“I feel bad for bands who release albums in December. We are so focused on crafting our year-end lists (and panning each other’s) that we really aren’t that interested in listening to even more new music. Still, Perihelion hold a special place in my heart. Not many bands hail from my ancestral breeding ground of Hungary. I’m sure there’s more, but these guys and Thy Catafalque are the only two that come to mind. And two years ago Perihelion released Örvény, which was quite a nice piece of work. Now comes Agg, the band’s third full-length.” Hungary for more.
Dec19
Luca Sellitto – The Voice Within Review
“As I look back upon the strange and unwieldy mess that we’ve been calling “2019,” I feel like something has been missing. Something uplifting; something powerful. And I’m already short on word count, so, long story short, it’s power metal. In fact, I’m in such a slump for the stuff that seeing The Voice Within, the debut solo album from Luca Sellitto, the guitarist from Italian act Stamina, described as “neoclassical power metal” in the promo bin caused me to grab it so fast I hadn’t even registered the glowing electric guitar on the cover.” Power outage.
Human Fortress – Reign of Gold Review
“Human Fortress has had a strange and somewhat tragic career. I bought their 2001 debut Lord of Earth and Heavens Heir on a whim and was blown away by the classy, high-quality power metal the band delivered. Aided by the exceptional vocals of Jioti Parcharidis, the band crafted some excellent songs that have stuck with me over the years, and while the album wasn’t perfect, it was a rousing and polished slab o’ Euro-power with tons of hooks. In 2003 they took a big step forward, topping their debut with Defenders of the Crown, which has gone on to become one of my favorite power metal albums of all time and one I still play with great regularity. After this, things began to fall apart.” All that sparkles….
Hellsodomy – Morbid Cult Review
“I’m willing to bet Voidhanger’s Working Class Misanthropy is a legal means of execution in some countries and Goatwhore’s live performance remains the only thing that has caused me to piss my pants in my adult life. Hellsodomy don’t sound too much like those bands, but the raging energy this Turkish quartet exudes with their whirlwind of blakk, thrash, and death is enough to make me consider shoving their second album Morbid Cult right into the flabby folds of my Year End List.” Are you cultish?
Fen – The Dead Light Review
“The bleak and harsh Canadian Winter has drawn us into her icy bosom. Days are short, temperatures are lower than the last run of scores I’ve given, and rain and snow abound. It’s the perfect weather for the frosty kiss of good atmospheric black metal, and yet there has been a relative dearth recently. The English trio of Fen aim to change all that with their sixth release, The Dead Light.” Fen is coming.
Timeworn – Leave the Soul for Now Review
“Are we going out with a bang this year? Yes, ladies and other ladies, we are going out with a sizable bang from Norway, as well as a New Year’s resolution for all you concert goers: stop skipping out on fucking support acts, you twats! Because you see, I would not have known about Timeworn had I not seen them open for Kvelertak in 2017.” Support the soul.
Witchbones – The Seas of Draugen Review
“Only in existence since 2018, the one-man black and death metal project has, so far this year alone, dropped three EPs, two compilations and a debut album, May’s We Haunt Ourselves. And now we come to December and Witchbones’ second album, ,i>The Seas of Draugen. This is not blackened death as you picture it in your head. Unless, that is, you are familiar with the type of records that Iron Bonehead tends to put out.” Roll the bones.