Darkthrone

Bizarrekult – Vi Overlevde Review

Bizarrekult – Vi Overlevde Review

“I’ve been sitting on this one for some time. Label it black metal and give it enchanting artwork, and Madam X is all over it. Even before passing it over to me for review, she was pre-ordering the vinyl. And for good reason. On a white backdrop, that tree-covered moose walking on mountains is one of the more original album covers of the year. But the artwork isn’t the only good part of the album. Under that mysterious cover lies a thick slab of Norwegian black metal.” Kvlt Moose is loose.

Ossaert – Pelgrimsoord Review

Ossaert – Pelgrimsoord Review

Ossaert is an anonymous duo from the Dutch city of Zwolle, which they describe as “indoctrinated.” This is foreshadowing in that the duo, spearheaded by vocalist/guitarist/songwriter P., specializes in a breed of black metal not unlike the many confused faces of Batushka. Utilizing cold, ruthless second-wave black metal run through the dark lens of religion, they balance blasphemy with a spiraling feeling of madness.” Religion as brutality.

Svneatr – Chinook Review

Svneatr – Chinook Review

“Another day, another black metal album. Just like my daily bowl of Lucky Charms and cup of coffee, it will either be delicious or tiresome. Is it gonna be Starbucks’ ashtray blend or Trve Kvlt’s Diabolical Divinations roast? Is Lucky Charms gonna hurt that shady cavity I’ve got developing in my molars or will it delight with its blend of hearty bits and sweet marshmallows? It’s a toss-up – just like black metal. While I have history with Vancouver’s Svneatr, sophomore effort Chinook hopes to follow up 2018’s excellent The Howl, The Whisper, The Hunt with a cold, riffy second-wave shenanigans. Does Chinook live up to to the hype?” If you want to destroy my Svneatr

Funeral Fullmoon – Poetry of the Death Poison Review

Funeral Fullmoon – Poetry of the Death Poison Review

“It’s a mere four months since I reviewed Revelation of Evil, the full-length debut from Chilean one-man black metal project Funeral Fullmoon and, frankly, I didn’t expect see him back so soon. Now, part of the reason it’s only been four months is because the January release of Revelation of Evil was in fact a re-issue through Inferna Profundus Records of a cassette-only release from last September, something I discovered about quite late into the writing process. Even allowing for my own failures here, that’s still only an eight-month turnaround from the man currently going by the name Magister Nihilifer Vendetta 218.” Vardan the interruption.

Wreche – All my dreams came true Review

Wreche – All my dreams came true Review

Wreche is the black metal brainchild of Oakland, California artist John Steven Morgan, working solo since the project’s debut with drummer Barret Baumgart. It professes a style “more unhinged, personal, and varied” than 2017’s offering. Trashing guitar completely, Morgan instead focuses entirely on synth, piano, vocals, and drums, not unlike Mories’ Golden Ashes project. If you’re catching weird vibes, you ain’t wrong.” Jazz in a blackened place.

Eggvn – La Era de la Bestia Review

Eggvn – La Era de la Bestia Review

“Let me introduce you to Eggvn, self-professed “Satanic Death Industrial Metal.” Sporting some obvious black metal influence, I was expecting an ominous ambient album among the ranks of Moëvöt or Velvet Cacoon, but the Mexicans’ sophomore full-length La Era de la Bestia is more akin to a bizarre combination of Psyclon Nine, Brokencyde, Angelspit, and Nine Inch Nails. Featuring pulsing beats, cold industrial flourishes, dark ambiance, and harsh barks, it has its moments of listenable plagiarism, but is comically marred by a club-footed collision of its influences.” Alert the Egg Council.

Źmiarćvieły – Čornaje Połymia Review

Źmiarćvieły – Čornaje Połymia Review

Źmiarćvieły is an anonymous collective from Belarus… maybe. They keep it under wraps. Like the enigma of their members, number, or location, the name itself is shrouded in mystery, its translation from Belarusian is equally murky. Debut Čornaje Połymia is a childlike EP that managed to stack itself into an undercoat to get into the R-rated LP screening. It’s a gamble, truly, to submit your debut EP without notoriety.” Masked bravery.

Syning – Syning Review

Syning – Syning Review

“I’m not entirely sure what’s happening on this cover, but it can’t be good. Making rounds at the office to gather insight on these mummified shenanigans, Cherd suggests the vaccination line at CVS. Felagund shakes his n00by tail-feathers with a bright-eyed look and suggests it’s the DMV waiting room. Still utterly confused, I slapped this down on Steel‘s desk with a big ol’ “the fuck is this” and he chuckles nostalgically and a gleam enters his eye. “The n00b gauntlet,” he mumbles.” Syning in blood.

Revenant Marquis – Below the Landsker Line Review

Revenant Marquis – Below the Landsker Line Review

Revenant Marquis is a raw one-man black metal act from Wales, where the title of his latest album Below the Landsker Line originates. Sole member S offers a unique aesthetic: while older 2018-19 releases feature your typical kvlt “corpsepaint in the dark with fire or some shit” look, 2020’s Youth in Ribbons offered a black-and-white picture of a smiling young girl, a trend continuing into the fifth offering.” Innocence and wrath.

Plague Weaver – Ascendant Blasphemy Review

Plague Weaver – Ascendant Blasphemy Review

“♫Ohhh, Plague Weaver, I don’t believe he will make it through the night.♫ Had to be done, I have no regrats. Anywho, Canada’s Plague Weaver is the work of a dynamic duo of miserable misers and on their full-length debut Ascendant Blasphemy they seek to blend the nastiest bits of raw black metal, doom, and death into an unpleasant concoction best served with a heavy antibiotic regime. They bill the end product as black metal with doom death influences and that’s an entirely fair description, though what you get is a bit more slimy and ugly than you might expect.” Right out of the plague book.