Deathgrind

Feed the Corpses to the Pigs  – This Insidious Horror Review

Feed the Corpses to the Pigs – This Insidious Horror Review

“Promo selection is not always a calculated plan of precision. I’m sure every AMG writer has their own methodical ways or quirky preference when they dive into the sordid world of metal promos. But in some cases, it’s the promise of simple pleasures that can allure. Case in point is the new album from New Mexico’s deathgrind/crossover crew Feed the Corpses to the Pigs. I must admit it was their part cool, part clumsy moniker, and deathgrind tagging that dragged me in.” Hurls before swine.

Tumba de Carne – Decatexis // Perpetuo Altar Review

Tumba de Carne – Decatexis // Perpetuo Altar Review

“After maybe 300 reviews, I’d estimate I’ve locked up several kilobytes of server space recommending artists work with Colin Marston. As a result, I of course take full credit for all the bands that line up to record with him and receive a small monthly stipend from the Menegroth budget. But not every band has to take that advice, and since my kickback is limited by studio throughput, I’m in the market for another producer to praise/shake down. That’s where Argentina’s Tumba de Carne come in.” Tumba thumper.

Seputus – Phantom Indigo Review

Seputus – Phantom Indigo Review

“If tasked to write a glib introduction for Seputus, one could hardly do better than “Pyrrhon with 25% less Pyrrhon.” With a lineup entirely drawn from the noise-death icon (missing only the inimitable Dylan DiLella), that’s mathematically true, and with their second record, it’s likewise stylistically accurate. With Phantom Indigo drummer/guitarist Stephen Schwegler, bassist Erik Malave, and vocalist Doug Moore give in to their experimental instincts, livening their dense deathgrind with nauseous psychedelia and stretching their compositions to the breaking point.” Colors of the Septrum.

Dipygus – Bushmeat Review

Dipygus – Bushmeat Review

“A strong concept can get you far. Even a challenging listen can be improved by a powerful concept that resonates. Enter the evocatively titled Bushmeat, the sophomore effort from Dipygus, an outfit hailing from Santa Cruz, California who produce a particularly gamey hybrid of death metal and grindcore. This hideous quartet are eager to infuse Bushmeat with their own vile take on 1970s exploitation jungle horror. With one banned album under their belts and a penchant for irredeemable jungle horror, does Dipygus‘ aim to get by on concept alone, or do they have the chops to pull off a carnal marriage between theme and execution?” Jungle rot.

BRUCEXCAMPBELL – South to No Life Review

BRUCEXCAMPBELL – South to No Life Review

BRUCEXCAMPBELL is a deathgrind band named after an actor known for one thing: Evil Dead. Sam Raimi’s series contains the favorite movie of many old-school extreme metallers (normally the first or second film) and a plethora of thematic content for a metal record, either in the Exhumed or Fulci mold. What’s to hope for from a deathgrind band named after the man legend who plays Ash?” Good. Bad. I’m the guy with the grind.

Benighted – Obscene Repressed Review

Benighted – Obscene Repressed Review

“With a career spanning over 20 years, French deathgrind wrecking crew Benighted are very much in the veteran class. This perennial favorite continues delivering top notch material, showing no signs of tempering their gnarled, awesomely potent, and over-the-top formula of brutal deathgrind, replete with oddball treats, technical mastery, gut-busting grooves and tasteful lashings of melody.” Own the Benight!

Rat King – Vicious Inhumanity Review

Rat King – Vicious Inhumanity Review

“Do you want your face ripped off? Are you desiring to have your skull bludgeoned to concussive proportions? Do you want both at once?? Look no further, ’cause deathgrind’s got you covered. From the swanky animal-lovin’ veganity of Cattle Decapitation, the hardcore crusty punch of Misery Index, the tech wankery of Dying Fetus, or the murky brutality of Infernal Coil, it’s a style characterized by one focus: knocking your lights out hard and fast. In spite of the savage atmosphere, it’s a style royally ruled by the the upper echelon of the aforementioned acts, and a trickle-down effect of its underlings.” Reaganomics killing you.

Cattle Decapitation – Death Atlas Review

Cattle Decapitation – Death Atlas Review

“The band are an institution and an interesting force in extreme metal for both their singular creativity and unflinchingly progressive politics in a genre dominated by derivation and incoherent edgelord lyricism. As I said in my review of The Anthropocene Extinction, Cattle Decapitation are just fucking cool.” Meat and greet.

Exhumed – Horror Review

Exhumed – Horror Review

“I fucking love Exhumed. The veteran death metal collective have been kicking out their deathly gore metal jams for over 20 years and time has not slowed them down. Quite the opposite in fact, as Exhumed have arguably improved with age, becoming increasingly refined, melodic and technical without sacrificing the raw edge and blood soaked brutality of their early days. And the band has been on quite the hot streak, with their previous offering, 2017’s Death Revenge, continuing the momentum from 2011s potent All Guts, No Glory and 2013’s exceptional Necrocracy albums. On their latest platter of splatter, Exhumed hearken back to their earlier death metal roots, spattered with grind elements.” The horror.

Birdflesh – Extreme Graveyard Tornado Review

Birdflesh – Extreme Graveyard Tornado Review

“Formed in 1992, Sweden’s Birdflesh have left an extensive trail of demos, splits, EPs, full-lengths and bloodied feathers across a career dedicated to fun, catchy and relentlessly vicious grind. And all the while they’ve kept their tongues firmly planted in cheeks, bringing a strong element of gore-laced humor into their thrash and death infested grindcore experience.” The corpsey wind comes blowing in….