“My name is Clyde, and I arrive from beyond with terrible news.”
And then things got weird. As does Dissimulator.
“My name is Clyde, and I arrive from beyond with terrible news.”
And then things got weird. As does Dissimulator.
“The German town of Reichenbach im Vogtland in Saxony is, in all likelihood, not the first place one would look for a metal band. However, the relatively small and generally unremarkable town is home to Boundless Chaos. Four of whose five members previously comprised The True Hellfyre Warmachine, which managed one 2016 EP before (probably advisedly) changing its name the following year. Having acquired a fifth member, vocalist E.M., somewhere along the way, Boundless Chaos self-released an EP and a couple of splits between 2020 and 2023, which did enough to secure the band a deal with Germany’s Dying Victim Productions. Boundless Chaos have arrived?” Chaos is a map.
“The late 90s may have seen Sadus wandering too deep into (then) modern, groovy, and progressive sounds, and the 2006 offering Out for Blood leaning further into weird synth intros, drop-tuned guitars, thrash heresy. But, at the core of their most beloved outings, the backbone of Sadus was always a neck-snapping, zig-zag riffcraft.” Unsung but vicious.
“Unfamiliar with their first couple of albums, it doesn’t take long to become acquainted with The Bleeding’s gnarly formula. If you guessed Cannibal Corpse worship, you guessed wrong. Instead, The Bleeding channel ripping death-thrash with a mean blackened edge.” Blood for the Blood God!
“Whether you dread the stock report, the job search, the general grind of hand-to-mouth life, times are tough. That’s why we here at AMG are announcing that we’ve decided to turn a new leaf to assist with a different kind of grind. In need of hip flower? Look no further than our direct-to-consumer weed delivery platform Angry Marijuana Guy, a service sure to fall into favor with ganja socialites and herbaceous intellectuals everywhere. For this launch on the most apt of days—that’s 4/20 for us of the brutish month-day persuasion—I, Dank Dolph, have three limited edition hybrids to present to you inspired by the munchie-fueled machinations of the like-minded Massachusetts act Bonginator.” Smoke on the weedeater.
“After producing one of 2022’s greatest pieces of album art, Mitchell Nolte is back with a vengeance. The fantasy scene that graces Raider’s Trial by Chaos depicts a lone warrior battling a sea of dragons, snakes, and cephalopods attacking from every direction. Violent, claustrophobic, and extravagant, it’s a perfect match for the music. Canada’s Raider specializes in an explosive brand of death-thrash that keeps the dial turned to 11 at all times.” The April wind is a Raider.
“Some bands insist on pushing envelopes, demanding listeners’ attention by challenging genre norms and breaking new ground. Yatra is not one of those bands. These Maryland natives had a prolific first few years, releasing a stoner doom debut in 2019 and following it up with two sludgy riff-fests in 2020. Their last album All Is Lost earned praise from our very own GardensTale, establishing Yatra as a lean mean sludge machine without reinventing any wheels. Its follow-up Born into Chaos promises a shift in sound, from the band’s stoner origins to no-frills death metal. As an avowed death metal lover, I couldn’t help but be intrigued.” Yatra, Yatra, Yatra…
“So here’s a segment you all likely are too young to remember/never thought you’d see again. And it comes from the most unlikely source to boot—me! I discovered this feature through one of our monthly staff review calls/execution ceremonies, and I thought it was a shame we don’t use it more often. This comes on the back of a month where many of us were swamped with life events, massive overtime at work, and other such stressors. Naturally, we missed a bunch of releases, both ones we received promo for and ones we didn’t.” No filter!
“It brings me no joy to write that, to my ears, Royal Destroyer does not meet the high bar set by Cobra Speed Venom, one of The Crown’s finest efforts and 2018’s best record. With that bit of unpleasantry dealt with, I can thankfully write that Royal Destroyer is still a good record, and nowhere near the misstep Death is Not Dead was.” Crown Royal?
“Dark Zodiak borrow bits of the chunky, militaristic rhythms of Sodom, the scratchy grooves of Kreator and the progressive wanderings of Metallica. The push into heavier death-thrash territory is almost entirely due to a grotesque performance from vocalist Simone Schwarz, who commands the record with guttural roars, dry rasps, sinister narration, and even the occasional pig squeal.” Sign stealing.