Death Metal

Gorguts – Colored Sands Review

By Noctus on October 18, 2013 in 2013, Canadian Metal, Death Metal, Reviews, Season of Mist, Death Metal, 10 comments

“Let me know if you can find a metal band that utilizes dissonance and technicality to a large degree that doesn’t cite Gorgut’s masterful work as an influence. I’ll probably be waiting a long time so I’ll bring a good book – it’s called “The Band That Pioneered Dissonance and Technicality in Death Metal” and it has the word ‘Gorguts’ repeated over and over. But it’s that huge sense of respect for the band and the enormous anticipation for this release that made it such a tricky one for the legendary act. 12 years is not only a long time for hype to build around a record, but it also gives newcomers and pretenders a chance to overtake the legends should they prove unable to live up to their own mammoth legacy. After all, a lot of bands are remembered for their creative peak, even when they can’t maintain that level indefinitely. So perhaps Obscura and From Wisdom to Hate era was their peak and all they’ll really conjure up this time is a solid record, right?” And here is the other neglected gem we wanted to get to, but didn’t until now. You’re welcome!

Revocation – Revocation Review

By Kronos on October 18, 2013 in 2013, American Metal, Death Metal, Progressive Death, Relapse, Reviews, Thrash Metal, Death Metal, Thrash Metal, 4 comments

At this point in their career, Revocation should certainly know what they’re good at, and fans should know what to expect out of the group’s consistently inventive and engaging brand of thrashy tech-death. A self-titled album then seems an appropriate fourth release for Davidson and Co., but topping the perfection of previous albums, especially the most recent thriller Chaos of Forms, is a tall order. Revocation, for the most part, delivers exactly what fans look for in a Revocation album; exciting, technical and catchy songs with all the heft and energy of a freight train.” Ladies and gentlemen, today is Tech-Death Albums We Missed Reviewing Day!! First up on the tardy list is the thrashy goodness of Revocation and doing the honors is our brand new probationary scribe, Kronos! New writer, long awaited review, what more can you ask for, you divas!!

Death Toll Rising – Infection Legacy Review

By JF Williams on October 17, 2013 in 2013, Canadian Metal, Death Metal, Reviews, Thrash Metal, Death Metal, Thrash Metal, 4 comments

“Monty Python’s Life of Brian had a tagline that said something to the effect of: “See the movie that’s controversial, sacrilegious, and blasphemous. But if that’s not playing, see The Life of Brian.” Remove the satire and replace Life of Brian with Infection Legacy from Canadian death/thrashers Death Toll Rising, and you’ll have a fairly good idea of what you’re getting into here on their follow up to their embarrassingly titled Defecation Suffocation.” A super obscure death/thrash act that’s comparable to a Monty Python classic? If that doesn’t tickle your curiosity bone, you must’ve had it removed.

Abyssous – …Smouldering Review

By Natalie Zed on September 25, 2013 in 2013, Death Metal, German Metal, Iron Bonehead Productions, Reviews, Death Metal, 2 comments

“Hailing from the Saxony region of Germany, death metallers Abyssous first appeared on the scene with a sodden, bone-breaking crunch with 2012’s …Smouldering demo. The raw, cavernous quality of those tracks attracted the attention of Iron Bonehead Productions, who have released the demo as a full-length with the addition of two new tracks. The LP version of …Smouldering is every bit as dank as the original release, but the additional tracks do more than pad out the length of the record. There is a sense of a more complete narrative arc and a fuller musical construction that improves the album as a whole.” Old school death is plenty good, but when you add in some old timey Morgoth influence, then it deserves real attention!

Wolfheart – Winterborn Review

By Steel Druhm on September 24, 2013 in 2013, Black Metal, Death Metal, Finnish Metal, Reviews, Black Metal, Death Metal, 8 comments

“Tuomas Saukkonen is no stranger to the pages of AMG. We’ve spoken very highly of his Before the Dawn and Black Sun Aeon projects and generally came across as nuthugging fanboys of the man’s work. Needless to say, we were as shocked as everyone else when he unexpectedly laid both bands to rest (along with several others) and announced his intention to focus solely on a new act called Wolfheart, which at least initially would consist of just him.” Since we lose two great bands in order to get Wolfheart, is it a fair trade off or did we get screwed? Steel Druhm examines the details and overall fairness.

Serocs – The Next Review

By Dr. Fisting on September 22, 2013 in 2013, Death Metal, Mexican Metal, Reviews, Death Metal, 4 comments

Serocs began back in 2009 as a one-man operation, founded by Mexico-based guitarist Antonio Freyre. After a couple of EP releases, their debut full-length Oneirology finally surfaced a year ago. In the short time since then, Serocs has become a multi-national death metal conglomerate, with Freyre recruiting members of Vile, Monstrosity and Lecherous Nocturne (not to mention a whole shitload of guest appearances). For all the tech-death credentials of this group, the result is heavy on the “death” and short on “tech.” Mexican death metal is a special beast and Mr. Fisting knows his Mexican death!

Ulcerate – Vermis Review

By Jordan Campbell on September 4, 2013 in 2013, Death Metal, New Zealand Metal, Relapse, Reviews, Death Metal, 5 comments

“Ulcerate’s emergence was rather inauspicious. Their first work, The Coming of Genocide, didn’t hold much promise. It was pretty standard for mid-aughts uber-blast brutality, assaultive to the point of redundancy. But there were some gnarly guitar squalls nestled in their amateurish blastfuckery, and on their first true album, Of Fracture and Failure, things started to get wild. Then, Everything is Fire happened, and things got real.” First Carcass and now this? It’s all big releases, all the time and and Jordan Campbell is on the job with his always insightful musings.

Carcass – Surgical Steel Review

By Dr. Fisting on September 3, 2013 in 2013, Death Metal, English Metal, Heavy Metal, Nuclear Blast, Rating, Reviews, Death Metal, Grind, 48 comments

“What time is it? It’s motherfucking Carcass time, people. If you’re anything like me, you felt cheated by their “final” album Swansong back in ’96, and the legions of Heartwork-inspired posers failed miserably to fill the void. You may have given up hope on any kind of closure, until the band’s return to live work in 2007. Since then, it’s been a waiting game, a simple “will they or won’t they” concerning new music. And now, after a 17-year wait, the answer comes in the form of the brilliantly-titled Surgical Steel…” What’s the verdict? Only time, and your scrolly button, can tell!

Ataraxie – L’Être et la Nausée Review

By Noctus on August 28, 2013 in 2013, 4.5, Death Metal, Doom Metal, French Metal, Reviews, Weird Truth Productions, Death Metal, Doom Metal, 7 comments

“Jesus fucking Christ. From the moment the teaser came up on the YouTube showcasing some of the most foreboding death/doom I’ve heard in recent memory, I knew this album would be good; no question about that. Dealing with the subject of insanity and sickness, there really is no better genre of metal to match it — the crushing weight of sound along with the jarring shifts in tempo make it the perfect medium for some seriously skin-crawling material. The potential for this album was huge, especially knowing the track record this band has for great releases; Slow Transcending Agony being one of my go-to death/doom records. But it posed risks, the biggest being the length — keeping one’s attention for a double album.” Noctus isn’t afraid of a double album of hostile funeral doom/death, but should you be?

Witherscape – The Inheritance Review

By Steel Druhm on August 13, 2013 in 2013, 4.0, Century Media, Death Metal, Progressive Death, Progressive Metal, Reviews, Swedish Metal, Death Metal, Progressive Metal, 17 comments

“There are few sure things in the world, but there’s one name that screams quality and excellence and that name is Dan Fucking Swanö. From his work on top-notch death metal albums like Edge of Sanity’s Crimson, his collarboration with Bloodbath, Threshold and Demiurg and his proggy solo albums like Moontower, the man has the midas touch and one of the best death roars of all time. He’s also a producer extraordinaire and perhaps the best at making death metal sound the way it should. Witherscape takes his hefty talents and pairs them with unknown instrumentalist Ragnar Widerberg and the result is a concept album about a gothic insane asylum and evil goings on. Musically, it’s a stunning mash-up of Crimson, Damnation-era Opeth, Omnium Gatherum, Mercyful Fate and even King Crimson.” Steel Druhm has a mancrush on Dan Swanö and you should too, unless you’re a woman. Join him as he explains why Witherscape justifies his love.