Darkthrone

1349 – Massive Cauldron of Chaos Review

1349 – Massive Cauldron of Chaos Review

“Since 1997, 1349 has evolved a lot. And I mean a lot. They’ve changed so much that their musical career can only be compared to driving down the freeway at 70 miles per hour and hitting black ice. First, you accelerate along the on-ramp (Liberation and Beyond the Apocalypse), until you achieve top speed (Hellfire). When you come upon the ice, it sends you into uncontrollable spins (Revelations of the Black Flame) that you miraculously manage to steer free from.” Winter is fast approaching so it’s time to check your snow tires and drive safely out there!

Provocator –  Antikristus Review

Provocator – Antikristus Review

“These days it seems difficult to find the black metal of old; the kind that Hellscream, the sole member of Slovenia’s Provocator claims to play. Even the originators of the dark, raw, and minimalistic style have chosen to delve into experimental, avant-garde, symphonic and punk-driven crust that take the primitive and simplistic foundation of the 90s to bigger and (sometimes) cleaner heights. That being said, these new hybrids have created some incredible material and the old walls of Scandinavian black metal have burned down along with several churches.” Yet another newbie reviewer tackles yet another black metal band. Give Dr. A.N. Grier a warm welcome as he tells of church burnings and old school yearnings.

Angry Metal-Fi: Just Cause – The Whys Behind the Loudness Wars

Angry Metal-Fi: Just Cause – The Whys Behind the Loudness Wars

“Let’s pretend for the sake of argument that you’ve read all of our articles and are now a true believer: The overzealous use of dynamic range compression coupled with brickwall limiting yields lifeless, dull sounding records. But if this is indeed all true, then why does the industry continue to approve of (and even insist on) this insanity in the first place?” Now that’s a good question, and the Metal-Fi guys have answers you might not like.

Mortals – Cursed To See The Future Review

Mortals – Cursed To See The Future Review

“Now this is a pleasant surprise. With all the funeral doom, pagan folk metal, and post-black I’ve been subjecting myself to lately, I think it’s safe to say that I’ve had enough time to deeply reflect and wax philosophically with myself for quite a while. Sometimes, you just want to sit back, relax, and get steamrolled for almost a good hour without any form of forgiveness or breathing space. Enter Brooklyn, New York’s Mortals and their second full-length (and first for Relapse), Cursed To See The Future.” Tired of soulful introspection? Want to get beaten to a pulp instead?

Den Saakaldte – Kapittel II: Faen i Helvete Review

Den Saakaldte – Kapittel II: Faen i Helvete Review

“”One of the most hateful and gloomy records Norway has spawned,” “a twisted remedy for joy and must have for black metal enthusiasts.” Seems the promo gods are oozing praise like a big fat weepy festering boil for this little super-group of ex-Gorgoroth, 1349, Koldbrann, Fortíd and Nidingr members!” Hey look, another “super group.” Blah!

Lvcifyre – Svn Eater Review

Lvcifyre – Svn Eater Review

“Alright, enough of the goddamn “V” replacing the “U” in band and song names! It’s dumb, trite, annoying, I’m mad as hell and I’m not going to take it anymore! Moving on, Lvcifyre is a blackened death outfit from the U.K. and Svn Eater (irritating isn’t it?) is their sophomore outing. Having never heard them before, I admit to being pleasantly surprised by what they’re offering here, which is a fascinating mix of Norwegian black metal circa 1993 and hyper-riffy, technical and mega-brootal death metal. In a nutshell, their sound is vicious-as-fuck, mean-as-hell and heavy-as-a-two-ton-heavy-thing. You can expect to hear traces of old Darkthrone, Behemoth, Nile, Immolation and Deathspell Omega in a SINGLE SONG, all stitched together with power of the almighty riff.”

The AMG Staff Picks the Top Ten Records o’ 2013

The AMG Staff Picks the Top Ten Records o’ 2013

This year the plebs get a say. While I have fought against this with every fiber of my body, Madam X‘s caring, feeling, and ultimately populistic, womanly touch has poisoned this blog by allowing people who aren’t me (including herself) to have lists. Frankly I’m offended. No one comes to Angry Metal Guy to read these guys’ lists. But hey, you know how it goes. Times, they are achangin’. As I no longer have time to be the site’s lone dictator, and Steel Druhm has proven incapable of keeping the mustache twirling hipsters underfoot despite his enormous gun collection and tough talk, you, dear reader, get extra Top 10 lists.

I hope you’re happy.

Things You Might Have Missed 2013: Haust – No

Things You Might Have Missed 2013: Haust – No

No wove its way onto my playlist around mid way through the year thanks to a tip-off from an Angry Metal Reader, and wow what a find! These angry, snarky cats originate from Notodden in the hills of Norway, but rather than puking out another Darkthrone Unholy Trinity, Haust’s fourth full-length deliver’s a raw, primeval tirade of rock meets punk, culminating in total humiliation and the realization of one’s limitations.” That pretty much sells itself, no?

Sheol – Sepulchral Ruins Below The Temple Review

Sheol – Sepulchral Ruins Below The Temple Review

“What’s old is new again. Many new bands are ravaging old graveyards to exhume rotting corpses of bands and styles long since past their sell-by date. 70’s proto-doom, 80’s retro-thrash, and now, 90’s fuzzy Swedeath are the templates that bands are utilizing to create their own legacies. UK’s Sheol are the newest duo to bring out the rotting, zombified corpses of early Dismember and Darkthrone into the sunlight (studios) with their debut EP, Sepulchral Ruins Below The Temple.” 2013 winds down as it cranked up – with loads of old school Swedish death. Do you have room for just a little more?

Skeletonwitch – Serpents Unleashed Review

Skeletonwitch – Serpents Unleashed Review

Baroness frontman John Baizley was having drawer’s block. Some Ohio blackened thrash metal band called “Skeletonwitch” had contracted his service for drawing metal album cover art, but when he drew up a draft that depicted a naked woman covered by foliage at the NSFW areas and surrounded by random animals, the band rejected it on grounds of un-creativity. Oh, the nerve of those Southeasterners. What were they expecting to see? Fully-clothed women and machines?” How dare they be art elitists?? Well, I suppose we can’t expect every blackened re-thrash band to be culturally refined, but at least Skeletonwitch knows how to tear your face off.