“In the case of Finnish five-piece Vuolla, nomen really est omen. Their name, which translates as “carve” or “whittle,” is an apt symbol of the group’s reductive and appropriating approach. As they chisel away at a body of work developed from various genres, from post-rock to death metal, it’s difficult to ignore that the essence of their sound is still based in a rehashed version of melancholic doom metal.” Turn loose the sads.
“Those of you who were in high school when the deathcore thing really took off like I was will instantly recoil a bit at Shed the Skin’s “VERB the NOUN” Fad-Libs type of name, but fear not; Harrowing Faith won’t send your mind pit-ninja-dancing back to the neon-tinted halcyon days of Myspace where there was little more to life than finding the most brutal of chugs.” Ah, Myspace, where did you go so wrong?
“I’d like to begin this review by discussing the gigantic fucking roll that French-Canadian guitarist Phillipe Tougas is currently on. Starting with last year’s release from Serocs, he has played on three downright kickass albums, all favorably reviewed on this very website. His work with Zealotry gained my notoriously stingy tech/prog-death approval, and his bizarre Timeghoul and Demilich-inspired project Chthe’ilist is almost certainly going to make the Kronos year-end list. And as if all of that wasn’t enough, his longest-running band, the neoclassically-inspired tech-death outfit First Fragment, is finally dropping their first full-length album.” Kronos is so cute when he’s not bashing tech-death production techniques.
“In 2014, Finnish three-headed beast Vainaja dropped a megaton bomb in the form of Kadotetut, leveling the ears of those who bore witness to their hymns, and placing themselves in a comfortable 3rd place spot on my year-end list with their mix of Celtic Frosty atmospherics and Asphyxiating tremolo doom. The story of a long-lost book of desecrations, sacrificial rites, and other blasphemous acts set to a bone-crushing doom/death backdrop, was both addictive and effective. Two years later, another tome has been unearthed.” Books cause nothing but trouble.
“Slam’s audio palette isn’t especially varied. The death metal setup – already instrumentally optimized for a pretty particular group of timbres – tuned down and sometimes pitchshifted into an almost inaudibly low register doesn’t give you much to work with in terms of tone diversity, which is why so many slam bands have tight, grating snares and so many slam riffs go all in on pinch harmonics. And when Katalepsy go all in, I mean all in.” Go big or go home.
“Before diving into the death metal that obviously flies under a banner like Coffin Lust, let’s briefly talk Cinderella. Whether or not you’ve had the feeling of being utterly awestruck by a woman to the point where you’d be willing to run around like a lunatic with a shoe for an hour and change trying to get her name and number the day after, I’m sure the sentiment is appreciated. With music you can have a corresponding experience, hearing a song that makes a huge impression that forces you to seek it out, along with the record it came from.” If the shoe fits, hammer smash it!
“One of the complications of writing about and conceptualizing metal in the past – well, almost a decade – has been the music’s incredible diversity and availability. With bands able to record and distribute music so easily, scenes and trends have become less important and less centralized. Sure, there’s been a huge interest in nostalgia-core – occult rock and retro-thrash albums arrive in AMG’s inbox monthly – but it’s doubtful that in 2026 we’ll think of the first half of the ‘teens as being dominated by musical throwbacks. Metal as a whole lacks a zeitgeist, and in some ways that’s frustrating, because it’s hard to keep up with such a decentralized and broad genre – but death metal, as a smaller and more manageable entity, does indeed seem to have direction.” And that direction is interesting indeed.
“Coffin Dust received quite a bit of buzz in the metal underground these last few months (well, at least from that really tiny niche populated by metalheads looking in every nook and cranny for obscure bands). The “buzz” is primarily due to the notoriety of vocalist/guitarist, Slime. Who knew a single year serving as Exhumed’s bassist was enough for a label to fuse those death/grind legends to every promotional piece that hit the web?” Those pesky PR types will do strange things.
“With two and a half decades under their belt and a generation of bands aping their sound, one wouldn’t be surprised to see Gorguts rest on their laurels for a while. But Gorguts’ time of rest is over, and Luc Lemay has made it abundantly clear that his pioneering death metal vision didn’t stop with From Wisdom to Hate.” No rest for the gutted.
“Bestiality is bad kids. Most legal jurisdictions agree on this. Perhaps this is why the English Goat Molestör re-branded to Grave Miasma a number of years prior to the release of their first full-length in 2013.” But goats never say no….
