Deathcult

Deathcult – Of Soil Unearthed Review

Deathcult – Of Soil Unearthed Review

“The second I saw Deathcult’s Of Soil Unearthed in the promo sump, I knew I had to have it. Not because I’d heard their first album, 2010’s Beast of Faith, but because that name is death metal distilled; the kind of brutish, on-the-nose moniker that conjures pleasant thoughts of Guyana in 1978. The kind of name which whispers sweet nothings to the reptilian part of my brain that produces monosyllabic grunts whenever I hear a guttural vocal, a crunchy riff, or a vile lyric or two.” Well trod earth, unearthed.

Deathcult – Cult of the Goat Review

Deathcult – Cult of the Goat Review

“I’m not quite sure how it happens but I always seem to find myself buried in black metal at the end of the year. It’s not like 2015, where Kampfar’s Profan squeezed its way into my top ten at the last second, but there are some last-minute gems from 2017. And two, in particular, involve the infamous Hoest. Last month, there was Taake’s Kong Vinter. This month, there’s the return of Norway’s sibling-driven Deathcult.” Goatloads of fun.

Deathcult – Beasts of Faith Review

Deathcult – Beasts of Faith Review

Deathcult can be comfortably lumped in the niche “weird” OSDM scene with bands like Obliteration, Morbus Chron, and Tribulation. The root of it all is old Death, Entombed, and Autopsy riffs, but it tries to be more “progressive” by making the songs a bit more technically involved and spaced out, but less immediate along with hints from the melodicism of the old Swedish scene to spice things up. Beasts of Faith aims to mix this all together with a nearly transparent coat of new paint much like The Matrix added virtual reality to a combination of Descartes’s “evil demon” thing and Plato’s cave allegory.” This isn’t your father’s old school death.