Deicide

Backstabber – Conspiracy Theorist Review

Backstabber – Conspiracy Theorist Review

“Oh Canada. How doth thee provideth the world oodles of death metal. The country never seems to run out of new bands to show off every year. Usually I can expect good things from most of those bands, too, which is all the more impressive. To kick off the new year ov death metal, I abducted Québécois Backstabber and their self-released debut Conspiracy Theorist. Ten tracks (seven proper, three instrumental) of modernized death metal with a politically charged message of subterfuge and paranoia sounds like an interesting proposition. Can these guys sell me their scandals, or will they simply appear to me as loonies in tin-foil hats?” Watch the skies.

Deicide – Overtures of Blasphemy Review

Deicide – Overtures of Blasphemy Review

“Despite being a household name in Floridian death metal, Deicide have had a track record as consistent as Nicolas Cage’s acting career. The godslaughtering murder machine fronted by the ever controversial Glen Benton set the tone with a couple of fledgling gems but since then, the quality of their output has been dice rolls all around. The only reviewed records on AMG were the sterile, unconvincing To Hell With God, and In The Minds Of Evil. Though the latter was a step up, its lack of spirit utterly failed to impress Lord Druhm. With no big wins under their belt since 2006’s The Stench of Redemption, Glen and the boys desperately need a slam dunk to convince the world they still belong at the top of the geographical niche they helped create.” Rebranding the cross of Floridian death.

Monstrosity – The Passage of Existence Review

Monstrosity – The Passage of Existence Review

“For what many people come to know nowadays as “Corpsegrinder’s old band,” Monstrosity has built a sterling reputation for themselves without the Cannibal Corpse front-beast. My first introduction to them was on Death…is Just the Beginning Vol. 2, but that was just one song. My true introduction was on 2007’s Spiritual Apocalypse, one of my favorite death metal records of that decade. Having not grown up in the prime era of Floridian death metal, the sound and the iconic Morrisound production style were awesome relics of a bygone time. With Spiritual Apocalypse, Monstrosity brought that time to the present; the Morrisound production was perfect, the songs were impeccable, and then… silence. That is, until now.” Now, Monstrous.

Carnation – Chapel of Abhorrence Review

Carnation – Chapel of Abhorrence Review

“To most people, the word ‘carnation’ refers to a frilly colored flower. Belgium’s Carnation aren’t most people. In fact, if the music on this death metal quintet’s debut is any indication, to them a ‘carnation’ is a 14-foot Venus flytrap-esque monstrosity with teeth like steak knives and vines that could crush your puny little ribcage like a bag of potato chips.” Morbid flora.

Thorium – Blasphemy Awakes Review

Thorium – Blasphemy Awakes Review

“What a swell dude Rogga Johansson is. Even though he is getting ever closer to having a band for every letter of the alphabet, he still finds time to assist his buddies with their songwriting troubles. One such buddy is Michael “MHA” Andersen, managing director of Danish label Mighty Music and frontman for death metal band Thorium.” A Rogga for every season.

Cardiac Arrest – A Parallel Dimension of Despair Review

Cardiac Arrest – A Parallel Dimension of Despair Review

“According to the inexhaustibly kvlt amongst our readership, we don’t review death metal. This is, of course, rubbish, mostly because, musically speaking, death metal is just about my favorite thing, and while I enjoy all of its increasingly technical incarnations, a platter of the traditional riff-beast is always certain to set my chops salivating. Cardiac Arrest are a band after my own heart — perhaps literally — serving the kind of classic cruelty the northern peak of my decades compromised vertebral column can freely enjoy without having to break out the algebra function of my old calculator.” Death for the olde.

Antichrist – Pax Moriendi Review

Antichrist – Pax Moriendi Review

“I’ve often wondered about the importance of a band’s name. Would Death be as big, or produced the same groundbreaking music, if they’d named themselves Erotic Diarrhea Monster? Would Kreator have become the thrash legends they did if they instead called themselves Pee Wee’s Scrotal Shitstorm? The world may never know, but it certainly seems having a more common and accessible name puts pressure on a band to produce better music. Case in point: Antichrist, a Peruvian quartet originally formed in 2004 and later reactivated in 2012.” The Devil is in the details.

Gravesite – Neverending Trail of Skulls Review

Gravesite – Neverending Trail of Skulls Review

“On 2015 debut Horrifying Nightmares…, the quartet excelled at slinging riff after riff at the listener, offering an experience that was enjoyable but didn’t always stick. Nevertheless the record impressed me enough with its lurching guitars and vintage horror creepiness that it narrowly escaped a Things You Might Have Missed writeup and a spot on my Year-End list. With sophomore full-length Neverending Trail of Skulls, I’m finally here to make the trek and reveal the sick world these former Undead Creep members have created.” Goodbye Yellow Brick Road.