Debemur Morti Productions

Blut Aus Nord – Hallucinogen [Things You Might Have Missed 2019]

Blut Aus Nord – Hallucinogen [Things You Might Have Missed 2019]

“Whichever the style, the quality of <'sb>Blut Aus Nord output never faltered. They could and have done whatever they wanted. Yet even in such a varied discography, their thirteenth LP Hallucinogen arrives as a sharp and expectedly unexpected detour. An ascendance to a higher celestial plane.” Black trip.

Crimson Moon – Mors Vincit Omnia Review

Crimson Moon – Mors Vincit Omnia Review

Crimson Moon originated as a single-man black metal project in 1994, the creation of Scorpios Adroctonus. In 1998, he moved from America to Germany and expanded the project. But the output of Crimson Moon has been sparse, with only three albums since it was formed. The last was 2016’s Oneironaut, which impressed many (including our own Al Kikuras) with its expansive, but occasionally excessive, approach. Now the band is back with Mors Vincit Omnia (Death Conquers All) in, by their standards, record time. Is that occult itch about to be scratched?” Institutional blasphemy.

Thenighttimeproject – Pale Season Review

Thenighttimeproject – Pale Season Review

“It’s been a hot minute since I even remotely touched anything Katatonia-related. That’s not out of complete and utter disownership of a great band, mind you. I’ve just been bombarded with so much doom and black metal that keeping up with them can be a bit difficult. So when word that former members the Brothers Norrman had not only put out a new October Tide album, but also the second full-length album from their prog-rock outfit Thenighttimeproject, I figured a reacquainting/discovery mission was in order.” Night shift.

Yerûšelem – The Sublime Review

Yerûšelem – The Sublime Review

“Sometimes, repetition can be a powerful tool. French weirdos Blut Aus Nord know this quite well, as they’ve (he’s) used this tool over the course of several classic and not-so-classic albums. When guitarist, vocalist, and otherwise main fixture Vindsval reunited with longtime BaN bandmate W.D. Feld to further explore the more coldwave/post-punk influences found during the 777 trilogy in Yerûšelem‘s debut, The Sublime. With a fresh canvas to work with, Yerûšelem looks to paint a newer, fresher image of what Vindsval’s main project hinted at.” Loopy.

Rauhnåcht – Unterm Gipfelthron Review

Rauhnåcht – Unterm Gipfelthron Review

“Shit, there’re still albums coming out in 2018? Good ones, too? Yet, with my top ten already complete, it’s easy to write off December. But Madam X‘s watchful eye doesn’t sleep. And thank your lucky stars for that. Because we would have walked right past Rauhnåcht‘s newest release, Unterm Gipfelthron.” Nearly missed.

In the Woods… – Cease the Day Review

In the Woods… – Cease the Day Review

“There have been so many strong comebacks in recent years that it actually seems more notable when one doesn’t go well. Unfortunately, that’s exactly what happened to In the Woods…. In the 1990s, this Norwegian quintet captivated listeners with three albums that ranged in style from black metal to prog rock to avant-garde, all while maintaining an esoteric aura that was somehow only strengthened by their dissolution in 2000. Sadly, after their 2014 reformation, Woods released the disappointing Pure in 2016, a vapid piece of experimental doom metal that probably didn’t even deserve the 2.5/5.0 I gave it at the time.” Comeback redux.