“If you had said to me that an experimental, one-man shoegaze black metal album would end up as one of the best releases of the year, I would’ve replied with ‘Who are you and what are you doing in my home?’ Incredulity would twist the contours of my face as I struggled to reconcile that such a combination could come together so beautifully, stripping away my defenses and pouring itself into every exposed cavity.” Dental metal?
“In recent years I’ve shied away from tech death. Sure I loved Origin back in their Antithesis era, but these days if I want noodles I’ll just make some fucking pasta. That said, a band name as cool as Infinite Earths was tough to ignore, particularly in how it invoked notions of parallel universes and promises of sweet purple cover art with a cosmic beast devouring a planet or some shit.” Take all you can eat, but eat all you take.
“With the absurd amount of music being produced these days, I can only imagine how difficult it is for bands to gain exposure. Metal already caters to a rather niche market, and so it’s understandable that some artists might do whatever it takes to get their music heard. Sometimes, this means that musicians might sacrifice their artistic vision if they feel it will garner greater appeal. Thankfully, Arriver is not one of these bands.” Substance over style.
“The San Francisco music scene is nothing if not creative. With oddball acts like Hammers of Misfortune, Vhöl and Slough Feg calling the area home, creativity is in abundant supply. Worm Ouroboros is yet another off-kilter act providing local color to the Bay Area, lesser known but no less interesting. The brain-trust of Lorraine Rath and Jessica Way, the band’s unique blend of dark ambient goth-rock, doom and neo-folk is as interesting as it is offbeat.” Bay Area goth-waves are rising.
“With Christmas just around the corner, it gives me wry amusement that Bethlehem are about to unleash their latest slab of blackened thrash on the unsuspecting masses. Tis the season and Bethlehem are in a very giving kind of mood!” Grim yule tidings.
“From the brutally vintage cover, you’d be entirely justified expecting Speed and Violence to be a homage to the glory days of Exciter, being as they shamelessly appropriated the cover dynamic of their first album and riffed on the title of their second and best known platter (Violence and Force). While you’d be 110% right about the 80s throwback style Ranger wallows in, you’d be wrong about the chief influence.” It ain’t easy, being speedy.
