“I have a long standing joke with friends that about fifty percent of death metal bands out there derive their identity with respect to the phrases “Lovecraftian horror” and “anti-Christian,” and Throne of Heresy isn’t out to prove me wrong. So find a bucket, because Antioch is the perfect chance to revisit a favorite conceit of mine; the album review as a drinking game.” Put on your drinking shoes and pull up your pants – we’re about to get our mead on.
“Gomorrah struck like a bolt of lightning from a clear blue sky. Slated for a mid-January release date on the not-exactly-major-label Test Your Metal Records, The Haruspex got overlooked in an administrative snafu. As luck would have it, I am nothing if not diligent about my hoarding of new music. And when I popped Gomorrah’s The Haruspex on I knew that we’d missed something good.[1. On the topic of haruspices, I need to fire mine, because I didn’t know this was coming out.] I put out a general alert to the staff, trying to get someone to review this very-nearly-overlooked record and in the time I was waiting I’d managed to listen to it twice.”
“I know this will be a shocker to many, but it appears that Dr. Grier’s second review of 2016 is a thrashy one. This time, however, it’s not a by-the-numbers release of straightforward Metallica, Slayer, or Exodus brown-nosing.” The Doctor and his thrash are like conjoined twins and just as cranky.
![Ad Nauseam – Nihil Quam Vacuitas Ordinatum Est [Things You Might have Missed 2015]](https://www.angrymetalguy.com/wp-content/uploads/2015/12/Ad-Nauseam_Nihil-Quam-Vacuitas-Ordinatum-Est-768x768.jpg)
“Earlier this year, Grymm called Imperial Triumphant’s incredible sophomore effort Abyssal Gods “the best French black metal album in recent history” and lauded the half-Pyrrhon band as the new bringers of discomfort and disgust, mixing Obscura-influenced death metal with atmospheric black metal and the occasional ukulele. They’re not alone.” Using sickness as salvation.
![Sarpanitum – Blessed Be my Brothers… [Things You Might Have Missed 2015]](https://www.angrymetalguy.com/wp-content/uploads/2015/12/Sarpanitum_Blessed-Be-My-Brothers-768x799.jpg)
“Sarpanitum is now over a decade old, which is terrifying because it seems like only yesterday that I first stumbled on them in Zero Tolerance magazine’s Death Metal Special Part II (featured alongside yours truly, believe it or not). That was in 2006. Identified as promising UK death metal hopefuls, both they and I have since amply justified that tag with our prolific outputs of… one full-length record each.” Slow and steady wins the death race.
“So, does anyone besides me miss Bolt Thrower? I mean, sure we have all those classic albums, but where are the new tales of battles lost and won? Since it seems those tales may never be told, we should be grateful Just Before Dawn picked up the flame thrower and continued in the legendary tank treads left by those U.K. fiends.” Farewell to arms (and legs).
![Slugdge – Dim and Slimeridden Kingdoms [Things You Might Have Missed 2015]](https://www.angrymetalguy.com/wp-content/uploads/2015/12/Slugdge_Dim-and-Slimeridden-Kingdoms-768x768.jpg)
“Slugdge aren’t in the business of repeating themselves or narrowing their artistic scope. As such Dim and Slimeridden Kingdoms stands on its own as another weird, tripped-out journey into the strange headspace that Slugdge occupy.”
You can’t spell Slugdge without…sludge?
“Death metal, at least in its most modernistic and stereotypical actualization, largely eschews the cerebral in favor of the visceral, crafting violent soundscapes that reinforce instead of juxtapose the narratives of disfigurement, annihilation, and warfare that accompany the music. And…cut.” Fancy words from a pretentious man.
“Maybe it’s the treacherous geography or all the active volcanoes, but there’s just something special about South American death metal. From Mortem’s sadly overlooked De Natura Demonium to the primal brutality of Atomic Aggressor, many of these bands have a certain other-worldliness that just isn’t found elsewhere.” Just want you thought your year end lists were safe.
“If Luc Lemay wrote a deathgrind album, the early demos would sound something like Okazaki Fragments. Earlier this year, the Calgary-based extreme metal outfit’s debut Abandoned blindsided me like a drive-by at Tim Horton’s by mixing rabid grindcore with the avant-garde tendencies of Gorguts and Pyrrhon in search of an ever more deformed and disgusting style of death metal. They found it.” Colour Kronos impressed.
