Death Metal

Immolation – Majesty and Decay Review

Immolation – Majesty and Decay Review

Immolation are one of death metal’s best known bands, rooting in the NYDM scene of the 1990s, they have produced some of the most widely worshiped death metal records of all time. Oddly enough, they’re not a band that this Angry Metal Guy was particularly familiar with, as the path to death metal went through more melodic bands. But I have heard rumors of their greatness, technical prowess and their tendency to put out excellent records. Immolation’s 2010 release has seen them living up to this reputation as being one of death metal’s greats with their Nuclear Blast debut Majesty and Decay.

Six Feet Under – Graveyard Classics III

Six Feet Under – Graveyard Classics III

Six Feet Under is back with the third installment in their Graveyard Classics series, and fortunately for us, this time they’re not covering AC/DC songs. I suspect that the majority of you either know what these things are about, have heard them, or just don’t care at all so I’m not going to spend tons of time on this, but Graveyard Classics 3 is a cover record from the groove oriented death metal band Six Feet Under. Barnes and crew have, this time around, elected a bunch of their favorite tracks from before they were in bands and have warped them into death rock tracks. The result being sort of cartoonish and silly: but mildly enjoyable at the same time.

Annotations of an Autopsy – The Reign of Darkness Review

Annotations of an Autopsy – The Reign of Darkness Review

Every once in a while a record just jumps out at you and kicks your ass every which way. The originality, the brutality, everything that you want from death metal just hits you right in the face and leaves you dazed, but pleased. The Reign of Darkness, the sophomore release of UK death metallers (or deathcorers if you read the interwebs, though I’m inclined to just call this death metal) is not one of those records. And while it can be very difficult to write about just how good a band is or how bad a band is, I find the most difficult reviews to write the ones where you have to say “I don’t like it, but you might if this is your thing.”

Orphaned Land – The Never Ending Way of ORwarriOR Review

Orphaned Land – The Never Ending Way of ORwarriOR Review

Few bands will ever make their own mark on a genre of music. it’s just a statistical rarity. Someone once told me that there are something like 5 million bands on MySpace, if that gives you an idea of the breadth which exists when one is thinking in terms of how many musicians there are out there. Of those, most of them probably last longer than a year, never produce much of a demo much less get signed to a real label, and how many ever produce a real step forward into a new decade with a statement of great things to come? The chances of becoming a professional musician are basically NIL and then of the number that do, how many ever produce something that will be remembered and affect enough listeners to ever influence any? That number is even smaller. Orphaned Land is one of the few bands that will ever exact change in metal and they are doing so now with their new record The Never Ending Way of ORwarriOR.

Be’lakor – Stone’s Reach Review

Be’lakor – Stone’s Reach Review

Be’lakor is an Australian melodic death metal band that has been getting some serious attention in the underground despite the fact that much melodic death metal has pretty much been declared by the scene to be dead on arrival. I’d been reading about them for some time so I just wrote them a message on MySpace and the guys were cool enough to send me a copy to review. And I can see why they’re so eager to get their music out to the masses, it’s a bit like ear heroin.

The Chasm – Farseeing the Paranormal Abysm

The Chasm – Farseeing the Paranormal Abysm

In a lot of ways one has to feel a bit bad for The Chasm these days. They have worked as hard, or harder, than almost any band in the underground and fought for ground the whole time. They finally managed to fight their way to a good record deal with a good label that subsequently collapsed and now they’re back at at ground zero. Well, not really ground zero, think Point A. But not even really Point A, because honestly Point A is “write good music,” which they’ve got down. However, as opposed to breaking up after getting knocked down, The Chasm have instead produced a record: 2009’s opus Farseeing the Paranormal Abysm, which doesn’t have the same kind of support that it should have despite its fantastic quality.

Claustrofobia – I See Red Review

Claustrofobia – I See Red Rating: 2.5/5.0 – Drop the scale runs and make it shorter, and this would be a better album Label: Candlelight Website(s): myspace.com/claustrofobia Release Date(s): EU: 19.10.2009 | USA: Release date unclear Anyone who’s ever been a guitarist knows that guy who shames you.  Well, maybe not everyone, ’cause sometimes you […]

Belphegor – Walpurgis Rites Review

Belphegor – Walpurgis Rites Review

Austria’s Belphegor are evil. Really, really evil. They have long been the darlings of the underground for a lot of people and had a reputation for being that old school brand of blackened death metal that was raw and evil as hell. Of course, as big evil pissing contests have never been my thing personally, Belphegor is a band that I have no personal experience with. This is actually the first album I’ve heard from these guys and so I’m coming at this from the perspective a total n00b. That’s right, I used the word n00b in my blog.