lacked a certain coldness and aura that goes hand-in-hand with black metal. Leave it to fellow Swiss aliens Darkspace to take the concept of outer space, with its unknown and potentially evil discoveries, and travel at warp speed with it over the course of three minimalist albums and one EP.” Creepy outer space black metal is creepy.

Cult of Erinyes – Blessed Extinction Review

By Grymm on October 11, 2013 in 2013, Belgian Metal, Black Metal, Code666 Records, Reviews, Black Metal, 5 comments

“Man, I do love me some Blut Aus Nord. Ever since their landmark 2003 album, The Work Which Transforms God, the rebellious French “trio” (are they actually a band?) set a new standard for uncomfortably cold, ridiculously unpredictable black metal, inspiring future robe-wearers of the world to put down their torches and pick up a copy of Streetcleaner on vinyl. One such band to follow in their grimy footsteps is Belgium’s Cult of Erinyes, who have returned with their second album (and fourth overall release since their inception in 2009), Blessed Extinction. Have these upstarts taken the tools given to them by Vindsval and company to usurp the throne from the French masters of the frozen arts?” Is any French throne really guarded all that well? I think not!

The Ruins of Beverast – Blood Vaults Review

By Steel Druhm on August 30, 2013 in 2013, 3.0, Black Metal, Doom Metal, German Metal, Reviews, Van Records, Black Metal, Doom Metal, 1 comment

“Here’s something I was really looking forward to! The Ruins of Beverast is a one man solo project from Alexander von Meilenwald, the former drummer of Nagelfar and sometimes drummer in Verdunkeln. Since the Unlock the Shrine debut, Meilenwald has taken his core blackened doom/death sound and increasingly melded it with grim atmospherics, odd, creepy-as-fuck ritual chanting and eerie church music to attain a type of epic horror movie music intended to unsettle and disturb the listener. Each subsequent release dug itself deeper into this construct or terror and unleashed longer, more drawn-out examples of the style, and while the music is the very height of “acquired taste”, it has a terribly compelling power that draws one back.” Do you like really long, creepy blackened doom with tons of occult elements? Who doesn’t, right? Join Steel Druhm as he discusses witches, witch burning, women’s rights and song length.

Lustre – Wonder Review

By Noctus on August 6, 2013 in 1.5, 2013, Black Metal, Nordvis Produktion, Reviews, Swedish Metal, Black Metal, 9 comments

“It was about five years ago that I heard Lustre’s very first EP, Serenity, and it wasn’t awful I suppose. It was incredibly soft as black metal goes, to the point where I wouldn’t even call it black metal any more. It had a very prominent keyboard melody over the top of the “black metal” and just went on and on, but since the melody was good it didn’t feel too overlong. Where I didn’t really enjoy the EP all that much, I did see some kind of potential if the dude actually worked towards evolving his songwriting past the *cough* “hypnotic” structure, in which he steals Burzum’s flair for repetition and forgets everything that makes repetition actually work. Five years later I check out his latest recording and it’s pretty much as dreadful as it possibly could be. What on earth happened?” Noctus unleashed a vicious indictment againt the lack of progression by a black metal act and in related news, water is still wet.