Darkthrone

Serment – Chante, Ô Flamme de la Liberté Review

Serment – Chante, Ô Flamme de la Liberté Review

“Some black metal bands are sheer aggression and violence, while others are all about slow-build atmosphere and ambience. Lurking around the fringes, just outside these respective circles of firelight, are the folk black metal bands, crooked harps and battered lutes clutched in their claws. By far the most interesting – to me at least – are the black metal acts that dip their bucket in multiple wells, and we have one such specimen on our hands today. Quebec’s Serment is the one-man side project from Forteresse’s guitarist and bassist, Moribond.” Folk in the eye.

Irae – Lurking in the Depths Review

Irae – Lurking in the Depths Review

“Black metal has a weird reputation. If you ask anybody walking down the street about it, given its nuances of church burning and Satanism, they’ll shudder and tell you “that stuff is scary, man.” However, if you ask a person who regularly listens to it, it becomes a different beast entirely: using Burzum‘s self-titled as an example, you’ll hear an angsty Ewok grumbling about his mom taking away his Satanic Bible while abusing a Walmart guitar.” Fear and loathing in Portugal.

Naxen – Towards the Tomb of Times Review

Naxen – Towards the Tomb of Times Review

“This German black metal trio is relatively new to the scene, having released a single EP, 2018’s To Abide in Ancient Abysses, which, while not particularly unique, was a solid two-track, eighteen-minute foray into cranky darkness. Now we’re greeted with their first full-length, Towards the Tomb of Times, which, while also offering an awesome and epic oomph of alliterative accomplishment, equals more of the same darkness and black metal shenanigans that we came to expect with its predecessor.” Action Naxen.

Old Corpse Road – On Ghastly Shores Lays the Wreckage of Our Lore Review

Old Corpse Road – On Ghastly Shores Lays the Wreckage of Our Lore Review

“”I’m gonna take my hearse down the Old Corpse Road, I’m gonna… hooooowl ’til I can’t no more.” I’m running out of decent black metal introductions. Like, how many dead horses do I have to beat in order to get across that, gee whizz, ye fuckwads, it’s another black metal album. I guess I could go into how these Brits are somewhere in concept between Winterfylleth and Primordial, but I don’t know, that sounds as fresh as quarantine-old crackers on top of that soup that’s been “aging like a fine wine” at the back of my fridge.” Corpse in the water.

Black Curse – Endless Wound Review

Black Curse – Endless Wound Review

Endless Wound is so singular in its focus, so confident in its ability to do one thing extremely fucking well, that any convoluted preamble would be far too indulgent. So, convoluted, indulgent preamble aside, I will simply say this: Endless Wound feels like a future death metal classic.” Black curse, bold words.

Malokarpatan – Krupinské ohne Review

Malokarpatan – Krupinské ohne Review

“No matter who you are or where you live, everyone is being asked to stay home from a job that they may not get to come back to. Or… living it up with their family in a mansion whose walls sport the fashionable 2020 Vintage Toilet Tissue Wallpaper. Then there’re others of us that push on like nothing is happening. Regardless of your dilemma, this shit has come out of nowhere and I-just-went-in-for-eggs-and-left-after-four-hours-because-only-ten-people-were-allowed-into-the-store-at-one-time is a thing. Everyone’s upset and no one knows what’s gonna happen next. Funny enough, that’s the perfect attitude to have for Malokarpatan‘s newest masterpiece, Krupinské ohne.”

Nattverd – Styggdom Review

Nattverd – Styggdom Review

“Nostalgia. In times of uncertainty, people seek its warm and motherly embrace: the familiar smells, the sense of safety, the notion that things were ‘better and less complicated’ back then. Artists have been trading off nostalgia for years now, whether it’s dropping the Millennium Falcon in The Force Awakens or the Pixies reuniting to perform Doolittle, there’s an undeniable comfort in the familiar. Perhaps this is the reason ‘traditional’ sounding black metal appears to be making a comeback of sorts.” Familiar demons.

Bütcher – 666 Goats Carry My Chariot Review

Bütcher – 666 Goats Carry My Chariot Review

“Did you ever stop and wonder what a collaboration between Mercyful Fate, Celtic Frost, Agent Steel and Darkthrone circa Transilvanian Hunger would sound like? You probably didn’t, but Belgium blackened speed metal deviants Bütcher certainly did, and then they created 666 Goats Carry My Chariot to see if such a crazy musical time heist was even possible. It is, and I for one welcome our new time warping speed overlords, even as I flee from the super weapon of mass destruction they’ve wrought.” Goat show.

Midnight – Rebirth by Blasphemy Review

Midnight – Rebirth by Blasphemy Review

“Few bands paint a picture quite as Midnight does. But, in this case, it’s no ordinary picture. It’s Hell. Even more than the ancient works of Venom, Midnight paints a blood-red scene of violence on a black canvas. I not only can feel it but I can smell it. The flickering reds and oranges burn to the touch and the air is stifling and uncomfortable. The fragrance is a mix of unwashed crotch and dogshit burning in a paper bag. When you pass through the large, creaking door to the back of this stinking asylum, your sweat solidifies to your face. From red hot to freezing cold, Hell’s non-smoking area in the rear is black and brown, with the stench of wet earth and decomposition. Yet, no matter where you are in this underground venue, the walls reverberate with the black rasps, fiery guitars, rumbling bass, and pounding drums of the lone devil, Athenar.” Welcome home.