“I thought I was done writing about 2019 records, so when this one fell into my lap from on high, I was rather surprised and excited.” Stockings stuffed with death.
Dec19
Tylor Dory Trio – Unsought Salvation Review
“If there is one word that kept coming to mind over and over while I played through Unsought Salvation, it was “potential.” Tylor Dory Trio are a group with a ton of it, showing throughout that they have the musical chops to pull off something truly remarkable. All that seems to be holding the band back right now is experience.” PE = mgh.
Joel Fausto & Illusion Orchestra – Inside the Throat of a Giant Insect Review
“To say the opening moments of Joel Fausto & Illusion Orchestra’s new album are jarring would be an understatement. With a title like Inside the Throat of a Giant Insect, how could it not be?” This place crawls.
Nova – Veniamo Dal Cielo Review
This post has been removed because it promoted Nazi or Nazi-adjacent metal bands or musicians. We apologize.
Israthoum – Arrows from Below Review
“I come to my last writing engagement of the year off the back of reading Grymm’s humbling first post on mental health in metal – and the absolutely incredible reaction to that – as well as wrapping up my TYMHMs and agonizing over my year-end list. It feels somehow anticlimactic to return to ‘normal’ reviewing. That’s no disrespect, however, to today’s subject, a band formed way back in the early 90s in Portugal under the name Grendel, then becoming Geryous, before assuming their current and enduring moniker, Israthoum in 1998.” What’s in a name?
Halphas – The Infernal Path into Oblivion Review
“The Germans dropped their debut in the heart of List Season ’17, a rowdy black metal romp that thrived in the darkness of a 4 pm sunset. Two years on and Halphas won’t flinch before the listicle onslaught. Good on them too, because The Infernal Path into Oblivion is a step-up from an already strong debut. Who needs validation when you’ve got riffs?” Riff money.
The River – Vessels into White Tides Review
“December is usually not the best time to go for a dip in the promo sump. Historically this is the month where we get deluged with re-releases and more low-fi basement black metal than a barrel full of Vardans could churn out in a fortnight. It takes a steady hand to reach into the brackish murk and pull out something promising, and fortunately, nothing is as steady as the iron hand ov Steel. That brings us to the new release by UK experimental Goth/doom act The River.” Follow The River.
Voltumna – Ciclope Review
“How convenient! An extreme metal record distributed by none other than Extreme Metal Music. Can’t get much more straightforward than that! The band is Voltumna, who I am sure every single person here has heard of before. The record is Ciclope. The time is now. The place is here. The reviewer is me. Time to crack open this cyclopic skull and see what lurks inside! Blackened death metal? Just what I wanted!” Extreme gifts.
Officium Triste – The Death of Gaia Review
“25 years is a damn long time for a band to exist, though not so much if you’re a doom metal act. Officium Triste celebrates that milestone this year, but somehow The Death of Gaia, sixth full-length overall and first with Transcending Obscurity Records, is the first time I’ve heard this veteran Dutch act.” Unearthing the doom.
Oath of Cruelty – Summary Execution at Dawn Review
“Oath of Cruelty are a name I’ve been familiar with for a while even if their output thus far has been extremely limited. Formed in 2010, this Texas trio play a combination of death and thrash metal that first came to my attention with 2014’s lean and mean Hellish Decimation EP. Consisting of just two tracks, Decimation seemed to show Cruelty had a mastery of their style, with the EP’s five minute runtime being filled with absolutely fierce riffing and crunchy rhythmic breaks that made it impossible not to bang your head.” Obsessed by cruelty.
