Despised Icon

Monolith – No Saints No Solace Review

Monolith – No Saints No Solace Review

“My tolerance for the often maligned deathcore subgenre received a boost of newfound optimism on the back of stellar 2019 releases from scene heavyweights, Shadow of Intent and Fit for an Autopsy. Both bands demonstrated the sick grooves and punishing, over-the-top brutality and technical chops, reminding me of a time long ago where bands like All Shall Perish and early Despised Icon tore me a new one. Yet, more often than not the style falls flat to my jaded ears. Perhaps an unsigned UK deathcore outfit may not be the best choice to pull myself out of a writing rut, but I’ll be damned if I’m not ready to take the plunge and hope for minor miracles.” Deathcore blues.

Obey the Brave – Balance Review

Obey the Brave – Balance Review

“Of all the things I thought I’d be excited about this year, the metalcore side project of Alex Erian from Despised Icon was not one of them. But sometimes life throws you a delightful curveball, giving you lemonade instead of lemons. Here, life also happened to put a generous double shot of vodka into my lemonade. I’m normally a beer guy, but like an unanticipated alcoholic lemonade, Balance is refreshing.” Drink up.

Despised Icon – Beast Review

Despised Icon – Beast Review

“The state of deathcore in 2016 isn’t an enviable one. It’s not quite old enough yet to spur on needlessly salty debates about the best MySpace pages, and it’s not fashionable or ubiquitous enough anymore to act as a gateway to further extremity as it once did for so many. Suicide Silence was never that good to begin with, but their records have noticeably declined in quality since their debut. Job for a Cowboy has been a boring modern death metal band since Genesis. All Shall Perish hasn’t released an album since 2011, let alone a good one since 2008; the list goes on. Enter the best-known Canadian deathcore band that’s not Cryptopsy in 2008: Despised Icon.” Deathcore in da house!